Non Linear Editing | 199 Titles
Requiem for a Dream (2000)
Directed by | Darren Aronofsky | Cinematography by | Matthew Libatique | Editing by | Jay Rabinowitz
Cameras | Bell & Howell Eyemo Camera, Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panastar Camera, Sony Betacam (Unknown) Camera
Lenses | Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses
Leap: Rise of the Beast (2011)
Directed by | Chris Tempel | Cinematography by | Chris Tempel | Editing by | Chris Tempel
Cameras | Canon EOS Rebel T2i Camera
Lenses | Canon EF-S 18-55mm f4 Lens
Christopher Roth (2010)
Directed by | Maxime Alexandre | Cinematography by | Maxime Alexandre
Cameras | Red One Camera
Lenses | Zeiss Ultra Prime Lenses
Spider-Man (2002)
Directed by | Sam Raimi | Cinematography by | Don Burgess | Editing by | Arthur Coburn, Bob Murawski
Cameras | Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Snake Eyes (1998)
Directed by | Brian De Palma | Cinematography by | Stephen H. Burum | Editing by | Bill Pankow
Lenses | Panavision C Series Anamorphic Lenses, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens
Spider-Man 2 (2004)
Directed by | Sam Raimi | Cinematography by | Bill Pope | Editing by | Bob Murawski
Cameras | ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera
A Teen Movie (2022)
The Misfit (2021)
Directed by | Chris Tailor | Cinematography by | Antonia Stylianou | Editing by | Chris Tailor
Cameras | Blackmagic URSA Mini Pro 4.6K G2 Camera
Lenses | Sigma Lenses, Tokina Lenses
Don’t Read This on a Plane (2020)
Directed by | Stuart McBratney | Cinematography by | Scott Devitte, László Kun | Editing by | Stuart McBratney
Cameras | Panasonic Lumix DMC-GH5 Camera, Red Epic Camera
Reto Sangriento (2016)
Directed by | Ricky Gonzalez | Cinematography by | Ricky Gonzalez
Cameras | Blackmagic Cinema Camera
Lenses | Rokinon XEEN 16mm T2.6 Lens, Rokinon XEEN 24mm T1.5 Lens, Rokinon XEEN 35mm T1.5 Lens, Rokinon XEEN 50mm T1.5 Lens, Rokinon XEEN 85mm T1.5 Lens
The Man in Room 6 (2022)
Directed by | Trevor Juenger | Cinematography by | Dylan Schnitker, Joe Tello, Rexx Villotti | Editing by | Abbey Heise, Trevor Juenger
Cameras | GoPro (Woodman Labs) Cameras, GoPro HERO4 Black, Panasonic Lumix DMC-GH5 Camera, Sony α7S II Camera
Lenses | Rokinon Lenses, SLR Magic Lenses
East of Hope Street (1998)
An Enchanted (2019)
Bitch Lover (2020)
Directed by | Vaughn Christion | Cinematography by | Vaughn Christion | Editing by | Vaughn Christion
Cameras | Blackmagic Cinema Camera
Lenses | Rokinon Lenses, Samyang Lenses
The Thistle in the Kiss (2023)
Directed by | Craig Andrew Robertson | Cinematography by | Calum Menzies | Editing by | C.J. Lazaretti
Cameras | Blackmagic Pocket Cinema Camera
Lenses | Canon Lenses, Nikon - Nikkor Lenses
Ambuli (2012)
Directed by | Haresh Narayan, K. Hari Shankar | Cinematography by | Sathish G. | Editing by | K. Hari Shankar
Cameras | Panasonic AG-3DA1 Camera
Lenses | Panasonic Lenses
Mother! (2017)
Directed by | Darren Aronofsky | Cinematography by | Matthew Libatique | Editing by | Andrew Weisblum
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 416 Camera
Room X (2008)
Directed by | Kelvin C. Bias | Cinematography by | Robson Garcia Jr. | Editing by | Pen Williams
Cameras | Bolex H16 SB Camera
Lenses | Angenieux Lenses
A.I. Rising (2018)
Directed by | Lazar Bodroza | Cinematography by | Kosta Glusica | Editing by | Milena Z. Petrovic
Cameras | ARRI ALEXA XT Plus Camera
Lenses | ARRI Lenses
Dirty Mirrors (2022)
