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Anchorman 2: The Legend Continues (2013)

Motion Picture | 2D | Color | 2.39:1 | 119 Minutes

Directed by | Adam McKay | Cinematography by | Oliver Wood | Editing by | Melissa Bretherton, Brent White

Starring | Will Ferrell, Christina Applegate, Paul Rudd, Steve Carell

Cameras | ARRI ALEXA Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses

Last Vegas (2013)

Motion Picture | 2D | Color | 2.39:1 | 105 Minutes

Directed by | Jon Turteltaub | Cinematography by | David Hennings | Editing by | David Rennie

Starring | Robert De Niro, Michael Douglas, Morgan Freeman, Kevin Kline

Cameras | ARRI ALEXA Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Finder (2012)

Television Series | 2D | Color | 44 Minutes

The Finder | ShotOnWhat?

| Cinematography by | Sidney Sidell | Editing by | Evonne Moritz, Chris Brookshire, Thomas R. Moore, Casey O. Rohrs

Starring | Geoff Stults, Maddie Hasson, Mercedes Mason, Michael Clarke Duncan

Cameras | ARRI ALEXA Camera

Jobs (2013)

Motion Picture | 2D | Color | 2.39:1 | 128 Minutes

Directed by | Joshua Michael Stern | Cinematography by | Russell Carpenter | Editing by | Robert Komatsu

Starring | Ashton Kutcher, Dermot Mulroney, Josh Gad, Lukas Haas

Cameras | ARRI ALEXA Camera

Lenses | Zeiss Ultra Prime Lenses

The Way Way Back (2013)

Motion Picture | 2D | Color | 1.85:1 | 103 Minutes

Directed by | Nat Faxon, Jim Rash | Cinematography by | John Bailey | Editing by | Tatiana S. Riegel

Starring | Steve Carell, Toni Collette, Allison Janney, AnnaSophia Robb

Cameras | ARRI ALEXA Camera

Lenses | Panavision Primo Primes Spherical Lenses

Only God Forgives (2013)

Motion Picture | 2D | Color | 1.85:1 | 90 Minutes

Directed by | Nicolas Winding Refn | Cinematography by | Larry Smith | Editing by | Matthew Newman

Starring | Ryan Gosling, Kristin Scott Thomas, Vithaya Pansringarm, Gordon Brown

Cameras | ARRI ALEXA Camera, Red Epic Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Cooke S4 Lenses

The Following (2013)

Television Series | 2D | Color | 1.78:1 (16x9) | 43 Minutes

| Cinematography by | David S. Tuttman, William Klayer, Ramsey Nickell | Editing by | Charissa Sanjarernsuithikul, Dexter N. Adriano, Rob Seidenglanz, Matthew Colonna, Todd Desrosiers, Devon Greene, Rosanne Tan, Peter B. Ellis, Mark Manos, Viet Nguyen, Joshua Butler, Tim Tommasino

Starring | Kevin Bacon, James Purefoy, Shawn Ashmore, Valorie Curry

Cameras | ARRI ALEXA Camera, ARRI ALEXA M Camera, Cineflex Elite

Lenses | Canon CN-E 30-300 mm T2.95 Lens

Criminal Minds: Suspect Behavior (2011)

Television Series | 2D | Color | 1.78:1 (16x9) | 42 Minutes

| Cinematography by | Bing Sokolsky | Editing by | Casey O. Rohrs, Janet Ashikaga, Lisa Bromwell, Joseph Virzi, John Wesley Whitton

Starring | Forest Whitaker, Janeane Garofalo, Michael Kelly, Beau Garrett

Cameras | ARRI ALEXA Camera, Sony CineAlta F35 Camera

The Call (2013)

Motion Picture | 2D | Color | 1.85:1 | 94 Minutes

Directed by | Brad Anderson | Cinematography by | Thomas Yatsko | Editing by | Avi Youabian

Starring | Halle Berry, Evie Thompson, Abigail Breslin, Morris Chestnut

Cameras | ARRI ALEXA Camera, Phantom Flex Camera

Lenses | Angenieux Optimo Zoom Lenses

Elementary (2012)

Television Series | 2D | Color | 60 Minutes

Elementary | ShotOnWhat?

| Cinematography by | Ron Fortunato, Tom Houghton, Roy H. Wagner, Peter Reniers, Mauricio Rubinstein, Nelson Cragg, Carlos Omar Guerra | Editing by | Sondra Watanabe, Gerald Valdez, Jeff Vacirca, Bill Zabala, Victor Du Bois, Joe Hobeck, Sally Anne Schultz, Sang Han, Michelle Fellner

Starring | Jonny Lee Miller, Lucy Liu, Jon Michael Hill, Aidan Quinn

Cameras | ARRI ALEXA Camera

Lenses | ARRI / Fujinon Lenses, Zeiss Ultra Prime Lenses

Äkta människor (2012)

Television Series | 2D | Color | 1.78:1 (16x9) | 60 Minutes

Äkta människor | ShotOnWhat?

| Cinematography by | Trolle Davidson, Linus Rosenqvist, Frida Wendel, Andres Rignell | Editing by | Björn Kessler, Rickard Krantz, Kicki Niemi, Gustav Wachtmeister, Sofia Lindgren, Max Arehn

Starring | Lisette Pagler, Pia Halvorsen, Johan Paulsen, Natalie Minnevik

Cameras | ARRI ALEXA Camera

Lenses | Zeiss Master Prime Lenses

The Americans (2013)

Television Series | 2D | Color | 44 Minutes

The Americans | ShotOnWhat?

| Cinematography by | Richard Rutkowski, J.B. Smith, Alex Nepomniaschy, Dan Stoloff, Alan Caso, Radium Cheung | Editing by | Daniel A. Valverde, Amanda Pollack, Michael Berenbaum, Sheri Bylander, Katie Ennis, Marnee Meyer, Alan Cody

Starring | Keri Russell, Matthew Rhys, Keidrich Sellati, Holly Taylor

Cameras | ARRI ALEXA Camera

Lenses | ARRI / Fujinon Lenses, Zeiss Master Prime Lenses

Machete Kills (2013)

Motion Picture | 2D | Color | 1.85:1 | 107 Minutes

Machete Kills | ShotOnWhat?

Directed by | Robert Rodriguez | Cinematography by | Robert Rodriguez | Editing by | Rebecca Rodriguez, Robert Rodriguez

Starring | Danny Trejo, Alexa PenaVega, Mel Gibson, Jessica Alba

Cameras | ARRI ALEXA Plus Camera

The Loft (2014)

Motion Picture | 2D | Color | 2.39:1 | 108 Minutes

The Loft | ShotOnWhat?

Directed by | Erik Van Looy | Cinematography by | Nicolas Karakatsanis | Editing by | Eddie Hamilton

Starring | Karl Urban, James Marsden, Wentworth Miller, Eric Stonestreet

Cameras | ARRI ALEXA Plus Camera

Lenses | Zeiss Master Prime Lenses

Jack the Giant Slayer (2013)

Motion Picture | 3D | Color | 2.39:1 | 114 Minutes

Jack the Giant Slayer | ShotOnWhat?

Directed by | Bryan Singer | Cinematography by | Newton Thomas Sigel | Editing by | Bob Ducsay, John Ottman

Starring | Nicholas Hoult, Stanley Tucci, Ewan McGregor, Bill Nighy

Cameras | ARRI ALEXA Camera, Panavision Genesis Camera, Red Epic Camera

Lenses | Panavision Primo Primes Spherical Lenses

21 & Over (2013)

Motion Picture | 2D | Color | 2.39:1 | 93 Minutes

21 & Over | ShotOnWhat?

Directed by | Jon Lucas, Scott Moore | Cinematography by | Terry Stacey | Editing by | John Refoua

Starring | Miles Teller, Justin Chon, Jonathan Keltz, Sarah Wright

Cameras | ARRI ALEXA Camera

Lenses | Cooke S4 Lenses

Dark Skies (2013)

Motion Picture | 2D | Color | 2.39:1 | 97 Minutes

Dark Skies | ShotOnWhat?

Directed by | Scott Stewart | Cinematography by | David Boyd | Editing by | Peter Gvozdas

Starring | Keri Russell, Jake Brennan, Josh Hamilton, Dakota Goyo

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses

Into the Storm (2014)

Motion Picture | 2D | Color | 1.85:1 | 89 Minutes

Directed by | Steven Quale | Cinematography by | Brian Pearson | Editing by | Eric A. Sears

Starring | Richard Armitage, Sarah Wayne Callies, Matt Walsh, Max Deacon

Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, GoPro HD Hero2 Camera, Nikon D800 Camera, Red Epic Camera

Lenses | Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 18-80 mm T2.6 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Zeiss Master Prime Lenses

Rebelle (2012)

Motion Picture | 2D | Color | 1.85:1 | 90 Minutes

Directed by | Kim Nguyen | Cinematography by | Nicolas Bolduc | Editing by | Richard Comeau

Starring | Rachel Mwanza, Alain Lino Mic Eli Bastien, Serge Kanyinda, Ralph Prosper

Cameras | ARRI ALEXA Camera

Lenses | Zeiss Ultra Prime Lenses

Blue Caprice (2013)

Motion Picture | 2D | Color | 93 Minutes

Blue Caprice | ShotOnWhat?

Directed by | Alexandre Moors | Cinematography by | Brian O'Carroll | Editing by | Gordon Grinberg, Alexandre Moors

Starring | Isaiah Washington, Tequan Richmond, Tim Blake Nelson, Joey Lauren Adams

Cameras | ARRI ALEXA Plus Camera

Lenses | Zeiss Ultra Prime Lenses

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