ARRI ALEXA Series Cameras | 910 Titles
Life of Pi (2012)
Directed by | Ang Lee | Cinematography by | Claudio Miranda | Editing by | Tim Squyres
Cameras | ARRI ALEXA Camera
Hello I Must Be Going (2012)
Directed by | Todd Louiso | Cinematography by | Julie Kirkwood | Editing by | Tom McArdle
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Ultra Prime Lenses
Russendisko (2012)
Directed by | Oliver Ziegenbalg | Cinematography by | Tetsuo Nagata | Editing by | Peter R. Adam
Cameras | ARRI ALEXA Camera
The Pact (2012)
Directed by | Nicholas McCarthy | Cinematography by | Bridger Nielson | Editing by | Adriaan van Zyl
Cameras | ARRI ALEXA Camera
Hypnotisören (2012)
Directed by | Lasse Hallström | Cinematography by | Mattias Montero | Editing by | Sebastian Amundsen, Thomas Täng
Cameras | ARRI ALEXA Studio Camera
Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses
This Is 40 (2012)
Directed by | Judd Apatow | Cinematography by | Phedon Papamichael | Editing by | David L. Bertman, Jay Deuby, Brent White
Cameras | ARRI ALEXA Camera
The Best Offer (2013)
Directed by | Giuseppe Tornatore | Cinematography by | Fabio Zamarion | Editing by | Massimo Quaglia
Cameras | ARRI ALEXA Studio Camera, Red Epic Camera
Lenses | Zeiss Master Prime Lenses
Revenge (2011)
| Cinematography by | Cynthia Pusheck, John Smith, Chris Manley | Editing by | Sue Blainey, John Axness, Conrad Smart, Martin Nicholson, John M. Valerio, Jennifer Barbot, Sunny Hodge, Lauren A. Schaffer, Lynne Willingham, Scott Gamzon, Chris Figler, Lance Luckey
Cameras | ARRI ALEXA Camera, Sony PMW-F3 Camera
Gods Behaving Badly (2013)
Directed by | Marc Turtletaub | Cinematography by | Tak Fujimoto | Editing by | Alan Heim, Joe Landauer
Cameras | ARRI ALEXA Camera
Gangster Squad (2013)
Directed by | Ruben Fleischer | Cinematography by | Dion Beebe | Editing by | Alan Baumgarten, James Herbert
Cameras | ARRI ALEXA Studio Camera, Phantom Flex Camera
Gambit (2012)
Directed by | Michael Hoffman | Cinematography by | Florian Ballhaus | Editing by | Paul Tothill
Cameras | ARRI ALEXA Camera
Lenses | Leitz Summilux-C Series Lenses
Chronicle (2012)
Directed by | Josh Trank | Cinematography by | Matthew Jensen | Editing by | Elliot Greenberg
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Shut Up and Play the Hits (2012)
Directed by | Will Lovelace, Dylan Southern | Cinematography by | Reed Morano | Editing by | Mark Burnett
Cameras | ARRI ALEXA Camera
47 Ronin (2013)
Directed by | Carl Rinsch | Cinematography by | John Mathieson | Editing by | Stuart Baird
Cameras | ARRI ALEXA Camera
World War Z (2013)
Directed by | Marc Forster | Cinematography by | Ben Seresin, Robert Richardson | Editing by | Roger Barton, Matt Chesse
R.I.P.D. (2013)
Directed by | Robert Schwentke | Cinematography by | Alwin H. Küchler | Editing by | Mark Helfrich
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Master Prime Lenses
Gravity (2013)
Directed by | Alfonso Cuarón | Cinematography by | Emmanuel Lubezki | Editing by | Alfonso Cuarón, Mark Sanger
Cameras | ARRI ALEXA Camera, ARRIFLEX 765 Camera
Lenses | ARRI / Zeiss Lenses, Panavision Primo Close Focus Spherical Lenses, Zeiss Master Prime Lenses
Mad Max: Fury Road (2015)
Directed by | George Miller | Cinematography by | John Seale | Editing by | Margaret Sixel
Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Blackmagic Cinema Camera, Canon EOS-5D Mark II Camera, Nikon D800 Camera, Olympus E-P5 Camera
Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses
Killer Joe (2011)
Directed by | William Friedkin | Cinematography by | Caleb Deschanel | Editing by | Darrin Navarro
Cameras | ARRI ALEXA Camera
Lenses | Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 18-80 mm T2.6 Lens, Zeiss Ultra Prime Lenses
The Five-Year Engagement (2012)
Directed by | Nicholas Stoller | Cinematography by | Javier Aguirresarobe | Editing by | William Kerr, Peck Prior
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Master Prime Lenses
