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D-Cinema (DCP - Digital Cinema) | 1199 Titles

D-Cinema (DCP - Digital Cinema) 3.00/5 2 Votes

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Annabelle (2014)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 99 Minutes

Directed by | John R. Leonetti | Cinematography by | James Kniest | Editing by | Tom Elkins

Starring | Ward Horton, Annabelle Wallis, Alfre Woodard, Tony Amendola

Cameras | ARRI ALEXA XT Camera, Canon EOS-5D Mark III Camera, Red Epic Camera

Lenses | Canon L Series Lenses, Fujinon Premier Lenses, Leitz Summilux-C Series Lenses

The Equalizer (2014)

Motion Picture | 2D | Color | 2.39:1 | 132 Minutes

Directed by | Antoine Fuqua | Cinematography by | Mauro Fiore | Editing by | John Refoua

Starring | Denzel Washington, Marton Csokas, Chloë Grace Moretz, David Harbour

Cameras | ARRI ALEXA Plus 4:3 Camera

Lenses | Angenieux Optimo Anamorphic 56-152 mm A2S T4.0 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

It’s a Lot (2013)

Motion Picture | 2D | Color | 96 Minutes

Directed by | Darwood Grace, Femi Oyeniran | Cinematography by | Richard Swingle | Editing by | Emanuele Giraldo

Starring | Femi Oyeniran, Red Madrell, Roxy Sternberg, Jazzie Zonzolo

Cameras | ARRI ALEXA XT Camera

Lenses | ARRI Lenses

The November Man (2014)

Motion Picture | 2D | Color | 2.39:1 | 108 Minutes

Directed by | Roger Donaldson | Cinematography by | Romain Lacourbas | Editing by | John Gilbert

Starring | Pierce Brosnan, Luke Bracey, Olga Kurylenko, Bill Smitrovich

Cameras | ARRI ALEXA Plus Camera

Lenses | Hawk V-Lite Vintage´74 Lens

The Purge: Anarchy (2014)

Motion Picture | 2D | Color | 2.39:1 | 103 Minutes

Directed by | James DeMonaco | Cinematography by | Jacques Jouffret | Editing by | Vince Filippone, Todd E. Miller

Starring | Frank Grillo, Carmen Ejogo, Zach Gilford, Kiele Sanchez

Cameras | ARRI ALEXA XT Camera

Deliver Us from Evil: Sarchie (2014)

Direct to Video | 2D | Color | 2.39:1 |

Directed by | Gabriel Noble | Cinematography by | Robbie Stauder | Editing by | Craig Fields

Cameras | Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses | Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses

Exodus: Gods and Kings (2014)

Motion Picture | 3D | Color | 150 Minutes

Directed by | Ridley Scott | Cinematography by | Dariusz Wolski | Editing by | Ali Degismis, Billy Rich

Starring | Christian Bale, Joel Edgerton, Ben Kingsley, Sigourney Weaver

Cameras | Red Epic Dragon Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Foxcatcher (2014)

Motion Picture | 2D | Black & White, Color | 134 Minutes

Directed by | Bennett Miller | Cinematography by | Greig Fraser | Editing by | Jay Cassidy, Stuart Levy, Conor O'Neill

Starring | Steve Carell, Channing Tatum, Mark Ruffalo, Vanessa Redgrave

Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII Lenses

The Artist (2011)

Motion Picture | 2D | 2K Project | Black & White | 2.39:1 | 100 Minutes

Directed by | Michel Hazanavicius | Cinematography by | Guillaume Schiffman | Editing by | Anne-Sophie Bion, Michel Hazanavicius

Starring | Jean Dujardin, Bérénice Bejo, John Goodman, James Cromwell

Cameras | ARRIFLEX 435 ES Camera

Lenses | Panavision Lightweight Zoom Lenses, Panavision Super Speed Lenses

3 Days to Kill (2014)

Motion Picture | 2D | Color | 2.39:1 | 117 Minutes

Directed by | McG | Cinematography by | Thierry Arbogast | Editing by | Audrey Simonaud

Starring | Kevin Costner, Hailee Steinfeld, Connie Nielsen, Amber Heard

Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA Studio Camera

Lenses | Technovision Lenses, Zeiss Super Speed Lenses

Xi you ji: Da nao tian gong (2014)

Motion Picture | 3D | Color | 2.39:1 | 90 Minutes

Directed by | Soi Cheang | Cinematography by | Man Po Cheung, Tao Yang | Editing by | Ka-Fai Cheung

Starring | Donnie Yen, Yun-Fat Chow, Aaron Kwok, Yitian Hai

Cameras | Red One MX Camera

Lenses | Angenieux Optimo Anamorphic 56-152 mm A2S T4.0 Lens, Zeiss Master Prime Lenses

Charlie Countryman (2013)

Motion Picture | 2D | Color | 2.39:1 | 103 Minutes

Directed by | Fredrik Bond | Cinematography by | Roman Vasyanov | Editing by | Hughes Winborne

Starring | Shia LaBeouf, Evan Rachel Wood, Mads Mikkelsen, Til Schweiger

Cameras | ARRI ALEXA Camera

Annie (2014)

Motion Picture | 2D | Color | 2.39:1 | 118 Minutes

Directed by | Will Gluck | Cinematography by | Michael Grady | Editing by | Tia Nolan

Starring | Quvenzhané Wallis, Cameron Diaz, Jamie Foxx, Rose Byrne

Cameras | Sony PMW-F55 Camera

Dallas Buyers Club (2013)

Motion Picture | 2D | Color | 1.78:1 (16x9), 2.39:1 | 117 Minutes

Directed by | Jean-Marc Vallée | Cinematography by | Yves Bélanger | Editing by | Martin Pensa, Jean-Marc Vallée

Starring | Matthew McConaughey, Jennifer Garner, Jared Leto, Steve Zahn

Cameras | ARRI ALEXA Camera

Lenses | ARRI / Zeiss Lenses

Unbroken (2014)

Motion Picture | 2D | Color | 2.39:1 | 137 Minutes

Directed by | Angelina Jolie | Cinematography by | Roger Deakins | Editing by | William Goldenberg, Tim Squyres

Starring | Jack O'Connell, Miyavi, Domhnall Gleeson, Garrett Hedlund

Cameras | ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRI ALEXA XT Studio Camera

Lenses | Zeiss Master Prime Lenses

Tôkyô kazoku (2013)

Motion Picture | 2D | Color | 1.85:1 | 146 Minutes

Directed by | Yôji Yamada | Cinematography by | Mafumi Chikamori | Editing by | Iwao Ishii

Starring | Isao Hashizume, Kazuko Yoshiyuki, Masahiko Nishimura, Yui Natsukawa

Cameras | ARRIFLEX 535 B Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

La grande bellezza (2013)

Motion Picture | 2D | Color | 2.39:1 | 141 Minutes

Directed by | Paolo Sorrentino | Cinematography by | Luca Bigazzi | Editing by | Cristiano Travaglioli

Starring | Toni Servillo, Carlo Verdone, Sabrina Ferilli, Carlo Buccirosso

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, ARRIFLEX 535 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Ultra Prime Lenses

The Grandmaster (2013)

Motion Picture | 2D | Color | 2.39:1 | 130 Minutes

Directed by | Kar-Wai Wong | Cinematography by | Philippe Le Sourd | Editing by | William Chang, Hung Poon

Starring | Tony Chiu-Wai Leung, Ziyi Zhang, Jin Zhang, Chang Chen

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Xtreme Camera, Phantom Flex Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Zulu (2013)

Motion Picture | 2D | Color | 2.39:1 | 110 Minutes

Directed by | Jérôme Salle | Cinematography by | Denis Rouden | Editing by | Stan Collet

Starring | Orlando Bloom, Forest Whitaker, Conrad Kemp, Inge Beckmann

Cameras | ARRI ALEXA Studio Camera

Lenses | Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses

Le premier homme (2011)

Motion Picture | 2D | Color | 1.85:1 | 101 Minutes

Directed by | Gianni Amelio | Cinematography by | Yves Cape | Editing by | Carlo Simeoni

Starring | Michel Crémadès, Jacques Gamblin, Mickaël Batret, Jean Benoit Souilh

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

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