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The Smurfs (2011)

Motion Picture | 3D | Color | 1.85:1 | 103 Minutes

Directed by | Raja Gosnell | Cinematography by | Phil Meheux | Editing by | Ellier Dov, Sabrina Plisco

Starring | Hank Azaria, Katy Perry, Jonathan Winters, Neil Patrick Harris

Cameras | Panavision Genesis Camera

Lenses | Panavision Primo Classic Spherical Lenses

A Different Corner (2010)

Motion Picture | Color | 86 Minutes

Directed by | Andrew Freeman | Cinematography by | Alex Salahi | Editing by | Andrew Freeman

Starring | Valerie Dunwoody, Tierra Peters, Evan Litt, Stu Chaiken

Cameras | Red One MX Camera

Corpse Bride (2005)

Motion Picture | 2D | Color | 1.85:1 | 77 Minutes

Directed by | Tim Burton, Mike Johnson | Cinematography by | Pete Kozachik | Editing by | Chris Lebenzon, Jonathan Lucas

Starring | Johnny Depp, Helena Bonham Carter, Emily Watson, Tracey Ullman

Cameras | ARRIFLEX D-20 Camera, Canon EOS-1D Mark IV Camera

Lenses | Zeiss Ultra Prime Lenses

Underworld: Awakening (2012)

Motion Picture | 2D, 3D | Color | 88 Minutes

Underworld: Awakening | ShotOnWhat?

Directed by | Måns Mårlind, Björn Stein | Cinematography by | Scott Kevan | Editing by | Jeff McEvoy

Starring | Kate Beckinsale, Michael Ealy, India Eisley, Stephen Rea

Cameras | Red Epic Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

The Social Network (2010)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 120 Minutes

Directed by | David Fincher | Cinematography by | Jeff Cronenweth | Editing by | Kirk Baxter, Angus Wall

Starring | Jesse Eisenberg, Andrew Garfield, Justin Timberlake, Rooney Mara

Cameras | Red One MX Camera

TRON (2010)

Motion Picture | 3D | 2K Project | Color | 1.78:1 (16x9), 2.39:1 | 125 Minutes

Directed by | Joseph Kosinski | Cinematography by | Claudio Miranda | Editing by | James Haygood

Starring | Jeff Bridges, Garrett Hedlund, Olivia Wilde, Bruce Boxleitner

Cameras | Phantom HD Camera, Sony CineAlta F35 Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Zeiss Master Prime Lenses

Prometheus (2012)

Motion Picture | 3D | Color | 1.66:1, 2.39:1 | 124 Minutes

Directed by | Ridley Scott | Cinematography by | Dariusz Wolski | Editing by | Pietro Scalia

Starring | Noomi Rapace, Logan Marshall-Green, Michael Fassbender, Charlize Theron

Cameras | ARRI ALEXA Camera, Red Epic Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses

Schemer (2010)

Motion Picture | 2D | Color | 1.85:1 | 91 Minutes

Directed by | Hanro Smitsman | Cinematography by | Joost Rietdijk | Editing by | Marc Bechtold

Starring | Matthijs van de Sande Bakhuyzen, Gaite Jansen, Roos Netjes, Robert de Hoog

Cameras | Red One Camera

Lenses | Cooke S4 Lenses

The Green Hornet (2011)

Motion Picture | 3D | Color | 2.35:1 | 119 Minutes

The Green Hornet | ShotOnWhat?

Directed by | Michel Gondry | Cinematography by | John Schwartzman | Editing by | Michael Tronick

Starring | Seth Rogen, Jay Chou, Christoph Waltz, Cameron Diaz

Cameras | Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom HD Camera, Red One MX Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

Barmy (2012)

Motion Picture | 2D | Color | 1.85:1 | 82 Minutes

Barmy | ShotOnWhat?

Directed by | Russell Bailey | Cinematography by | Alan Vidali | Editing by | Russell Bailey

Starring | Napoleon Ryan, Sherill Turner, Liz Osborn, Evan Schwartz

Cameras | Red One MX Camera

Lenses | Zeiss Ultra Prime Lenses

Page Eight (2011)

Television Movie | 2D | Color | 2.39:1 | 99 Minutes

Page Eight | ShotOnWhat?

Directed by | David Hare | Cinematography by | Martin Ruhe | Editing by | Jinx Godfrey

Starring | Bill Nighy, Rachel Weisz, Tom Hughes, Michael Gambon

Cameras | ARRI ALEXA Camera

Lenses | Hawk V-Lite Lenses

Superbad (2007)

Motion Picture | 2D | Color | 1.85:1 | 113 Minutes

Superbad | ShotOnWhat?

Directed by | Greg Mottola | Cinematography by | Russ T. Alsobrook | Editing by | William Kerr

Starring | Michael Cera, Jonah Hill, Christopher Mintz-Plasse, Bill Hader

Cameras | Phantom HD Camera

Lawless (2012)

Motion Picture | 2D | Color | 2.39:1 | 116 Minutes

Directed by | John Hillcoat | Cinematography by | Benoît Delhomme | Editing by | Dylan Tichenor

Starring | Tom Hardy, Shia LaBeouf, Guy Pearce, Jason Clarke

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses

The Lincoln Lawyer (2011)

Motion Picture | 2D | Color | 2.35:1 | 118 Minutes

The Lincoln Lawyer | ShotOnWhat?

Directed by | Brad Furman | Cinematography by | Lukas Ettlin | Editing by | Jeff McEvoy

Starring | Matthew McConaughey, Marisa Tomei, Ryan Phillippe, William H. Macy

Cameras | Red One MX Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Golden Compass (2007)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 113 Minutes

Directed by | Chris Weitz | Cinematography by | Henry Braham | Editing by | Anne V. Coates, Peter Honess, Kevin Tent

Starring | Nicole Kidman, Daniel Craig, Dakota Blue Richards, Ben Walker

Cameras | Panavision Cameras, Panavision Genesis Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Anamorphic Lenses

Gone Baby Gone (2007)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 114 Minutes

Directed by | Ben Affleck | Cinematography by | John Toll | Editing by | William Goldenberg

Starring | Morgan Freeman, Ed Harris, Casey Affleck, Michelle Monaghan

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Downton Abbey (2010)

Television Series | 2D | Color | 58 Minutes

Downton Abbey | ShotOnWhat?

| Cinematography by | Nigel Willoughby, Graham Frake, Gavin Struthers, David Katznelson, David Marsh, Adam Gillham, David Raedeker, Michael McDonough | Editing by | Al Morrow, John Wilson, Paul Garrick, Justin Krish, Alex Mackie, Nick McPhee, Mike Jones, Steve Singleton, Alex Kalmakrian

Starring | Hugh Bonneville, Phyllis Logan, Elizabeth McGovern, Brendan Coyle

Cameras | ARRI ALEXA Camera, ARRIFLEX D-21 Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Scott Pilgrim vs. the World (2010)

Motion Picture | 2D | Color | 1.85:1, 2.35:1 | 112 Minutes

Scott Pilgrim vs. the World | ShotOnWhat?

Directed by | Edgar Wright | Cinematography by | Bill Pope | Editing by | Jonathan Amos, Paul Machliss

Starring | Michael Cera, Mary Elizabeth Winstead, Kieran Culkin, Anna Kendrick

Cameras | ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Snabba cash II (2012)

Motion Picture | 2D | Color | 2.39:1 | 99 Minutes

Snabba cash II | ShotOnWhat?

Directed by | Babak Najafi | Cinematography by | Aril Wretblad | Editing by | Theis Schmidt

Starring | Joel Kinnaman, Matias Varela, Dragomir Mrsic, Fares Fares

Cameras | ARRI ALEXA Camera

The Darkest Hour (2011)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 89 Minutes

Directed by | Chris Gorak | Cinematography by | Scott Kevan | Editing by | Priscilla Nedd-Friendly, Fernando Villena, Doobie White

Starring | Emile Hirsch, Olivia Thirlby, Max Minghella, Rachael Taylor

Cameras | Sony CineAlta F35 Camera, Sony HDC-P1 Camera

Lenses | Panavision Primo Primes Spherical Lenses

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