Digital Cinema | 1861 Titles
Robot & Frank (2012)
Directed by | Jake Schreier | Cinematography by | Matthew J. Lloyd | Editing by | Jacob Craycroft
Cameras | ARRI ALEXA Camera
Lenses | Cooke S4 Lenses
Burn Notice: The Fall of Sam Axe (2011)
Directed by | Jeffrey Donovan | Cinematography by | Jaime Reynoso | Editing by | Steven Lang
Cameras | ARRI ALEXA Camera
Bienvenue à bord (2011)
Directed by | Eric Lavaine | Cinematography by | Stéphane Le Parc | Editing by | Vincent Zuffranieri
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Extremely Loud & Incredibly Close (2011)
Directed by | Stephen Daldry | Cinematography by | Chris Menges | Editing by | Claire Simpson
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke 5/i Lenses
The Pirates! Band of Misfits (2012)
Directed by | Peter Lord, Jeff Newitt | Cinematography by | Frank Passingham | Editing by | Justin Krish
Cameras | Canon EOS-5D Mark II Camera
7 días en La Habana (2012)
Directed by | Laurent Cantet, Benicio Del Toro, Julio Medem, Gaspar Noé, Elia Suleiman, Juan Carlos Tabío, Pablo Trapero | Cinematography by | Daniel Aranyó, Diego Dussuel, Gaspar Noé | Editing by | Santiago Esteves, Thomas Fernandez, Rich Fox, Berta Frías, Véronique Lange, Julio Medem, Gaspar Noé, Alex Rodríguez, Pablo Trapero
Cameras | Red One Camera
247°F (2011)
Directed by | Levan Bakhia, Beka Jguburia | Cinematography by | Vigen Vartanov | Editing by | Peter Hollywood
Cameras | Red One Camera
Rachel Getting Married (2008)
Directed by | Jonathan Demme | Cinematography by | Declan Quinn | Editing by | Tim Squyres
Cameras | Sony HDW-F900R Camera
Public Enemies (2009)
Directed by | Michael Mann | Cinematography by | Dante Spinotti | Editing by | Jeffrey Ford, Paul Rubell
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony CineAlta F23 Camera, Sony HDC-F950 Camera, Sony PMW-EX1 Camera
Coraline (2009)
Directed by | Henry Selick | Cinematography by | Pete Kozachik | Editing by | Christopher Murrie, Ronald Sanders
Silence Becomes You (2005)
Directed by | Stephanie Sinclaire | Cinematography by | Arturo Smith | Editing by | Toby Yates
Cameras | Thomson Viper Camera
Lenses | Zeiss DigiPrime Lenses
La pirogue (2012)
Directed by | Moussa Touré | Cinematography by | Thomas Letellier | Editing by | Josie Miljevic
Cameras | Sony SRW-9000PL Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens
The Hangover Part II (2011)
Directed by | Todd Phillips | Cinematography by | Lawrence Sher | Editing by | Debra Neil-Fisher, Michael L. Sale
Good Deeds (2012)
Directed by | Tyler Perry | Cinematography by | Alexander Gruszynski | Editing by | Maysie Hoy
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke 5/i Lenses
Ironclad (2011)
Directed by | Jonathan English | Cinematography by | David Eggby | Editing by | Peter Amundson, Gavin Buckley
Cameras | Panavision Genesis Camera
Lenses | Panavision Lenses
Tepenin Ardi (2012)
Directed by | Emin Alper | Cinematography by | George Chiper | Editing by | Özcan Vardar
Cameras | ARRI ALEXA Camera
Bernie (2011)
Directed by | Richard Linklater | Cinematography by | Dick Pope | Editing by | Sandra Adair
Cameras | ARRI ALEXA Camera
Lenses | Cooke S4 Lenses
Resident Evil: Retribution (2012)
Directed by | Paul W.S. Anderson | Cinematography by | Glen MacPherson | Editing by | Niven Howie
Cameras | Red Epic Camera
Lenses | Zeiss Ultra Prime Lenses
Vidocq (2001)
Directed by | Pitof | Cinematography by | Jean-Pierre Sauvaire, Jean-Claude Thibaut | Editing by | Thierry Hoss
Cameras | Sony Cameras, Sony HDW-F900 Camera