Digital Cinema | 1863 Titles
Glee: The 3D Concert Movie (2011)
Directed by | Kevin Tancharoen, Jennifer Arnold | Cinematography by | Glen MacPherson, Justin Talley | Editing by | Myron Kerstein, Jane Moran, Tatiana S. Riegel, Sonja Schenk
Cameras | ARRI ALEXA Camera, Red Epic Camera
Prom (2011)
Directed by | Joe Nussbaum | Cinematography by | Byron Shah | Editing by | Jeffrey M. Werner
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Caroline and Jackie (2012)
Directed by | Adam Christian Clark | Cinematography by | Christian Swegal | Editing by | Adam Christian Clark, Lisa Hendricks
Cameras | Red One MX Camera
Parrot (2012)
Directed by | Craig D. Foster | Cinematography by | Joel Froome | Editing by | Emma McKenna
Cameras | ARRI ALEXA Camera
Bare Bea (2004)
Directed by | Petter Næss | Cinematography by | Marius Johansen Hansen | Editing by | Jon Endre Mørk
Cameras | Sony HDW-F900 Camera
Killers (2010)
Directed by | Robert Luketic | Cinematography by | Russell Carpenter | Editing by | Richard Francis-Bruce, Mary Jo Markey
Cameras | ARRIFLEX D-21 Camera
Lenses | Hawk V-Series Lenses
The Three Musketeers (2011)
Directed by | Paul W.S. Anderson | Cinematography by | Glen MacPherson | Editing by | Alexander Berner, Claus Wehlisch
Magic Mike (2012)
Directed by | Steven Soderbergh | Cinematography by | Steven Soderbergh | Editing by | Steven Soderbergh
Cameras | Red Epic Camera
Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses
Apollo 18 (2011)
Directed by | Gonzalo López-Gallego | Cinematography by | José David Montero | Editing by | Patrick Lussier
Cameras | ARRIFLEX 16SR Camera, Sony CineAlta F23 Camera
Lenses | Panavision Primo Digital Lenses
The Down Home Alien Blues (2012)
Directed by | C. Duke Marsh | Cinematography by | Bob Fox | Editing by | Steven Fook Yuan Wong
Cameras | Sony PMW-F3 Camera
The Brazen Bull (2010)
Directed by | Douglas Elford-Argent | Cinematography by | Jayson Crothers | Editing by | Wendy Elford-Argent
Cameras | Red One Camera
Apocalypto (2006)
Directed by | Mel Gibson | Cinematography by | Dean Semler | Editing by | John Wright
Cameras | Aaton A-Minima Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Ikonoskop Cameras, Panavision Genesis Camera
30,000 Leagues Under the Sea (2007)
Directed by | Gabriel Bologna | Cinematography by | Mark Atkins | Editing by | Matthew Alson Thornbury
Cameras | Sony HDW-F900 Camera
Red State (2011)
Directed by | Kevin Smith | Cinematography by | David Klein | Editing by | Kevin Smith
Cameras | Canon EOS-7D Camera, Red One MX Camera
Di Renjie: Tong tian di guo (2010)
Directed by | Hark Tsui | Cinematography by | Chi-Ying Chan, Chor Keung Chan | Editing by | Chi Wai Yau
Cameras | Red One Camera
Lenses | Angenieux Lenses, Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Lenses
Spy Kids 2: Island of Lost Dreams (2002)
Directed by | Robert Rodriguez | Cinematography by | Robert Rodriguez | Editing by | Robert Rodriguez
Cameras | Sony HDW-F900 Camera
Gunjô: Ai ga shizunda umi no iro (2009)
Directed by | Yosuke Nakagawa | Cinematography by | Hiro'o Yanagida | Editing by | Hiroaki Morishita
Lenses | Fujinon E Series Lenses, Panavision Lenses
Albert Nobbs (2011)
Directed by | Rodrigo García | Cinematography by | Michael McDonough | Editing by | Steven Weisberg
Cameras | Red One MX Camera
Super (2010)
Directed by | James Gunn | Cinematography by | Steve Gainer | Editing by | Cara Silverman
Cameras | Red One Camera
The Final Destination (2009)
Directed by | David R. Ellis | Cinematography by | Glen MacPherson | Editing by | Mark Stevens
Cameras | Sony CineAlta F23 Camera, Sony HDC-F950 Camera
