ARRI ALEXA Series Cameras | 910 Titles
Mr. Popper’s Penguins (2011)
Directed by | Mark Waters | Cinematography by | Florian Ballhaus | Editing by | Bruce Green
Cameras | ARRI ALEXA Camera
The Intouchables (2011)
Directed by | Olivier Nakache, Éric Toledano | Cinematography by | Mathieu Vadepied | Editing by | Dorian Rigal-Ansous
Lenses | Panavision Primo Anamorphic Lenses
St George’s Day (2012)
Directed by | Frank Harper | Cinematography by | Mike Southon | Editing by | Nick McCahearty
Cameras | ARRI ALEXA Camera
Lenses | Cooke S4 Lenses
Divorce Invitation (2012)
Directed by | S.V. Krishna Reddy | Cinematography by | Brad Rushing | Editing by | Blu Murray, Gary Roach
Cameras | ARRI ALEXA Camera
Atlas Shrugged II: The Strike (2012)
Directed by | John Putch | Cinematography by | Ross Berryman | Editing by | John Gilbert
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens
The Iceman (2012)
Directed by | Ariel Vromen | Cinematography by | Bobby Bukowski | Editing by | Danny Rafic
Cameras | ARRI ALEXA Plus Camera, Canon EOS-7D Camera
Korpus (2011)
Directed by | Flo Linus Baumann | Cinematography by | Sebastian Weber | Editing by | Flo Linus Baumann, Aurora Vögeli
Cameras | ARRI ALEXA Camera
A Few Best Men (2011)
Directed by | Stephan Elliott | Cinematography by | Stephen F. Windon | Editing by | Sue Blainey
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Master Prime Lenses
Melancholia (2011)
Directed by | Lars von Trier | Cinematography by | Manuel Alberto Claro | Editing by | Molly Malene Stensgaard
Cameras | ARRI ALEXA Camera, Phantom HD Gold Camera
Hope Springs (2012)
Directed by | David Frankel | Cinematography by | Florian Ballhaus | Editing by | Steven Weisberg
Cameras | ARRI ALEXA Camera
Sparkle (2012)
Directed by | Salim Akil | Cinematography by | Anastas N. Michos | Editing by | Terilyn A. Shropshire
Cameras | ARRI ALEXA Plus Camera
Trishna (2011)
Death of a Superhero (2011)
Directed by | Ian Fitzgibbon | Cinematography by | Tom Fährmann | Editing by | Tony Cranstoun
Cameras | ARRI ALEXA Camera, Canon EOS-5D Mark II Camera
Lenses | Zeiss Ultra Prime Lenses
Comes a Bright Day (2012)
Directed by | Simon Aboud | Cinematography by | John Lynch | Editing by | Gavin Buckley
Cameras | ARRI ALEXA Camera
L’exercice de l’État (2011)
Directed by | Pierre Schoeller | Cinematography by | Julien Hirsch | Editing by | Laurence Briaud
Cameras | ARRI ALEXA Camera
Forces spéciales (2011)
Directed by | Stéphane Rybojad | Cinematography by | David Jankowski | Editing by | Erwan Pecher, Stéphane Rybojad
Cameras | ARRI ALEXA Camera
Twice Born (2012)
Directed by | Sergio Castellitto | Cinematography by | Gian Filippo Corticelli | Editing by | Patrizio Marone
Cameras | ARRI ALEXA Plus Camera
My Brother the Devil (2012)
Directed by | Sally El Hosaini | Cinematography by | David Raedeker | Editing by | Iain Kitching
Cameras | ARRI ALEXA Camera
Lenses | Cooke S4 Lenses
Young Adult (2011)
Directed by | Jason Reitman | Cinematography by | Eric Steelberg | Editing by | Dana E. Glauberman
Cameras | ARRI ALEXA Camera
Lenses | Cooke S4 Lenses
The First Aggregate (2012)
Directed by | Darhad Erdenibulag, Emyr ap Richard | Cinematography by | Emyr ap Richard | Editing by | Jinlei Kong, Matthieu Laclau
Cameras | ARRI ALEXA Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bolex H16 Camera, Red Epic Camera, Red One Camera, Red One MX Camera
Lenses | Kern-Paillard Switar Lens, Red Pro Zoom 17-50 mm T2.9 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Standard Prime MKII 32 mm T2.1 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens
