3D Animation | 112 Titles
The Last Reef 3D (2012)
Directed by | Luke Cresswell, Steve McNicholas | Cinematography by | D.J. Roller | Editing by | Luke Cresswell, Steve McNicholas
PressPausePlay (2011)
Directed by | David Dworsky, Victor Köhler | Cinematography by | Hannes Isaksson | Editing by | David Dworsky, Victor Köhler
Cameras | Red One Camera
Katy Perry: Part of Me (2012)
Directed by | Dan Cutforth, Jane Lipsitz | Editing by | Scott Evans, Brian David Lazarte, Scott Richter, Hans van Riet
Cameras | Red Epic Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Lenses, Zeiss Ultra Prime Planar 50 mm T1.9 Lens
Æon Flux (2005)
Directed by | Karyn Kusama | Cinematography by | Stuart Dryburgh | Editing by | Jeff Gullo, Peter Honess, Plummy Tucker
Bridge to Terabithia (2007)
Directed by | Gabor Csupo | Cinematography by | Michael Chapman | Editing by | John Gilbert
Cameras | Panavision Cameras
Where the Wild Things Are (2009)
Directed by | Spike Jonze | Cinematography by | Lance Acord | Editing by | James Haygood, Eric Zumbrunnen
Prince of Persia: The Sands of Time (2010)
Directed by | Mike Newell | Cinematography by | John Seale | Editing by | Mick Audsley, Michael Kahn, Martin Walsh
Cameras | Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
G-Force (2009)
Directed by | Hoyt Yeatman | Cinematography by | Bojan Bazelli | Editing by | Mark Goldblatt, Jason Hellmann
Sherlock Holmes (2009)
Directed by | Guy Ritchie | Cinematography by | Philippe Rousselot | Editing by | James Herbert
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Phantom HD Camera, Silicon Imaging SI-2K Camera
Wrath of the Titans (2012)
The Spiderwick Chronicles (2008)
Directed by | Mark Waters | Cinematography by | Caleb Deschanel | Editing by | Michael Kahn
Lenses | Panavision Primo Anamorphic Lenses
Men in Black II (2002)
Directed by | Barry Sonnenfeld | Cinematography by | Greg Gardiner | Editing by | Richard Pearson, Steven Weisberg
Finding Neverland (2004)
The Unborn (2009)
Directed by | David S. Goyer | Cinematography by | James Hawkinson | Editing by | Jeff Betancourt
Cameras | Panavision Cameras
Knowing (2009)
Directed by | Alex Proyas | Cinematography by | Simon Duggan | Editing by | Richard Learoyd
Cameras | Red One Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Land of the Lost (2009)
Directed by | Brad Silberling | Cinematography by | Dion Beebe | Editing by | Peter Teschner
Cameras | Panavision Cameras
The Final Destination (2009)
Directed by | David R. Ellis | Cinematography by | Glen MacPherson | Editing by | Mark Stevens
Cameras | Sony CineAlta F23 Camera, Sony HDC-F950 Camera
Changeling (2008)
Directed by | Clint Eastwood | Cinematography by | Tom Stern | Editing by | Joel Cox, Gary Roach
Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Antichrist (2009)
Directed by | Lars von Trier | Cinematography by | Anthony Dod Mantle | Editing by | Åsa Mossberg, Anders Refn
Cameras | Phantom HD Camera, Red One Camera
Lenses | Cooke Lenses, Cooke S4 Lenses
The Kite Runner (2007)
