Company 3 | 161 Titles
Passengers (2016)
Directed by | Morten Tyldum | Cinematography by | Rodrigo Prieto | Editing by | Maryann Brandon
Cameras | ARRI ALEXA 65 Camera
Lenses | Panavision Primo 70 Lenses
Joker (2019)
Directed by | Todd Phillips | Cinematography by | Lawrence Sher | Editing by | Jeff Groth
Lenses | ARRI Rental Prime 65 Lenses, ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Zeiss Compact Zoom CZ.2 28-80mm T2.9 Lens, Zeiss Compact Zoom CZ.2 70-200mm T2.9 Lens
Pirates of the Caribbean: At World’s End (2007)
Directed by | Gore Verbinski | Cinematography by | Dariusz Wolski | Editing by | Stephen E. Rivkin, Craig Wood
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses | Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Live Free or Die Hard (2007)
Directed by | Len Wiseman | Cinematography by | Simon Duggan | Editing by | Nicolas De Toth
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 35mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 65mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Ad Astra (2019)
Directed by | James Gray | Cinematography by | Hoyte Van Hoytema | Editing by | John Axelrad, Lee Haugen
Cameras | Aaton Penelope Camera, ARRI ALEXA XT Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX Camera
Lenses | CamTec Lenses, Zeiss Master Prime Lenses
Mary Queen of Scots (2018)
Five Feet Apart (2019)
Directed by | Justin Baldoni | Cinematography by | Frank G. DeMarco | Editing by | Angela M. Catanzaro
Cameras | ARRI AMIRA Camera
Lenses | Cooke Lenses, Cooke Spherical Lenses
Free Solo (2018)
Directed by | Jimmy Chin, Elizabeth Chai Vasarhelyi | Cinematography by | Jimmy Chin, Clair Popkin, Mikey Schaefer | Editing by | Bob Eisenhardt
A Star Is Born (2018)
Directed by | Bradley Cooper | Cinematography by | Matthew Libatique | Editing by | Jay Cassidy
Cameras | ARRI ALEXA Mini Camera
Lenses | Angenieux Optimo Anamorphic Lenses, Cooke Anamorphic/i SF 25mm T2.3 Lens, Cooke Anamorphic/i SF 32mm T2.3 Lens, Cooke Anamorphic/i SF 40mm T2.3 Lens, Cooke Anamorphic/i SF 50mm T2.3 Lens, Cooke Anamorphic/i SF 75mm T2.3 Lens, Cooke Anamorphic/i SF Prime Lenses, Kowa Cine Prominar Anamorphic Lenses
Avengers: Endgame (2019)
Directed by | Anthony Russo, Joe Russo | Cinematography by | Trent Opaloch | Editing by | Jeffrey Ford, Matthew Schmidt
Cameras | ALEXA IMAX Camera
The X-Files (1993)
| Cinematography by | Bill Roe, John S. Bartley, Joel Ransom, Jon Joffin, Craig Wrobleski, Ron Stannett, Thomas Del Ruth | Editing by | Heather MacDougall, Lynne Willingham, Stephen Mark, Jim Gross, James Coblentz, Louise Innes, Michael Stern, Chris G. Willingham, Scott J. Wallace, Casey O. Rohrs, Christopher Cooke, Michael Kewley, Robert Komatsu, Eleanor Infante, Regis Kimble, J. Kathleen Gibson, Kevin D. Ross, Leon Carrere, Jeff Cahn
Lenses | Panavision Lenses
Body of Lies (2008)
Directed by | Ridley Scott | Cinematography by | Alexander Witt | Editing by | Pietro Scalia
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera
Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Zeiss Ultra Prime Lenses
Unstoppable (2010)
Directed by | Tony Scott | Cinematography by | Ben Seresin | Editing by | Robert Duffy, Chris Lebenzon
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Narcos (2015)
| Cinematography by | Adrian Teijido, Mauricio Vidal, Carmen Cabana, Juan Carlos Gil, Lula Carvalho, Luis David Sansans | Editing by | Matthew Colonna, Trevor Baker, Luis Carballar, Leo Trombetta, Nathan Gunn, Chris McCaleb, Ryan Jones, Jon Otazua, Victor Du Bois, Alex Marquez
A Quiet Place (2018)
Directed by | John Krasinski | Cinematography by | Charlotte Bruus Christensen | Editing by | Christopher Tellefsen
Lenses | Angenieux Optimo Anamorphic Lenses, Panavision Anamorphic Macro Panatar Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses
Bad Boys II (2003)
Directed by | Michael Bay | Cinematography by | Amir Mokri | Editing by | Roger Barton, Mark Goldblatt, Tom Muldoon
Cameras | Bell & Howell Eyemo Camera, Cine SL-35 Camera, Pan-Arri 435es Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
The Favourite (2018)
Directed by | Yorgos Lanthimos | Cinematography by | Robbie Ryan | Editing by | Yorgos Mavropsaridis
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Panaflex Millennium XL2 Camera
Christopher Robin (2018)
Directed by | Marc Forster | Cinematography by | Matthias Koenigswieser | Editing by | Matt Chesse
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses | Panavision APO Panatar Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Strive (2019)
Directed by | Robert Rippberger | Cinematography by | Dominick Sivilli | Editing by | Gabriel Cullen, Ellen Goldwasser
Cameras | Red Epic Dragon Camera
Bohemian Rhapsody (2018)
