ARRI ALEXA Series Cameras | 910 Titles
Blue Caprice (2013)
Directed by | Alexandre Moors | Cinematography by | Brian O'Carroll | Editing by | Gordon Grinberg, Alexandre Moors
Cameras | ARRI ALEXA Plus Camera
Lenses | Zeiss Ultra Prime Lenses
The Last Stand (2013)
Directed by | Jee-woon Kim | Cinematography by | Ji-yong Kim | Editing by | Steven Kemper
Cameras | ARRI ALEXA Plus Camera
Lenses | Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Leitz Summilux-C Series Lenses, Zeiss Ultra Prime Lenses
Mama (2013)
Directed by | Andy Muschietti | Cinematography by | Antonio Riestra | Editing by | Michele Conroy
Cameras | ARRI ALEXA Camera
Lenses | Cooke S4 Lenses
Kon-Tiki (2012)
Directed by | Joachim Rønning, Espen Sandberg | Cinematography by | Geir Hartly Andreassen | Editing by | Perry Eriksen, Martin Stoltz
Hyde Park on Hudson (2012)
Lies I Told My Little Sister (2014)
Directed by | William J. Stribling | Cinematography by | Alex Gallitano | Editing by | Chris Daker, William J. Stribling
Lenses | Zeiss Ultra Prime Lenses
Chasing Mavericks (2012)
Directed by | Michael Apted, Curtis Hanson | Cinematography by | Bill Pope | Editing by | John Gilbert
Cameras | ARRI ALEXA Camera, Red Epic Camera
The New Normal (2012)
| Cinematography by | Carlos González, Michael Goi | Editing by | Philip Harrison, Colin Johnson, Andrew Groves
Cameras | ARRI ALEXA Camera, Sony CineAlta F65 Camera
Stefan v/s Kramer (2012)
Directed by | Sebastián Freund, Stefan Kramer, Leonardo Prieto | Cinematography by | Antonio Quercia | Editing by | Javier Estévez, Soledad Salfate
Cameras | ARRI ALEXA Camera, ARRI ALEXA Plus Camera
Person of Interest (2011)
| Cinematography by | Dave Insley, Teodoro Maniaci, Manuel Billeter, Stephen McNutt, Gonzalo Amat, Tom Houghton, Petr Hlinomaz, Richard Rutkowski | Editing by | Mark Conte, Ray Daniels III, Ryan Malanaphy, Scott Powell, Scott Lerner, Scott Jacobs, John Ganem, Lola Popovac, Russell Denove, L.B. Brodie, Dorian Harris, Farrel Levy, Jacqueline F. Bisbano, Hibah Schweitzer
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Matru ki Bijlee ka Mandola (2013)
Directed by | Vishal Bhardwaj | Cinematography by | Kartik Vijay | Editing by | A. Sreekar Prasad
Cameras | ARRI ALEXA Camera, ARRI Cameras
Altergeist (2014)
Directed by | Tedi Sarafian | Cinematography by | Aaron Heck | Editing by | Andrew Coutts, David W. Hagar
Cameras | ARRI ALEXA Plus Camera, Indiecam Cameras, Silicon Imaging SI-2K Mini Camera, Sony PMW-F3 Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens
Early Birds (2012)
Directed by | Jeroen Bogaert | Cinematography by | Rik Zang | Editing by | Karel van Bellingen
Cameras | ARRI ALEXA Camera, ARRI Cameras
Lenses | Cooke Lenses
Desperate Housewives (2004)
| Cinematography by | Lowell Peterson, David J. Miller, Richard M. Rawlings Jr., Eric Van Haren Noman, Walt Fraser, Michael Negrin, David Franco, Kenneth Zunder | Editing by | Jonathan Posell, Andrew Doerfer, Karen Castañeda, Nancy Morrison, Brent White, Troy Takaki, Kaja Fehr, Michael Berenbaum, William Marrinson
Cameras | ARRI ALEXA Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses
Hawaii Five-0 (2010)
| Cinematography by | James L. Carter, Krishna Rao, Michael Martinez, Kurt Jones, Alan Caso, Newton TerMeer, Ronald Víctor García, Donald E. Thorin Jr., Gabriel Beristain | Editing by | Roderick Davis, Maja Vrvilo, John A. Keris, James Wilcox, Johnathon Pensky, Scott Powell, Harry B. Miller III, Casey O. Rohrs, Peter Basinski, Scott Gamzon, Andrew Charlton, Paul Fontaine, Roy C. Poole, Douglas Clark, Nicolas De Toth, Elisa Cohen, Felicia Mignon Livingston, Christopher Oakes, John Gilbert
Cameras | ARRI ALEXA Camera, Sony CineAlta F35 Camera
Jack and Jill (2011)
Directed by | Dennis Dugan | Cinematography by | Dean Cundey | Editing by | Tom Costain
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Styria (2014)
Directed by | Mauricio Chernovetzky, Mark Devendorf | Cinematography by | Grzegorz Bartoszewicz | Editing by | Mark Devendorf
Cameras | ARRI ALEXA Camera
Celeste & Jesse Forever (2012)
Directed by | Lee Toland Krieger | Cinematography by | David Lanzenberg | Editing by | Yana Gorskaya
Cameras | ARRI ALEXA Camera
Broken City (2013)
Directed by | Allen Hughes | Cinematography by | Ben Seresin | Editing by | Cindy Mollo
Cameras | ARRI ALEXA Camera, ARRI ALEXA Studio Camera
Here Comes the Boom (2012)
Directed by | Frank Coraci | Cinematography by | Phil Meheux | Editing by | Scott Hill
Cameras | ARRI ALEXA Camera, Sony CineAlta F35 Camera
