Video | 486 Titles
Breakup at a Wedding (2013)
Directed by | Victor Quinaz | Cinematography by | Giovanni P. Autran | Editing by | Giovanni P. Autran, Evan Leed, Charlie Porter
Cameras | Sony PMW-EX1 Camera
Scream Bloody Murder (2003)
Directed by | Jon Hoffman | Cinematography by | John Lazear | Editing by | Dave Rock
Cameras | Canon XL1 Camera
Lenses | Canon Lenses
Nymphomaniac: Vol. II (2013)
Directed by | Lars von Trier | Cinematography by | Manuel Alberto Claro | Editing by | Morten Højbjerg, Jacob Secher Schulsinger, Molly Malene Stensgaard
Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Super Speed Lenses
Karama Has No Walls (2012)
Directed by | Sara Ishaq | Cinematography by | Amin Alghebr, Nasr Alnamer, Khaled Rajeh | Editing by | Amir Hamdani, Sara Ishaq
Cavedigger (2013)
Directed by | Jeffrey Karoff | Cinematography by | Anghel Decca | Editing by | Erin Nordstrom
Cameras | Canon Cameras
Finding Vivian Maier (2013)
Directed by | John Maloof, Charlie Siskel | Cinematography by | John Maloof | Editing by | Aaron Wickenden
Cameras | Canon EOS Rebel T2i Camera
If I Stay (2014)
Directed by | R.J. Cutler | Cinematography by | John de Borman | Editing by | Keith Henderson
Cameras | ARRI ALEXA Plus 4:3 Camera, Canon EOS-C500 Camera
Chasing Ice (2012)
The Lady in Number 6: Music Saved My Life (2013)
Directed by | Malcolm Clarke | Cinematography by | Kieran Crilly | Editing by | Carl Freed
Cameras | Canon EOS-5D Mark III Camera
Lenses | Canon EF 24-70 mm f2.8L II Lens
The Apostate: Call of the Revenant (2015)
Directed by | Andy Dodd | Cinematography by | Andy Dodd, Catherine Kerr-Phillips | Editing by | Andy Dodd
Cameras | Panasonic Lumix DMC-GH2 Camera
Admission (2014)
Directed by | Gianluca Balla | Cinematography by | Danny Collinson, Hedda Estensen | Editing by | Jamie Robinson
Cameras | Canon EOS-7D Camera
Schutzengel (2012)
Directed by | Til Schweiger | Cinematography by | Adrian Cranage | Editing by | Constantin von Seld
Lenses | Zeiss Master Prime Lenses
Sanatorium (2013)
Directed by | Brant Sersen | Cinematography by | Daniel Sharnoff | Editing by | Chris Lechler
Cameras | Canon EOS-7D Camera, Canon VIXIA HF10 Camera, GoPro HD Hero2 Camera, Sony Other Camera, Sony PMW-EX1 Camera
Kvadrat (2013)
Directed by | Anatoly K. Ivanov | Cinematography by | Anatoly K. Ivanov | Editing by | Anatoly K. Ivanov
Cameras | Canon EOS-1D Mark IV Camera
Lenses | Canon EF 24-105 mm f4.0 L IS Lens, Canon EF 70-200 mm f2.8 L IS II Lens, Canon EF Series Lenses
Blue Ruin (2013)
Directed by | Jeremy Saulnier | Cinematography by | Jeremy Saulnier | Editing by | Julia Bloch
Cameras | Canon EOS-C300 Camera
Lenses | Canon L Series Lenses
Collision (2013)
Directed by | David Marconi | Cinematography by | Thomas Hardmeier | Editing by | Julien Rey
Cameras | ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, GoPro HD Hero2 Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Leitz Summilux-C Series Lenses, Zeiss Compact Prime Lenses
Nymphomaniac: Vol. I (2013)
Directed by | Lars von Trier | Cinematography by | Manuel Alberto Claro | Editing by | Morten Højbjerg, Jacob Secher Schulsinger, Molly Malene Stensgaard
Le grand soir (2012)
Directed by | Benoît Delépine, Gustave Kervern | Cinematography by | Hugues Poulain | Editing by | Stéphane Elmadjian
Cameras | ARRI ALEXA Camera, Canon EOS-7D Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Numeri (2013)
Directed by | Gianluca Balla | Cinematography by | Francesco De Gasperis | Editing by | Gianluca Balla
Cameras | Canon EOS-7D Camera
