Digital Dailies | 64 Titles
22 Jump Street (2014)
Directed by | Phil Lord, Christopher Miller | Cinematography by | Barry Peterson | Editing by | Keith Brachmann, David Rennie
Cameras | ARRI ALEXA XT Camera
The Monuments Men (2014)
Directed by | George Clooney | Cinematography by | Phedon Papamichael | Editing by | Stephen Mirrione
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens
That Awkward Moment (2014)
Directed by | Tom Gormican | Cinematography by | Brandon Trost | Editing by | Shawn Paper, Greg Tillman
Cameras | ARRI ALEXA Plus Camera
12 Years a Slave (2013) 
Directed by | Steve McQueen | Cinematography by | Sean Bobbitt | Editing by | Joe Walker
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Trade of Innocents (2012)
Directed by | Christopher M. Bessette | Cinematography by | Philip Hurn | Editing by | Diane Brunjes
Cameras | Red One MX Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
The Wolf of Wall Street (2013)
Directed by | Martin Scorsese | Cinematography by | Rodrigo Prieto | Editing by | Thelma Schoonmaker
Cameras | ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, ARRICAM Lite (LT) Camera, Canon EOS-C500 Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 140 mm T3.5 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Plus 135 mm T3.0 Lens, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Plus 80-180 mm T2.8 Lens, Hawk V-Series 180 mm T3.0 Lens, Zeiss Master Prime Lenses
Äkta människor (2012)
| Cinematography by | Trolle Davidson, Linus Rosenqvist, Frida Wendel, Andres Rignell | Editing by | Björn Kessler, Rickard Krantz, Kicki Niemi, Gustav Wachtmeister, Sofia Lindgren, Max Arehn
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Master Prime Lenses
The Paperboy (2012)
Directed by | Lee Daniels | Cinematography by | Roberto Schaefer | Editing by | Joe Klotz
Cameras | Aaton XTR Prod Camera, ARRIFLEX 16SR3 Camera
Lenses | Canon Lenses, Zeiss Super Speed Lenses
Liquid Bridge (2003)
Directed by | Phillip Avalon | Cinematography by | Roger Buckingham | Editing by | David Stiven
Lenses | Cooke Lenses, Zeiss Lenses
Zero Dark Thirty (2012)
Directed by | Kathryn Bigelow | Cinematography by | Greig Fraser | Editing by | William Goldenberg, Dylan Tichenor
Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
Lenses | Angenieux HP Zoom Lenses, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Optica Elite Lenses
Mama (2013)
Directed by | Andy Muschietti | Cinematography by | Antonio Riestra | Editing by | Michele Conroy
Cameras | ARRI ALEXA Camera
Lenses | Cooke S4 Lenses
The Moment After (1999)
Directed by | Wes Llewellyn | Cinematography by | Philip Hurn | Editing by | Wes Llewellyn
Cameras | Aaton Cameras
Lenses | Cooke Lenses
Stefan v/s Kramer (2012)
Directed by | Sebastián Freund, Stefan Kramer, Leonardo Prieto | Cinematography by | Antonio Quercia | Editing by | Javier Estévez, Soledad Salfate
Cameras | ARRI ALEXA Camera, ARRI ALEXA Plus Camera
Matru ki Bijlee ka Mandola (2013)
Directed by | Vishal Bhardwaj | Cinematography by | Kartik Vijay | Editing by | A. Sreekar Prasad
Cameras | ARRI ALEXA Camera, ARRI Cameras
Altergeist (2014)
Directed by | Tedi Sarafian | Cinematography by | Aaron Heck | Editing by | Andrew Coutts, David W. Hagar
Cameras | ARRI ALEXA Plus Camera, Indiecam Cameras, Silicon Imaging SI-2K Mini Camera, Sony PMW-F3 Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens
Broken City (2013)
Directed by | Allen Hughes | Cinematography by | Ben Seresin | Editing by | Cindy Mollo
Cameras | ARRI ALEXA Camera, ARRI ALEXA Studio Camera
Stranger Than Fiction (2006)
Shadow of the Vampire (2000)
Directed by | E. Elias Merhige | Cinematography by | Lou Bogue | Editing by | Chris Wyatt
Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera
Lenses | Zeiss Super Speed Lenses
Beasts of the Southern Wild (2012)
Directed by | Benh Zeitlin | Cinematography by | Ben Richardson | Editing by | Crockett Doob, Affonso Gonçalves
Cameras | ARRIFLEX 16SR3 Camera, ARRIFLEX 416 Camera
Lenses | Zeiss Super Speed Lenses
Extremely Loud & Incredibly Close (2011)
Directed by | Stephen Daldry | Cinematography by | Chris Menges | Editing by | Claire Simpson
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke 5/i Lenses
