Film Labs & Post Facilities » Company 3

Company 3, London : 26Company 3, Los Angeles : 82Company 3, New York : 22

Company 3 | 222 Titles

Rate It

« Previous 1 2 3 4 … 12 Next »

LessUpdatedTitleYear

To All the Boys I’ve Loved Before (2018)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 99 Minutes

Directed by | Susan Johnson | Cinematography by | Michael Fimognari | Editing by | Phillip J. Bartell, Joe Klotz

Starring | Lana Condor, Noah Centineo, Janel Parrish

Cameras | ARRI ALEXA Mini Camera

Lenses | Panavision C Series Anamorphic Lenses

Ad Astra (2019)

Motion Picture | 2K Project | Color | 2.39:1 | 123 Minutes

Directed by | James Gray | Cinematography by | Hoyte Van Hoytema | Editing by | John Axelrad, Lee Haugen

Starring | Brad Pitt, Tommy Lee Jones, Ruth Negga, Donald Sutherland

Cameras | Aaton Penelope Camera, ARRI ALEXA XT Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX Camera

Lenses | CamTec Astra Master Prime Series Lenses, Zeiss Master Prime Lenses

Boy Erased (2018)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 115 Minutes

Directed by | Joel Edgerton | Cinematography by | Eduard Grau | Editing by | Jay Rabinowitz

Starring | Lucas Hedges, Nicole Kidman, Joel Edgerton

Cameras | ARRI ALEXA Mini Camera, ARRICAM Lite (LT) Camera

Lenses | Zeiss Super Speed Lenses

On the Basis of Sex (2018)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 120 Minutes

Directed by | Mimi Leder | Cinematography by | Michael Grady | Editing by | Michelle Tesoro

Starring | Felicity Jones, Armie Hammer, Justin Theroux

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses | Panavision Primo Primes Spherical Lenses

Wind River (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 107 Minutes

Directed by | Taylor Sheridan | Cinematography by | Ben Richardson | Editing by | Gary Roach

Starring | Elizabeth Olsen, Jeremy Renner, Graham Greene

Cameras | ARRI ALEXA XT Camera, ARRI ALEXA XT Plus Camera

Lenses | Angenieux Lenses, Zeiss Standard Speed Prime Lenses

Guardians of the Galaxy Vol. 3 (2023)

Motion Picture | 2D, 3D | Color | 1.90:1, 2.39:1 | 150 Minutes

Directed by | James Gunn | Cinematography by | Henry Braham | Editing by | Greg D'Auria, Fred Raskin

Starring | Chris Pratt, Chukwudi Iwuji, Bradley Cooper

Cameras | Red Digital Cinema Cameras, Red Komodo Camera, Red Monstro 8K Camera, Red V-Raptor Camera

Lenses | Angenieux Optimo Ultra 12x Lens, Angenieux Type EZ-1 VV 45-135 mm T3.0 Lens, Angenieux Type EZ-2 VV 22-60 mm T3.0 Lens, Leitz M 0.8 Series Lenses

Skyfall (2012)

Motion Picture | 2D | Color | 1.90:1, 2.39:1 | 143 Minutes

Directed by | Sam Mendes | Cinematography by | Roger Deakins | Editing by | Stuart Baird

Starring | Daniel Craig, Javier Bardem, Naomie Harris, Judi Dench

Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, Red Epic Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Quantum of Solace (2008)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 106 Minutes

Directed by | Marc Forster | Cinematography by | Roberto Schaefer | Editing by | Matt Chesse, Richard Pearson

Starring | Daniel Craig, Olga Kurylenko, Mathieu Amalric, Judi Dench

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX D-21 Camera, Bell & Howell Eyemo Camera, Dalsa Origin Camera, Sony HDW-F900R Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses

Spectre (2015)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 148 Minutes

No Time to Die (2021)

Motion Picture | 2D | 4K Project | Color | 1.43:1, 1.90:1, 2.39:1 | 163 Minutes

Top Gun: Maverick (2022)

Motion Picture | 2D, 3D | 4K Project | Color | 1.90:1, 2.39:1 | 130 Minutes

Directed by | Joseph Kosinski | Cinematography by | Claudio Miranda | Editing by | Eddie Hamilton

Starring | Tom Cruise, Jennifer Connelly, Miles Teller

Cameras | Sony CineAlta VENICE Camera

Lenses | Sigma Lenses, Voigtländer Lenses, Zeiss Master Prime Lenses

Star Wars: The Force Awakens (2015)

Motion Picture | 2D, 3D | 4K Project | Color | 1.43:1, 1.90:1, 2.39:1 | 136 Minutes

Star Wars: Episode IX – The Rise of Skywalker (2019)

Motion Picture | 2D, 3D | 4K Project | Color | 2.39:1 | 141 Minutes

Directed by | J.J. Abrams | Cinematography by | Dan Mindel | Editing by | Maryann Brandon, Stefan Grube

Starring | Daisy Ridley, John Boyega, Oscar Isaac

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Digital Lenses, Panavision Retro C Series Lenses, Panavision T Series Anamorphic Lenses

Black Panther: Wakanda Forever (2022)

Motion Picture | 2D | 4K Project | Color | 1.90:1, 2.39:1 | 161 Minutes

Directed by | Ryan Coogler | Cinematography by | Autumn Durald Arkapaw | Editing by | Kelley Dixon, Jennifer Lame, Michael P. Shawver

Starring | Letitia Wright, Lupita Nyong'o, Danai Gurira

Cameras | Sony CineAlta VENICE Camera

Lenses | Panavision B Series Anamorphic Lenses, Panavision Macro Anamorphic Panatar Prime Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Panatar Anamorphic Lenses

12 Strong (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 130 Minutes

Directed by | Nicolai Fuglsig | Cinematography by | Rasmus Videbæk | Editing by | Lisa Lassek

Starring | Chris Hemsworth, Michael Shannon, Michael Peña

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera, Red Epic Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Lost River (2014)

Motion Picture | 2D | Color | 2.39:1 | 95 Minutes

Directed by | Ryan Gosling | Cinematography by | Benoît Debie | Editing by | Nico Leunen, Valdís Óskarsdóttir

Starring | Christina Hendricks, Iain De Caestecker, Matt Smith, Saoirse Ronan

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, Red Epic Camera

Lenses | Cooke 5/i Lenses, Zeiss Ultra Prime Lenses

Barbie (2023)

Motion Picture | 2D | 4K Project | Color | 1.90:1, 2.0:1 | 114 Minutes

Directed by | Greta Gerwig | Cinematography by | Rodrigo Prieto | Editing by | Nick Houy

Starring | Margot Robbie, Ryan Gosling, Issa Rae

Cameras | ARRI ALEXA 65 Camera

Lenses | Panavision Lenses, Panavision System 65 Lenses

Bird Box (2018)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 124 Minutes

Directed by | Susanne Bier | Cinematography by | Salvatore Totino | Editing by | Ben Lester

Starring | Sandra Bullock, Trevante Rhodes, John Malkovich

Cameras | Red Helium (Weapon) 8K

Lenses | Zeiss Master Prime Lenses

Overlord (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 110 Minutes

Directed by | Julius Avery | Cinematography by | Laurie Rose, Fabian Wagner | Editing by | Matt Evans

Starring | Jovan Adepo, Wyatt Russell, Mathilde Ollivier

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses | Panavision T Series Anamorphic Lenses

The Sun Is Also a Star (2019)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 100 Minutes

Directed by | Ry Russo-Young | Cinematography by | Autumn Durald Arkapaw | Editing by | Joe Landauer

Starring | Yara Shahidi, Anais Lee, Charles Melton

Cameras | ARRI ALEXA Mini Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

« Previous 1 2 3 4 … 12 Next »

©2012 - 2025 ShotOnWhat?

20254.20