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D-Cinema (DCP - Digital Cinema) | 1199 Titles

D-Cinema (DCP - Digital Cinema) 3.00/5 2 Votes

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Do Not Disturb (2012)

Motion Picture | 2D | Color | 2.39:1 | 88 Minutes

Directed by | Yvan Attal | Cinematography by | Thomas Hardmeier | Editing by | Jennifer Augé

Starring | François Cluzet, Yvan Attal, Laetitia Casta, Charlotte Gainsbourg

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, ARRI Shift & Tilt System Lens, Zeiss Master Prime Lenses, Zeiss Super Speed Lenses

Don-eui mat (2012)

Motion Picture | 2D | Color | 2.39:1 | 115 Minutes

Directed by | Sang-soo Im | Cinematography by | Woo-hyung Kim | Editing by | Eun Soo Lee

Starring | Kang-woo Kim, Yun-shik Baek, Yuh Jung Youn, Hyo-jin Kim

Cameras | Red One Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens

Renoir (2012)

Motion Picture | 2D | Color | 1.85:1 | 111 Minutes

Directed by | Gilles Bourdos | Cinematography by | Ping Bin Lee | Editing by | Yannick Kergoat

Starring | Michel Bouquet, Christa Théret, Vincent Rottiers, Thomas Doret

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Camille redouble (2012)

Motion Picture | 2D | Color | 1.85:1 | 115 Minutes

Directed by | Noémie Lvovsky | Cinematography by | Jean-Marc Fabre | Editing by | Annette Dutertre, Michel Klochendler

Starring | Noémie Lvovsky, Samir Guesmi, Judith Chemla, India Hair

Cameras | ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Cooke S4 Lenses

Plan de table (2012)

Motion Picture | 2D | Color | 2.39:1 | 84 Minutes

Directed by | Christelle Raynal | Cinematography by | Éric Guichard | Editing by | Philippe Bourgueil

Starring | Elsa Zylberstein, Franck Dubosc, Audrey Lamy, Arié Elmaleh

Cameras | Aaton Penelope Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Le grand soir (2012)

Motion Picture | 2D | Color | 2.39:1 | 92 Minutes

Directed by | Benoît Delépine, Gustave Kervern | Cinematography by | Hugues Poulain | Editing by | Stéphane Elmadjian

Starring | Benoît Poelvoorde, Albert Dupontel, Brigitte Fontaine, Areski Belkacem

Cameras | ARRI ALEXA Camera, Canon EOS-7D Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

10 jours en or (2012)

Motion Picture | 2D | Color | 2.39:1 | 95 Minutes

Directed by | Nicolas Brossette | Cinematography by | Benoît Chamaillard | Editing by | Jean-François Elie

Starring | Franck Dubosc, Claude Rich, Marie Kremer, Mathis Touré

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Sister (2012)

Motion Picture | 2D | Color | 1.85:1 | 92 Minutes

Directed by | Brenda Davis | Cinematography by | Alexandra swati Guild | Editing by | Alistair Shurman

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

À coeur ouvert (2012)

Motion Picture | 2D | Color | 1.85:1 | 87 Minutes

Directed by | Marion Laine | Cinematography by | Antoine Héberlé | Editing by | Mathilde Van de Moortel

Starring | Juliette Binoche, Edgar Ramírez, Hippolyte Girardot, Amandine Dewasmes

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Standard Speed Prime Lenses

Astérix and Obélix: God Save Britannia (2012)

Motion Picture | 3D | Color | 2.39:1 | 110 Minutes

Directed by | Laurent Tirard | Cinematography by | Catherine Pujol, Denis Rouden | Editing by | Valérie Deseine

Starring | Gérard Depardieu, Dany Boon, Edouard Baer, Guillaume Gallienne

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo DP 16-42 mm T2.8 Lens

Bienvenue parmi nous (2012)

Motion Picture | 2D | Color | 2.39:1 | 92 Minutes

Directed by | Jean Becker | Cinematography by | Arthur Cloquet | Editing by | Franck Nakache, Jacques Witta

Starring | Patrick Chesnais, Jeanne Lambert, Miou-Miou, Jacques Weber

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Populaire (2012)

Motion Picture | 2D | Color | 2.39:1 | 111 Minutes

Directed by | Régis Roinsard | Cinematography by | Guillaume Schiffman | Editing by | Laure Gardette, Sophie Reine

Starring | Romain Duris, Féodor Atkine, Déborah François, Bérénice Bejo

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

Ma bonne étoile (2012)

Motion Picture | 2D | Color | 2.39:1 | 96 Minutes

Directed by | Anne Fassio | Editing by | Marion Monestier

Starring | Christopher Lambert, Claude Brasseur, Fleur Lise Heuet, Antoine Berry

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Bowling (2012)

Motion Picture | 2D | Color | 90 Minutes

Directed by | Marie-Castille Mention-Schaar | Cinematography by | Myriam Vinocour | Editing by | Hugues Darmois

Starring | Catherine Frot, Mathilde Seigner, Firmine Richard, Laurence Arné

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

About Last Night (2014)

Motion Picture | 2D | Color | 2.39:1 | 100 Minutes

Directed by | Steve Pink | Cinematography by | Michael Barrett | Editing by | Tracey Wadmore-Smith, Shelly Westerman

Starring | Kevin Hart, Michael Ealy, Regina Hall, Joy Bryant

Cameras | Sony CineAlta F65 Camera

Lenses | Leitz Summilux-C Series Lenses

Neighbors (2014)

Motion Picture | 2D | Color | 2.39:1 | 97 Minutes

Directed by | Nicholas Stoller | Cinematography by | Brandon Trost | Editing by | Zene Baker

Starring | Seth Rogen, Rose Byrne, Zac Efron, Lisa Kudrow

Cameras | ARRI ALEXA Camera, Red Epic Camera

Lenses | Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Raid 2 (2014)

Motion Picture | 2D | Color | 150 Minutes

Directed by | Gareth Evans | Cinematography by | Matt Flannery, Dimas Imam Subhono | Editing by | Gareth Evans

Starring | Iko Uwais, Yayan Ruhian, Arifin Putra, Oka Antara

Cameras | GoPro HD Hero3 Camera, Red Epic Camera, Red Scarlet Camera

Lenses | Zeiss Ultra Prime Lenses

That Awkward Moment (2014)

Motion Picture | 2D | Color | 94 Minutes

Directed by | Tom Gormican | Cinematography by | Brandon Trost | Editing by | Shawn Paper, Greg Tillman

Starring | Zac Efron, Michael B. Jordan, Miles Teller, Imogen Poots

Cameras | ARRI ALEXA Plus Camera

The Legend of Hercules (2014)

Motion Picture | 3D | Color | 2.39:1 | 99 Minutes

Directed by | Renny Harlin | Cinematography by | Sam McCurdy | Editing by | Vincent Tabaillon

Starring | Kellan Lutz, Gaia Weiss, Scott Adkins, Roxanne McKee

Cameras | Red Epic Camera

Divergent (2014)

Motion Picture | 2D | Color | 2.39:1 | 139 Minutes

Directed by | Neil Burger | Cinematography by | Alwin H. Küchler | Editing by | Richard Francis-Bruce, Nancy Richardson

Starring | Shailene Woodley, Theo James, Kate Winslet, Jai Courtney

Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera

Lenses | Panavision E Series Anamorphic Lenses, Panavision Primo Zooms Spherical Lenses, Panavision PVintage Prime Lenses

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