Video | 486 Titles
American Blackout (2013)
Directed by | Jonathan Rudd | Cinematography by | Dave Miller | Editing by | Paul Evans, Jonathan Rudd
Cameras | Canon XA10 Camera, GoPro HD Hero2 Camera
Four Kinds of Love (2014)
Directed by | Timothy David Mitchell | Cinematography by | Sam Ward | Editing by | Timothy David Mitchell
Cameras | Canon EOS-7D Camera
Stranger Within (2013)
Directed by | Adam Neutzsky-Wulff | Cinematography by | Michael Sauer Christensen | Editing by | Niels Ostenfeld
Cameras | Canon EOS-5D Mark II Camera, Red One Camera
Lenses | Zeiss Ultra Prime Lenses
Do You Remember? (2015)
Directed by | Isaac Madge | Cinematography by | Isaac Madge | Editing by | Isaac Madge
Cameras | Canon EOS 550D Camera
Going Postal (2010)
| Cinematography by | Gavin Finney | Editing by | Alex Mackie
Cameras | ARRIFLEX D-21 Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Her (2013)
Directed by | Spike Jonze | Cinematography by | Hoyte Van Hoytema | Editing by | Jeff Buchanan, Eric Zumbrunnen
Verrückt nach Paris (2002)
Directed by | Pago Bahlke, Eike Besuden | Cinematography by | Piotr Lenar | Editing by | Margot Neubert-Maric
Lenses | Fujinon E Series Lenses, Zeiss Lenses
Need for Speed (2014)
Directed by | Scott Waugh | Cinematography by | Shane Hurlbut | Editing by | Paul Rubell, Scott Waugh
Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 19.5-94 mm T2.4 Lens, Angenieux Optimo Anamorphic Lenses, Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens, Cooke S4/i Prime 12mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 180mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0, Leica Elmarit-R II 28 mm f2.0, Leica Super Angulon-R 21 mm f4.0, Leica Super-Elmarit-R 15 mm f2.8, Leitz Summicron-C 21 mm T2.0 Lens, Zeiss Distagon T* 15mm f2.8 ZE, Zeiss Distagon T* 18mm f3.5 ZE
The Canyons (2013)
Directed by | Paul Schrader | Cinematography by | John DeFazio | Editing by | Tim Silano
Cameras | ARRI ALEXA Camera, Canon EOS-7D Camera
Lenses | Asahi Pentax Super Takumar Lenses, KMZ Helios 44 58 mm f1.2, LZOS Jupiter-9 85 mm f2.0, Zeiss Standard Speed Prime Lenses
Celle que j’aime (2009)
Directed by | Élie Chouraqui | Editing by | Franck Nakache, Jacques Witta
Cameras | Panavision Genesis Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses, Panavision Primo Primes Spherical Lenses
2 Guns (2013)
Hemlock Grove (2013)
| Cinematography by | Fernando Argüelles, John Grillo, Steven Poster | Editing by | Paul G. Day, Don Cassidy, Bert Kish, James Coblentz, Jim Munro, Roslyn Kalloo, Monty DeGraff, Conrad Smart, Roger Mattiussi, Ronald Sanders, Michael G. England, David B. Thompson
Cameras | ARRI ALEXA Camera, Canon EOS-C300 Camera
Lenses | Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens
Slasher House (2012)
Directed by | Mj Dixon | Cinematography by | Mj Dixon | Editing by | Mj Dixon
Cameras | Canon EOS 550D Camera
Terminal (2007)
Directed by | Fernando Beltran y Puga | Cinematography by | Angel Barroeta | Editing by | Jason Cross
Cameras | Panasonic AG-HVX200 Camera, Panasonic Cameras
Misdirection (2011)
Directed by | Al Stoffel | Cinematography by | Ronn Kilby | Editing by | Ronn Kilby
Cameras | Sony PMW-EX1R Camera
Mission to Lars (2012)
Directed by | James Moore, William Spicer | Editing by | Mags Arnold, Tom Herington, Ben Luria, James Moore
Cameras | Sony PMW-EX3 Camera
Blue Is the Warmest Color (2013)
Directed by | Abdellatif Kechiche | Cinematography by | Sofian El Fani | Editing by | Sophie Brunet, Ghalia Lacroix, Albertine Lastera, Jean-Marie Lengelle, Camille Toubkis
Cameras | Canon EOS-C300 Camera
Lenses | Angenieux Optimo 28-76 mm T2.6 Lens
Gimme the Loot (2012)
Directed by | Adam Leon | Cinematography by | Jonathan Miller | Editing by | Morgan Faust
Cameras | Sony Cameras, Sony HDW-F900R Camera
Lenses | Canon Lenses
The Woman (2013)
| Cinematography by | Ryan Atkins | Editing by | Ryan Atkins
Cameras | Canon Cameras, Canon EOS-7D Camera
Lenses | Canon Lenses