DVD | 2011 Titles
A Man Apart (2003)
Directed by | F. Gary Gray | Cinematography by | Jack N. Green | Editing by | Robert Brown, William Hoy
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Adam Resurrected (2008)
A Shock to the System (1990)
Directed by | Jan Egleson | Cinematography by | Paul Goldsmith | Editing by | William M. Anderson, Peter C. Frank
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Dances with Wolves (1990) 
Directed by | Kevin Costner | Cinematography by | Dean Semler | Editing by | William Hoy, Chip Masamitsu, Steve Potter, Neil Travis
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Where the Truth Lies (2005)
Directed by | Atom Egoyan | Cinematography by | Paul Sarossy | Editing by | Susan Shipton
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Willow (1988)
Directed by | Ron Howard | Cinematography by | Adrian Biddle | Editing by | Daniel P. Hanley, Mike Hill, Richard Hiscott
Cameras | Panavision Panaflex Gold Camera
The Day the Earth Stood Still (2008)
Directed by | Scott Derrickson | Cinematography by | David Tattersall | Editing by | Wayne Wahrman
Cameras | Panavision Cameras
Eastern Promises (2007)
Directed by | David Cronenberg | Cinematography by | Peter Suschitzky | Editing by | Ronald Sanders
Lenses | Zeiss Master Prime Lenses
The Bourne Legacy (2012)
Directed by | Tony Gilroy | Cinematography by | Robert Elswit | Editing by | John Gilroy
Cameras | ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Primes Spherical Lenses
The Descendants (2011)
Directed by | Alexander Payne | Cinematography by | Phedon Papamichael | Editing by | Kevin Tent
Cameras | Panavision Panaflex Platinum Camera
Bad Teacher (2011)
Directed by | Jake Kasdan | Cinematography by | Alar Kivilo | Editing by | Tara Timpone
Cameras | Panavision Panaflex Platinum Camera
Get Smart (2008)
Directed by | Peter Segal | Cinematography by | Dean Semler | Editing by | Richard Pearson
Lenses | Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
ParaNorman (2012)
Directed by | Chris Butler, Sam Fell | Cinematography by | Tristan Oliver | Editing by | Christopher Murrie
Cameras | Canon EOS-5D Mark II Camera
Lenses | Canon Tilt-Shift Lenses, Cooke Varotal Lenses
A.I. Artificial Intelligence (2001)
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn
Cameras | Panavision Cameras
Lenses | ARRI / Zeiss Lenses
Hearat Shulayim (2011)
Directed by | Joseph Cedar | Cinematography by | Yaron Scharf | Editing by | Einat Glaser-Zarhin
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 535 B Camera
American Splendor (2003)
Directed by | Shari Springer Berman, Robert Pulcini | Cinematography by | Terry Stacey | Editing by | Robert Pulcini
Bellflower (2011)
Directed by | Evan Glodell | Cinematography by | Joel Hodge | Editing by | Evan Glodell, Vincent Grashaw, Joel Hodge, Jonathan Keevil
Cameras | Silicon Imaging SI-2K Camera
Lung joi gong woo (1998)
Directed by | Jing Wong | Cinematography by | Siu-Keung Cheng | Editing by | Marco Mak
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera
Lenses | Angenieux Lenses, Cooke Lenses
Lockout (2012)
Directed by | James Mather, Steve Saint Leger | Cinematography by | James Mather | Editing by | Camille Delamarre, Eamonn Power
Cameras | Red One MX Camera
Lenses | Red Pro Prime Lenses
Faubourg 36 (2008)
