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Red Son (2016)

Short Film | 2D | 2K Project | Color | 2.39:1 |

Directed by | Joaquín Pinedo | Cinematography by | Pablo Bermejo | Editing by | Pablo Bermejo

Starring | Julián Valcárcel, Diego Mout, Alberto Tiérrez

Cameras | Sony PMW-F55 Camera

Lenses | Zeiss Lenses

The Hollars (2016)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 88 Minutes

Directed by | John Krasinski | Cinematography by | Eric Alan Edwards | Editing by | Heather Persons

Starring | Sharlto Copley, Charlie Day, Richard Jenkins, Anna Kendrick

Cameras | ARRI ALEXA Plus 4:3 Camera

Lenses | Angenieux HR Zoom Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses

Don’t Breathe (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 88 Minutes

Directed by | Fede Alvarez | Cinematography by | Pedro Luque | Editing by | Eric L. Beason, Louise Ford, Gardner Gould

Starring | Stephen Lang, Jane Levy, Dylan Minnette, Daniel Zovatto

Cameras | ARRI ALEXA XT Camera, Blackmagic Pocket Cinema Camera, Phantom Flex4K Camera, Red Epic Dragon Camera

Lenses | Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens, Zeiss Super Speed Lenses, Zeiss Super Speeds Mk II 18 mm T1.3 Lens, Zeiss Super Speeds Mk II 25 mm T1.3 Lens, Zeiss Ultra 16 Distagon 12 mm T1.3 Lens, Zeiss Ultra 16 Distagon 14 mm T1.3 Lens, Zeiss Ultra 16 Distagon 18 mm T1.3 Lens, Zeiss Ultra 16 Distagon 25 mm T1.3 Lens, Zeiss Ultra 16 Distagon 6 mm T1.3 Lens, Zeiss Ultra 16 Distagon 8 mm T1.3 Lens, Zeiss Ultra 16 Distagon 9.5 mm T1.3 Lens, Zeiss Ultra 16 Planar 35 mm T1.3 Lens

Viy (2014)

Motion Picture | 3D | 2K Project | Color | 1.85:1 | 127 Minutes

Directed by | Oleg Stepchenko | Cinematography by | Yaroslav Pilunskiy, Vladimír Smutný | Editing by | Petr Zelenov

Starring | Jason Flemyng, Andrey Smolyakov, Aleksey Chadov, Agniya Ditkovskite

Cameras | ARRI ALEXA Camera, ARRIFLEX 435 Camera, Red One Camera

Mängelexemplar (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 111 Minutes

Directed by | Laura Lackmann | Cinematography by | Sten Mende | Editing by | Gergana Voigt

Starring | Claudia Eisinger, Katja Riemann, Barbara Schöne, Laura Tonke

Cameras | ARRI ALEXA Plus Camera, Red Epic Dragon Camera

Lenses | Cooke Lenses, Cooke S4 Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Tenemos que hablar (2016)

Motion Picture | 2D | Color | 91 Minutes

Directed by | David Serrano | Cinematography by | Juan Carlos Gómez | Editing by | Alberto de Toro

Starring | Belén Cuesta, Carla Diego, Verónica Forqué, Luis Jaspe

Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo 45-120 mm T2.8 Lens, Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Cooke S4/i Lenses

I’m Off Then (2015)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 92 Minutes

Directed by | Julia von Heinz | Cinematography by | Felix Poplawsky | Editing by | Alexander Dittner, Georg Söring

Starring | Devid Striesow, Martina Gedeck, Karoline Schuch, Annette Frier

Cameras | ARRI ALEXA Plus Camera, ARRI ALEXA XT Plus Camera, Red Epic Camera

Lenses | Fujinon Alura Zoom 45-250 mm T2.8 Lens, Tokina AT-X116 Pro DX 11-16 mm f2.8 Lens, Zeiss Master Anamorphic 100 mm T1.9 Lens, Zeiss Master Anamorphic 35 mm T1.9 Lens, Zeiss Master Anamorphic 50 mm T1.9 Lens, Zeiss Master Anamorphic 75 mm T1.9 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Ultra Prime 8R 8 mm T.2.8 Lens, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Distagon 14 mm T1.9 Lens

Mustang (2015)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 97 Minutes

Directed by | Deniz Gamze Ergüven | Cinematography by | David Chizallet, Ersin Gok | Editing by | Mathilde Van de Moortel

Starring | Günes Sensoy, Doga Zeynep Doguslu, Tugba Sunguroglu, Elit Iscan

Cameras | ARRI ALEXA Plus Camera

Lenses | Zeiss Super Speed Lenses

Human (2015)

Documentary | 2D | HD Project | Color | 1.85:1 | 190 Minutes

Directed by | Yann Arthus-Bertrand | Editing by | Françoise Bernard, Anne-Marie Sangla

Starring | Luis Cancu, Atman, Berthony, Bruno

Cameras | ARRI ALEXA M Camera, Canon EOS-C300 Camera, Red Epic Camera, Sony HDC-1500 Camera

Lenses | Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo Style 25-250 mm T3.5 Lens, Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 30-300 mm T2.95 Lens, Canon EF 70-200 mm f2.8 L IS II Lens

Meadowland (2015)

Motion Picture | 2D | Color | 2.39:1 | 105 Minutes

Directed by | Reed Morano | Cinematography by | Reed Morano | Editing by | Madeleine Gavin

Starring | Olivia Wilde, Luke Wilson, Giovanni Ribisi, Elisabeth Moss

Cameras | ARRI ALEXA Plus Camera, ARRI ALEXA XT Camera

Lenses | Angenieux HR Zoom Lenses, ARRI / Zeiss Master Anamorphic Lenses

The Cobbler (2014)

Motion Picture | 2D | Color | 99 Minutes

Directed by | Tom McCarthy | Cinematography by | W. Mott Hupfel III | Editing by | Tom McArdle

Starring | Adam Sandler, Melonie Diaz, Steve Buscemi, Method Man

Cameras | ARRI ALEXA Plus Camera

It Follows (2014)

Motion Picture | 2D | Color | 2.39:1 | 100 Minutes

Directed by | David Robert Mitchell | Cinematography by | Mike Gioulakis | Editing by | Julio Perez IV

Starring | Maika Monroe, Keir Gilchrist, Olivia Luccardi, Lili Sepe

Cameras | ARRI ALEXA Plus Camera, Red Epic Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Cooke S4 Lenses, Fujinon Lenses

Pitch Perfect 2 (2015)

Motion Picture | 2D | Color | 1.85:1 | 115 Minutes

Directed by | Elizabeth Banks | Cinematography by | Jim Denault | Editing by | Craig Alpert

Starring | Anna Kendrick, Rebel Wilson, Hailee Steinfeld, Brittany Snow

Cameras | ARRI ALEXA Plus Camera

Lenses | Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses

Goodbye to All That (2014)

Motion Picture | 2D | Color | 87 Minutes

Directed by | Angus MacLachlan | Cinematography by | Corey Walter | Editing by | Jennifer Lilly

Starring | Paul Schneider, Melanie Lynskey, Anna Camp, Heather Graham

Cameras | ARRI ALEXA Series Cameras

Yves Saint Laurent (2014)

Motion Picture | 2D | Color | 106 Minutes

Directed by | Jalil Lespert | Cinematography by | Thomas Hardmeier | Editing by | François Gédigier

Starring | Pierre Niney, Guillaume Gallienne, Charlotte Le Bon, Laura Smet

Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA Studio Camera

Lenses | Hawk V-Lite Vintage´74 Lens, Hawk V-Plus Lenses

Né quelque part (2013)

Motion Picture | 2D | Color | 87 Minutes

Directed by | Mohamed Hamidi | Cinematography by | Alex Lamarque | Editing by | Marion Monnier

Starring | Tewfik Jallab, Jamel Debbouze, Fatsah Bouyahmed, Abdelkader Secteur

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Grigris (2013)

Motion Picture | 2D | Color | 2.39:1 | 101 Minutes

Directed by | Mahamat-Saleh Haroun | Cinematography by | Antoine Héberlé | Editing by | Marie-Hélène Dozo

Starring | Souleymane Démé, Anaïs Monory, Cyril Gueï, Marius Yelolo

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Standard Speed Prime Lenses

Eden (2014)

Motion Picture | 2D | Color | 131 Minutes

Directed by | Mia Hansen-Løve | Cinematography by | Denis Lenoir | Editing by | Marion Monnier

Starring | Félix de Givry, Pauline Etienne, Vincent Macaigne, Hugo Conzelmann

Cameras | ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Zeiss Super Speed Lenses

Nymphomaniac: Vol. II (2013)

Motion Picture | 2D | Color | 2.39:1 | 124 Minutes

Directed by | Lars von Trier | Cinematography by | Manuel Alberto Claro | Editing by | Morten Højbjerg, Jacob Secher Schulsinger, Molly Malene Stensgaard

Starring | Charlotte Gainsbourg, Stellan Skarsgård, Willem Dafoe, Jamie Bell

Cameras | ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Super Speed Lenses

Sherlock (2010)

Television Series | 2D | Color | 1.78:1 (16x9) | 88 Minutes

| Cinematography by | Steve Lawes, Fabian Wagner, Neville Kidd, Matt Gray, Suzie Lavelle, Stuart Biddlecombe, David Luther | Editing by | Charlie Phillips, Yan Miles, Nick Arthurs, Mali Evans, Tim Porter, Mark Davis, Andrew McClelland, William Oswald

Starring | Benedict Cumberbatch, Martin Freeman, Una Stubbs, Rupert Graves

Cameras | ARRI ALEXA Series Cameras, Sony CineAlta F35 Camera

Lenses | Cooke S4 Lenses, Zeiss Super Speed Lenses

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