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Company 3, New York | 18 Titles

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Barbie (2023)

Motion Picture | 2D | 4K Project | Color | 1.90:1, 2.0:1 | 114 Minutes

Directed by | Greta Gerwig | Cinematography by | Rodrigo Prieto | Editing by | Nick Houy

Starring | Margot Robbie, Ryan Gosling, Issa Rae

Cameras | ARRI ALEXA 65 Camera

Lenses | Panavision Lenses, Panavision System 65 Lenses

Past Lives (2023)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 105 Minutes

Directed by | Celine Song | Cinematography by | Shabier Kirchner | Editing by | Keith Fraase

Starring | Greta Lee, Teo Yoo, John Magaro

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Zooms Spherical Lenses, Panavision PVintage Prime Lenses, Panavision Ultra Speed MKII Lenses

BlacKkKlansman (2018)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 135 Minutes

Directed by | Spike Lee | Cinematography by | Chayse Irvin | Editing by | Barry Alexander Brown

Starring | John David Washington, Adam Driver, Laura Harrier

Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision PVintage Prime Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Zeiss Master Prime Lenses

The Book of Henry (2017)

Motion Picture | 2D | Film Project | Color | 1.85:1, 2.0:1 | 105 Minutes

Directed by | Colin Trevorrow | Cinematography by | John Schwartzman | Editing by | Kevin Stitt

Starring | Naomi Watts, Jaeden Martell, Jacob Tremblay, Sarah Silverman

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Lenses

A Quiet Place (2018)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 90 Minutes

Directed by | John Krasinski | Cinematography by | Charlotte Bruus Christensen | Editing by | Christopher Tellefsen

Starring | Emily Blunt, John Krasinski, Millicent Simmonds, Noah Jupe

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Panavision Anamorphic Macro Panatar Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses

Christopher Robin (2018)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 104 Minutes

Directed by | Marc Forster | Cinematography by | Matthias Koenigswieser | Editing by | Matt Chesse

Starring | Ewan McGregor, Hayley Atwell, Bronte Carmichael, Mark Gatiss

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Panavision APO Panatar Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Spotlight (2015)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 129 Minutes

Directed by | Tom McCarthy | Cinematography by | Masanobu Takayanagi | Editing by | Tom McArdle

Starring | Mark Ruffalo, Michael Keaton, Rachel McAdams, Liev Schreiber

Cameras | ARRI ALEXA XT Camera

Lenses | Panavision Lightweight Zoom Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses

Meadowland (2015)

Motion Picture | 2D | Color | 2.39:1 | 105 Minutes

Directed by | Reed Morano | Cinematography by | Reed Morano | Editing by | Madeleine Gavin

Starring | Olivia Wilde, Luke Wilson, Giovanni Ribisi, Elisabeth Moss

Cameras | ARRI ALEXA Plus Camera, ARRI ALEXA XT Camera

Lenses | Angenieux HR Zoom Lenses, ARRI / Zeiss Master Anamorphic Lenses

Run All Night (2015)

Motion Picture | 2D | Color | 2.39:1 | 114 Minutes

Directed by | Jaume Collet-Serra | Cinematography by | Martin Ruhe | Editing by | Dirk Westervelt

Starring | Liam Neeson, Ed Harris, Joel Kinnaman, Vincent D'Onofrio

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses

Rosewater (2014)

Motion Picture | 2D | Color | 1.85:1 | 103 Minutes

Directed by | Jon Stewart | Cinematography by | Bobby Bukowski | Editing by | Jay Rabinowitz

Starring | Gael García Bernal, Kim Bodnia, Dimitri Leonidas, Haluk Bilginer

Cameras | ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Foxcatcher (2014)

Motion Picture | 2D | Black & White, Color | 134 Minutes

Directed by | Bennett Miller | Cinematography by | Greig Fraser | Editing by | Jay Cassidy, Stuart Levy, Conor O'Neill

Starring | Steve Carell, Channing Tatum, Mark Ruffalo, Vanessa Redgrave

Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII Lenses

12 Years a Slave (2013)

Motion Picture | 2D | Color | 2.39:1 | 134 Minutes

Directed by | Steve McQueen | Cinematography by | Sean Bobbitt | Editing by | Joe Walker

Starring | Chiwetel Ejiofor, Michael Kenneth Williams, Michael Fassbender, Brad Pitt

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

The Place Beyond the Pines (2012)

Motion Picture | 2D | Color | 2.39:1 | 140 Minutes

Directed by | Derek Cianfrance | Cinematography by | Sean Bobbitt | Editing by | Jim Helton, Ron Patane

Starring | Ryan Gosling, Bradley Cooper, Eva Mendes, Craig Van Hook

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4/i Lenses

Confessions of a Shopaholic (2009)

Motion Picture | 2D | Color | 2.35:1 | 104 Minutes

Confessions of a Shopaholic | ShotOnWhat?

Directed by | P.J. Hogan | Cinematography by | Jo Willems | Editing by | William Goldenberg

Starring | Isla Fisher, Hugh Dancy, Krysten Ritter, Joan Cusack

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Sorcerer’s Apprentice (2010)

Motion Picture | 2D | Color | 2.35:1 | 109 Minutes

The Sorcerer’s Apprentice | ShotOnWhat?

Directed by | Jon Turteltaub | Cinematography by | Bojan Bazelli | Editing by | William Goldenberg

Starring | Nicolas Cage, Jay Baruchel, Alfred Molina, Teresa Palmer

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses | Cooke S4 Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

The Taking of Pelham 1 2 3 (2009)

Motion Picture | 2D | Color | 2.35:1 | 106 Minutes

The Taking of Pelham 1 2 3 | ShotOnWhat?

Directed by | Tony Scott | Cinematography by | Tobias A. Schliessler | Editing by | Chris Lebenzon

Starring | Denzel Washington, John Travolta, Luis Guzmán, Victor Gojcaj

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

Extremely Loud & Incredibly Close (2011)

Motion Picture | 2D | Color | 2.39:1 | 129 Minutes

Directed by | Stephen Daldry | Cinematography by | Chris Menges | Editing by | Claire Simpson

Starring | Thomas Horn, Tom Hanks, Sandra Bullock, Max von Sydow

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke 5/i Lenses

Tower Heist (2011)

Motion Picture | 2D | Color | 2.35:1 | 104 Minutes

Tower Heist | ShotOnWhat?

Directed by | Brett Ratner | Cinematography by | Dante Spinotti | Editing by | Mark Helfrich

Starring | Eddie Murphy, Ben Stiller, Casey Affleck, Alan Alda

Cameras | ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Hawk V-Lite Lenses, Panavision G Series Anamorphic Lenses

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