Cameras » ARRI Cameras

ARRI ALEXA Series Cameras : 910ARRI AMIRA Series Cameras : 14ARRI ARRIFLEX Series Cameras : 756ARRICAM Lite (LT) Camera : 411ARRICAM Studio (ST) Camera : 271ARRIFLEX 765 Camera : 8ARRIFLEX Camera : 66ARRIFLEX D-20 Camera : 6ARRIFLEX D-21 Camera : 22Arritechno 35 Camera : 1

ARRI Cameras | 2118 Titles

ARRI Cameras 3.78/5 9 Votes

« Previous 1 … 23 24 25 26 27 … 106 Next »

LessUpdatedTitleYear

The Ballad of Buster Scruggs (2018)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 133 Minutes

Directed by | Ethan Coen, Joel Coen | Cinematography by | Bruno Delbonnel | Editing by | Ethan Coen, Joel Coen

Starring | Tim Blake Nelson, Willie Watson, Clancy Brown, Danny McCarthy

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Studio Camera

Lenses | Fujinon Alura Lenses, Zeiss Master Prime Lenses

Thor (2011)

Motion Picture | 3D | Color | 2.35:1 | 115 Minutes

Thor | ShotOnWhat?

Directed by | Kenneth Branagh | Cinematography by | Haris Zambarloukos | Editing by | Paul Rubell

Starring | Chris Hemsworth, Anthony Hopkins, Natalie Portman, Tom Hiddleston

Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Standard Primes (SP) Lenses

Capernaum (2018)

Motion Picture | 2D | Color | 2.39:1 | 126 Minutes

Directed by | Nadine Labaki | Cinematography by | Christopher Aoun | Editing by | Konstantin Bock, Laure Gardette

Starring | Zain Al Rafeea, Yordanos Shiferaw, Boluwatife Treasure Bankole, Kawsar Al Haddad

Cameras | ARRI ALEXA Camera

Lenses | Hawk C-Series Lenses

Til the End of the Day (2011)

Motion Picture | 2D | HD Project | Color | 1.78:1 (16x9) | 27 Minutes

Directed by | Callen Diederichs | Cinematography by | Alain Astruc | Editing by | Jean-Sebastien Gauthier

Starring | Keegan Bush, Jordan Delorme, Callen Diederichs, Jean-Sebastien Gauthier

Cameras | ARRIFLEX 16SR2 Camera

Lenses | Zeiss Lenses

Spider-Man 3 (2007)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 139 Minutes

Directed by | Sam Raimi | Cinematography by | Bill Pope | Editing by | Bob Murawski

Starring | Tobey Maguire, Kirsten Dunst, Topher Grace, Thomas Haden Church

Cameras | ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

Live by Night (2016)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 129 Minutes

Directed by | Ben Affleck | Cinematography by | Robert Richardson | Editing by | William Goldenberg

Starring | Ben Affleck, Elle Fanning, Brendan Gleeson, Chris Messina

Cameras | ARRI ALEXA 65 Camera

Lenses | Panavision Sphero 65 Series Lenses, Panavision Super Panavision 70 Series Lenses

Deadwood: The Movie (2019)

Motion Picture | 2D | Color | 2.0:1 | 110 Minutes

Directed by | Daniel Minahan | Cinematography by | David Klein | Editing by | Erick Fefferman, Martin Nicholson

Starring | Timothy Olyphant, Ian McShane, Molly Parker, Paula Malcomson

Cameras | ARRI ALEXA Mini Camera

Lenses | Zeiss Supreme Prime Series Lenses

First Reformed (2017)

Motion Picture | 2D | 2K Project | Color | 1.37:1 | 113 Minutes

Directed by | Paul Schrader | Cinematography by | Alexander Dynan | Editing by | Benjamin Rodriguez Jr.

Starring | Ethan Hawke, Amanda Seyfried, Cedric The Entertainer, Victoria Hill

Cameras | ARRI ALEXA SXT Series Cameras

Andhadhun (2018)

Movie | 2D | Color | 2.39:1 | 139 Minutes

Directed by | Sriram Raghavan | Cinematography by | K.U. Mohanan | Editing by | Pooja Ladha Surti

Starring | Ayushmann Khurrana, Tabu, Radhika Apte, Anil Dhawan

Cameras | ARRI ALEXA Camera

Sofia (2018)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 80 Minutes

Directed by | Meryem Benm'Barek-Aloïsi | Cinematography by | Son Doan | Editing by | Céline Perréard

Starring | Maha Alemi, Lubna Azabal, Sarah Perles, Faouzi Bensaïdi

Cameras | ARRI ALEXA Mini Camera

Lenses | Cooke S4/i Lenses

Clerks (1994)

Motion Picture | 2D | Film Project | Black & White | 1.85:1 | 92 Minutes

Directed by | Kevin Smith | Cinematography by | David Klein | Editing by | Scott Mosier, Kevin Smith

Starring | Brian O'Halloran, Jeff Anderson, Marilyn Ghigliotti, Lisa Spoonauer

Cameras | ARRIFLEX 16SR Camera

Gomorrah (2008)

Motion Picture | 2D | Color | 2.39:1 | 137 Minutes

Directed by | Matteo Garrone | Cinematography by | Marco Onorato | Editing by | Marco Spoletini

Starring | Gianfelice Imparato, Salvatore Abbruzzese, Toni Servillo, Simone Sacchettino

Cameras | ARRICAM Lite (LT) Camera

Lenses | Zeiss Ultra Prime Lenses

Hotel Mumbai (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 123 Minutes

Directed by | Anthony Maras | Cinematography by | Nick Remy Matthews | Editing by | Anthony Maras, Peter McNulty

Starring | Dev Patel, Armie Hammer, Nazanin Boniadi, Anupam Kher

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses | Panavision G Series Anamorphic Lenses

Mary Poppins Returns (2018)

Motion Picture | 2D | Color | 2.39:1 | 130 Minutes

Directed by | Rob Marshall | Cinematography by | Dion Beebe | Editing by | Wyatt Smith

Starring | Emily Blunt, Lin-Manuel Miranda, Ben Whishaw, Emily Mortimer

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses | Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo V Lenses, Panavision Primo V PV21 21mm T1.9 Lens, Panavision Primo V PV27 27mm T1.9 Lens, Panavision Primo V PV50 50mm T1.9 Lens

Secuestro (2016)

Motion Picture | 2D | Color | 105 Minutes

Directed by | Mar Targarona | Cinematography by | Sergi Bartrolí | Editing by | Joan Manel Vilaseca

Starring | Blanca Portillo, Antonio Dechent, Vicente Romero, Marc Domènech

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Angenieux Optimo Style 25-250 mm T3.5 Lens, Cooke 5/i Lenses

The Window (2008)

Motion Picture | 2D | Color | 1.85:1 | 85 Minutes

Directed by | Carlos Sorin | Cinematography by | Julián Apezteguia | Editing by | Mohamed Rajid

Starring | Antonio Larreta, María del Carmen Jiménez, Emilse Roldán, Roberto Rovira

Cameras | ARRIFLEX 35 BL4s Camera

Lenses | Zeiss Standard Speed Prime Lenses

Chronicle of an Escape (2006)

Motion Picture | 2D | Color | 103 Minutes

Directed by | Israel Adrián Caetano | Cinematography by | Julián Apezteguia | Editing by | Alberto Ponce

Starring | Rodrigo De la Serna, Pablo Echarri, Nazareno Casero, Lautaro Delgado

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Zeiss Ultra Prime Lenses

Afterglow (1997)

Motion Picture | 2D | Color | 1.85:1 | 119 Minutes

Directed by | Alan Rudolph | Cinematography by | Toyomichi Kurita | Editing by | Suzy Elmiger

Starring | Nick Nolte, Julie Christie, Lara Flynn Boyle, Jonny Lee Miller

Cameras | ARRIFLEX Camera

The Painted Bird (2019)

Motion Picture | 2D | Black & White | 169 Minutes

Directed by | Václav Marhoul | Cinematography by | Vladimír Smutný | Editing by | Ludek Hudec

Starring | Stellan Skarsgård, Barry Pepper, Harvey Keitel, Julian Sands

Cameras | ARRICAM Lite (LT) Camera, Red Digital Cinema Cameras

Lenses | Hawk V-Lite Lenses

Atomic Blonde (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 115 Minutes

Directed by | David Leitch | Cinematography by | Jonathan Sela | Editing by | Elísabet Ronaldsdóttir

Starring | Charlize Theron, James McAvoy, John Goodman, Eddie Marsan

Cameras | ARRI ALEXA M Camera, ARRI ALEXA XT Plus Camera

Lenses | Hawk V-Lite Vintage´74 Lens

« Previous 1 … 23 24 25 26 27 … 106 Next »

©2012 - 2025 ShotOnWhat?

20254.20