Eastman Kodak Film Mfg | 1463 Titles
La La Land (2016)
Directed by | Damien Chazelle | Cinematography by | Linus Sandgren | Editing by | Tom Cross
Lenses | Panavision C Series Anamorphic Lenses, Panavision C35 35 mm T2.3 Lens, Panavision C50 50 mm T2.3 Lens, Panavision E Series Anamorphic Lenses, Panavision E35 35 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens
Roman J. Israel, Esq. (2017)
Directed by | Dan Gilroy | Cinematography by | Robert Elswit | Editing by | John Gilroy
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Series Cameras, Panavision Panaflex Millennium XL2 Camera
Lenses | Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Zeiss ARRI Macro Lenses
Woodstock (1970)
Directed by | Michael Wadleigh | Cinematography by | Malcolm Hart, Don Lenzer, Michael Margetts, David Myers, Richard Pearce, Michael Wadleigh, Alfred Wertheimer | Editing by | Jere Huggins, Thelma Schoonmaker, Martin Scorsese, Michael Wadleigh, Stanley Warnow, Yeu-Bun Yee
Cameras | Éclair NPR Camera
Austin Powers: The Spy Who Shagged Me (1999)
Directed by | Jay Roach | Cinematography by | Ueli Steiger | Editing by | Debra Neil-Fisher, Jon Poll
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Hail, Caesar! (2016)
Directed by | Ethan Coen, Joel Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera
Lenses | Zeiss Master Prime Lenses
Stalker (1979)
Directed by | Andrei Tarkovsky | Cinematography by | Aleksandr Knyazhinskiy, Georgi Rerberg, Leonid Kalashnikov | Editing by | Lyudmila Feyginova
Cameras | Kinor 35C 5KSN Camera, Mitchell NC Camera
The Day After Tomorrow (2004)
Directed by | Roland Emmerich | Cinematography by | Ueli Steiger | Editing by | David Brenner
Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera
The Bourne Identity (2002)
Directed by | Doug Liman | Cinematography by | Oliver Wood | Editing by | Saar Klein
Lenses | Panavision Primo Anamorphic Lenses
Talladega Nights: The Ballad of Ricky Bobby (2006)
Directed by | Adam McKay | Cinematography by | Oliver Wood | Editing by | Brent White
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Double Indemnity (1944)
Mean Girls (2004)
Directed by | Mark Waters | Cinematography by | Daryn Okada | Editing by | Wendy Greene Bricmont
Cameras | Panavision Cameras
To Leslie (2022)
Directed by | Michael Morris | Cinematography by | Larkin Seiple | Editing by | Chris McCaleb
Cameras | ARRICAM Lite (LT) Camera
The Maltese Falcon (1941)
Directed by | John Huston | Cinematography by | Arthur Edeson | Editing by | Thomas Richards
Cameras | Mitchell BNC Camera
Aftersun (2022)
Directed by | Charlotte Wells | Cinematography by | Gregory Oke | Editing by | Blair McClendon
Cameras | ARRICAM Lite (LT) Camera
Lenses | Cooke S4/i Lenses
The Fabelmans (2022)
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Sarah Broshar, Michael Kahn
Cameras | ARRI ALEXA Mini LF Camera, ARRIFLEX 16ST Camera, ARRIFLEX 416 Camera, Panavision Panaflex Millennium XL2 Camera
The Iron Claw (2023)
Babylon (2022)
Directed by | Damien Chazelle | Cinematography by | Linus Sandgren | Editing by | Tom Cross
Lenses | Atlas Orion Anamorphic Series Lenses, Cooke Anamorphic/i Zoom Lenses, Zeiss Super Speed Lenses
All Quiet on the Western Front (2022)
Directed by | Edward Berger | Cinematography by | James Friend | Editing by | Sven Budelmann
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini LF Camera, Red Monstro 8K Camera, Sony CineAlta VENICE Camera
Lenses | ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Tribe7 Blackwing7 Lenses, Zeiss Compact Prime CP.3 Lenses
Past Lives (2023)
Directed by | Celine Song | Cinematography by | Shabier Kirchner | Editing by | Keith Fraase
Cameras | Panavision Panaflex Millennium XL Camera
Lenses | Panavision Primo Zooms Spherical Lenses, Panavision PVintage Prime Lenses, Panavision Ultra Speed MKII Lenses
I, Tonya (2017)
Directed by | Craig Gillespie | Cinematography by | Nicolas Karakatsanis | Editing by | Tatiana S. Riegel
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Lenses | Leitz Summilux-C Series Lenses
