Panavision Panaflex Series Cameras | 788 Titles
The Horse Whisperer (1998)
Directed by | Robert Redford | Cinematography by | Robert Richardson | Editing by | Hank Corwin, Freeman A. Davies, Tom Rolf
Cameras | Panavision Panaflex Platinum Camera
The Apparition (2012)
Directed by | Todd Lincoln | Cinematography by | Daniel Pearl | Editing by | Jeff Betancourt, Tom Elkins, Harold Parker
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses, Panavision E Series Anamorphic Lenses
The Adjustment Bureau (2011)
Directed by | George Nolfi | Cinematography by | John Toll | Editing by | Jay Rabinowitz
Cameras | Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Sekai no chûshin de, ai o sakebu (2004)
Directed by | Isao Yukisada | Cinematography by | Noboru Shinoda | Editing by | Takeshi Imai
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Babel (2006)
Directed by | Alejandro G. Iñárritu | Cinematography by | Rodrigo Prieto | Editing by | Douglas Crise, Stephen Mirrione
Cameras | ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
The Tourist (2010)
Directed by | Florian Henckel von Donnersmarck | Cinematography by | John Seale | Editing by | Joe Hutshing, Patricia Rommel
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Kick-Ass (2010)
Directed by | Matthew Vaughn | Cinematography by | Ben Davis | Editing by | Eddie Hamilton, Jon Harris, Pietro Scalia
Cameras | Panavision Panaflex Millennium XL Camera
Knight and Day (2010)
Directed by | James Mangold | Cinematography by | Phedon Papamichael | Editing by | Quincy Z. Gunderson, Michael McCusker
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Salt (2010)
Directed by | Phillip Noyce | Cinematography by | Robert Elswit | Editing by | Stuart Baird, John Gilroy
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision 70-210 mm T2.8 (Custom by Dan Sasaki) Lens, Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII 24 mm T1.3 Lens, Panavision Ultra Speed MKII Lenses
Fantastic Four: Rise of the Silver Surfer (2007)
Directed by | Tim Story | Cinematography by | Larry Blanford | Editing by | Peter S. Elliot, William Hoy
Cameras | Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Wescam Cameras
Lenses | Panavision Primo Anamorphic Lenses
Blindness (2008)
Directed by | Fernando Meirelles | Cinematography by | César Charlone | Editing by | Daniel Rezende
Cameras | Aaton 35-III Camera, Aaton A-Minima Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Sony DCR-PC110 Camera
Lenses | Canon Lenses, Fujinon Lenses, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses
The Tailor of Panama (2001)
Directed by | John Boorman | Cinematography by | Philippe Rousselot | Editing by | Ron Davis
Cameras | Panavision Panaflex Platinum Camera
G.I. Joe: The Rise of Cobra (2009)
Directed by | Stephen Sommers | Cinematography by | Mitchell Amundsen | Editing by | Bob Ducsay, Kelly Matsumoto, Jim May
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Panaflex Millennium XL Camera, Red One Camera
War of the Worlds (2005)
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn
Cameras | Panavision Panaflex Millennium XL Camera
Gosford Park (2001)
Directed by | Robert Altman | Cinematography by | Andrew Dunn | Editing by | Tim Squyres
Cameras | Panavision Panaflex Platinum Camera
Lara Croft Tomb Raider: The Cradle of Life (2003)
Directed by | Jan de Bont | Cinematography by | David Tattersall | Editing by | Michael Kahn
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Dreamgirls (2006)
The Sixth Sense (1999)
Directed by | M. Night Shyamalan | Cinematography by | Tak Fujimoto | Editing by | Andrew Mondshein
Cameras | Panavision Panaflex Millennium Camera
The Great Debaters (2007)
Directed by | Denzel Washington | Cinematography by | Philippe Rousselot | Editing by | John Breinholt, Hughes Winborne
Lenses | Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Moulin Rouge! (2001)
Directed by | Baz Luhrmann | Cinematography by | Donald McAlpine | Editing by | Jill Bilcock
Cameras | Panavision Panaflex Millennium Camera
