Avid Editing System | 388 Titles
The Hobbit: An Unexpected Journey (2012)
Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Jabez Olssen
Cameras | Red Epic Camera
Lenses | Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Madagascar 3: Europe’s Most Wanted (2012)
The Twilight Saga: Breaking Dawn – Part 2 (2012)
Directed by | Bill Condon | Cinematography by | Guillermo Navarro | Editing by | Virginia Katz, Ian Slater
Broken City (2013)
Directed by | Allen Hughes | Cinematography by | Ben Seresin | Editing by | Cindy Mollo
Cameras | ARRI ALEXA Camera, ARRI ALEXA Studio Camera
Life of Pi (2012)
Directed by | Ang Lee | Cinematography by | Claudio Miranda | Editing by | Tim Squyres
Cameras | ARRI ALEXA Camera
Gangster Squad (2013)
Directed by | Ruben Fleischer | Cinematography by | Dion Beebe | Editing by | Alan Baumgarten, James Herbert
Cameras | ARRI ALEXA Studio Camera, Phantom Flex Camera
47 Ronin (2013)
Directed by | Carl Rinsch | Cinematography by | John Mathieson | Editing by | Stuart Baird
Cameras | ARRI ALEXA Camera
Gravity (2013)
Directed by | Alfonso Cuarón | Cinematography by | Emmanuel Lubezki | Editing by | Alfonso Cuarón, Mark Sanger
Cameras | ARRI ALEXA Camera, ARRIFLEX 765 Camera
Lenses | ARRI / Zeiss Lenses, Panavision Primo Close Focus Spherical Lenses, Zeiss Master Prime Lenses
Transformers: Revenge of the Fallen (2009)
Directed by | Michael Bay | Cinematography by | Ben Seresin | Editing by | Roger Barton, Tom Muldoon, Joel Negron, Paul Rubell
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Iwerks IW5A Camera, Panavision Panaflex Platinum Camera
Lenses | Angenieux Optimo Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
People Like Us (2012)
Directed by | Alex Kurtzman | Cinematography by | Salvatore Totino | Editing by | Robert Leighton
Lenses | Cooke S4 Lenses
Wanderlust (2012)
Directed by | David Wain | Cinematography by | Michael Bonvillain | Editing by | David Moritz, Robert Nassau
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
The Words (2012)
Directed by | Brian Klugman, Lee Sternthal | Cinematography by | Antonio Calvache | Editing by | Leslie Jones
Cameras | Panavision Cameras
In America (2002)
Directed by | Jim Sheridan | Cinematography by | Declan Quinn | Editing by | Naomi Geraghty
Cameras | Panavision Panaflex Millennium XL Camera
Lenses | Panavision Primo Anamorphic Lenses
Final Destination 5 (2011)
Directed by | Steven Quale | Cinematography by | Brian Pearson | Editing by | Eric A. Sears
Cameras | ARRI ALEXA Camera
Captain America: The First Avenger (2011)
Directed by | Joe Johnston | Cinematography by | Shelly Johnson | Editing by | Robert Dalva, Jeffrey Ford
Cameras | ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera
Frankenweenie (2012)
Directed by | Tim Burton | Cinematography by | Peter Sorg | Editing by | Chris Lebenzon, Mark Solomon
Cameras | Canon EOS-5D Mark II Camera
Hameno Koritsi (2012)
Directed by | Nikos Pastras | Cinematography by | Yannis Kanakis | Editing by | Angelos Frantzis, Nikos Pastras
Cameras | Canon EOS-5D Mark II Camera
Lenses | Canon Lenses
21 Grams (2003)
Directed by | Alejandro G. Iñárritu | Cinematography by | Rodrigo Prieto | Editing by | Stephen Mirrione
Cameras | Moviecam Superlight Camera
Lenses | Zeiss Ultra Prime Lenses
Hugo (2011)
Directed by | Martin Scorsese | Cinematography by | Robert Richardson | Editing by | Thelma Schoonmaker
Cameras | ARRI ALEXA Camera
Lenses | Cooke 5/i Lenses, Cooke S4 Lenses
















































































