Deluxe, Hollywood | 466 Titles
Battle Los Angeles (2011)
Directed by | Jonathan Liebesman | Cinematography by | Lukas Ettlin | Editing by | Christian Wagner
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony PMW-EX3 Camera
Lenses | Panavision Compact Zoom Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses
The A-Team (2010)
Directed by | Joe Carnahan | Cinematography by | Mauro Fiore | Editing by | Roger Barton, Jim May
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Vampires Suck (2010)
Directed by | Jason Friedberg, Aaron Seltzer | Cinematography by | Shawn Maurer | Editing by | Peck Prior
Cameras | Moviecam Compact Camera
The Rainmaker (1997)
Directed by | Francis Ford Coppola | Cinematography by | John Toll | Editing by | Melissa Kent, Barry Malkin
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Alien: Resurrection (1997)
Shanghai (2010)
Directed by | Mikael Håfström | Cinematography by | Benoît Delhomme | Editing by | Peter Boyle, Kevin Tent
Cameras | Panavision Panaflex Millennium XL Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
End of Watch (2012)
Directed by | David Ayer | Cinematography by | Roman Vasyanov | Editing by | Dody Dorn
Cameras | Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Canon XA10 Camera, GoPro HD Hero Camera, Silicon Imaging SI-2K Mini Camera, Silicon Imaging SI-2K Nano Camera
All the Pretty Horses (2000)
Directed by | Billy Bob Thornton | Cinematography by | Barry Markowitz | Editing by | Sally Menke
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses
The Devil Wears Prada (2006)
Directed by | David Frankel | Cinematography by | Florian Ballhaus | Editing by | Mark Livolsi
Cameras | ARRICAM Studio (ST) Camera
The Other Guys (2010)
Directed by | Adam McKay | Cinematography by | Oliver Wood | Editing by | Brent White
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
The Odd Life of Timothy Green (2012)
Far and Away (1992)
Directed by | Ron Howard | Cinematography by | Mikael Salomon | Editing by | Daniel P. Hanley, Mike Hill
Cameras | ARRIFLEX 765 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses | Panavision 65mm Prime Lenses, Zeiss Lenses
Snow White and the Huntsman (2012)
Directed by | Rupert Sanders | Cinematography by | Greig Fraser | Editing by | Conrad Buff IV, Neil Smith
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera
Lenses | Panavision 65mm Prime Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Terminator 3: Rise of the Machines (2003)
Directed by | Jonathan Mostow | Cinematography by | Don Burgess | Editing by | Nicolas De Toth, Neil Travis
Cameras | Panavision Panaflex Platinum Camera
Prince of Persia: The Sands of Time (2010)
Directed by | Mike Newell | Cinematography by | John Seale | Editing by | Mick Audsley, Michael Kahn, Martin Walsh
Cameras | Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Larry Crowne (2011)
Directed by | Tom Hanks | Cinematography by | Philippe Rousselot | Editing by | Alan Cody
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses
Magnolia (1999)
Directed by | Paul Thomas Anderson | Cinematography by | Robert Elswit | Editing by | Dylan Tichenor
Cameras | Panavision Cameras, Pathé Cameras
Lenses | Panavision Lenses
I Am Sam (2001)
Directed by | Jessie Nelson | Cinematography by | Elliot Davis | Editing by | Richard Chew
Cameras | Panavision Panaflex Millennium XL Camera
The Sound of Music (1965) 
Directed by | Robert Wise | Cinematography by | Ted D. McCord | Editing by | William Reynolds
Cameras | Mitchell BNC Camera, Modern Cinema Systems MCS-70
Titanic (1997)
Directed by | James Cameron | Cinematography by | Russell Carpenter | Editing by | Conrad Buff IV, James Cameron, Richard A. Harris
