ARRI ALEXA Series Cameras | 910 Titles
Safe Haven (2013)
Directed by | Lasse Hallström | Cinematography by | Terry Stacey | Editing by | Andrew Mondshein
Cameras | ARRI ALEXA Studio Camera
Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses
The Lone Ranger (2013)
Directed by | Gore Verbinski | Cinematography by | Bojan Bazelli | Editing by | James Haygood, Craig Wood
Cameras | ARRI ALEXA Studio Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Red Epic Camera
Lenses | Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision SL21 21 mm T1.9 Lens
Furious 6 (2013)
Directed by | Justin Lin | Cinematography by | Stephen F. Windon | Editing by | Greg D'Auria, Leigh Folsom Boyd, Dylan Highsmith, Kelly Matsumoto, Christian Wagner
Cameras | ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, ARRIFLEX 435 Xtreme Camera, Red Epic Camera
Thor: The Dark World (2013)
Directed by | Alan Taylor | Cinematography by | Kramer Morgenthau | Editing by | Dan Lebental, Wyatt Smith
Star Trek Into Darkness (2013)
Directed by | J.J. Abrams | Cinematography by | Dan Mindel | Editing by | Maryann Brandon, Mary Jo Markey
Cameras | ARRI ALEXA Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses
Rebelle (2012)
Directed by | Kim Nguyen | Cinematography by | Nicolas Bolduc | Editing by | Richard Comeau
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Ultra Prime Lenses
House M.D. (2004)
| Cinematography by | Gale Tattersall, Roy H. Wagner, Anthony Gaudioz, Walt Lloyd, Newton Thomas Sigel, Cort Fey, James Dillinger | Editing by | Dorian Harris, Chris Brookshire, Amy M. Fleming, Kimberly Ray, Lawrence Curtis, Zeborah Tidwell, Bonnie Koehler, Chad Mochrie, Marta Evry, Sue Blainey, Bill Johnson, Christopher Nelson, Tatiana S. Riegel, Deborah Moran, Arge O'Neal, Jo Francis, Elliot Graham, Anthony Pinker, Scott Boyd, Seth Clark, David Post, Stephen Semel
Cameras | ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Canon EOS-5D Mark II Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Blue Bloods (2010)
| Cinematography by | Gene Engels, Craig DiBona, Dave Insley, Donald E. Thorin Jr., Alex Nepomniaschy, Teodoro Maniaci, Jim McConkey, Tim Ives, Larry McConkey | Editing by | Thomas R. Moore, Jackeline Tejada, Brice Bishop-Pullan, Peter C. Frank, Charles McClelland, David Ray, Alex Hall, Noah Amos, Daniel A. Valverde, Dan Erickson, Julian Cornwell, Conrad Smart, Annette Davey, Dawn Rider, Sidney Wolinsky
Cameras | ARRI ALEXA Camera, Red One MX Camera
Burn Notice (2007)
| Cinematography by | William Wages, Bart Tau, Roy H. Wagner, Dennis Hall, Tiko Pavoni, Paul Krumper | Editing by | Casey Brown, Steven Lang, Zack Arnold, Doug Hannah, James Kilton, Brad Schreiber, Paul Fontaine, Scott van Beever
Lenses | Angenieux Optimo 45-120 mm T2.8 Lens
Iron Man Three (2013)
Directed by | Shane Black | Cinematography by | John Toll | Editing by | Peter S. Elliot, Jeffrey Ford
Cameras | ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens
Zero Dark Thirty (2012)
Directed by | Kathryn Bigelow | Cinematography by | Greig Fraser | Editing by | William Goldenberg, Dylan Tichenor
Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
Lenses | Angenieux HP Zoom Lenses, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Optica Elite Lenses
Bullet to the Head (2012)
Directed by | Walter Hill | Cinematography by | Lloyd Ahern II | Editing by | Timothy Alverson
Cameras | ARRI ALEXA Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Un giorno devi andare (2013)
Directed by | Giorgio Diritti | Cinematography by | Roberto Cimatti | Editing by | Esmeralda Calabria
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Master Prime Lenses
The Rambler (2013)
Directed by | Calvin Reeder | Cinematography by | David McFarland | Editing by | Buzz Pierce
Cameras | ARRI ALEXA Camera
The Lifeguard (2013)
Directed by | Liz W. Garcia | Cinematography by | John Peters | Editing by | Jennifer Davidoff Cook, Elizabeth Kling
Cameras | ARRI ALEXA Camera
I Used to Be Darker (2013)
Directed by | Matthew Porterfield | Cinematography by | Jeremy Saulnier | Editing by | Marc Vives
Cameras | ARRI ALEXA Camera
In Fear (2013)
Directed by | Jeremy Lovering | Cinematography by | David Katznelson | Editing by | Jonathan Amos
Cameras | ARRI ALEXA Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, GoPro (Woodman Labs) Cameras
Il Futuro (2013)
Directed by | Alicia Scherson | Cinematography by | Ricardo DeAngelis | Editing by | Soledad Salfate, Ana Álvarez Ossorio
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Lenses
Hell Baby (2013)
Directed by | Robert Ben Garant, Thomas Lennon | Cinematography by | Charles Papert | Editing by | Kevin Oeser
Cameras | ARRI ALEXA Camera
The Truth About Emanuel (2013)
Directed by | Francesca Gregorini | Cinematography by | Polly Morgan | Editing by | Antony Langdon
Cameras | ARRI ALEXA Camera
