Digital Cinema | 1861 Titles
L’amour dure trois ans (2011)
Directed by | Frédéric Beigbeder | Cinematography by | Yves Cape | Editing by | Stan Collet, Stéphane Garnier
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Lenses
Lærkevej – til døden os skiller (2012)
Directed by | Mogens Hagedorn | Cinematography by | Søren Bay | Editing by | Elin Pröjts
Cameras | ARRI ALEXA Plus Camera
A Single Woman (2008)
Directed by | Kamala Lopez | Cinematography by | Gabriel Diniz | Editing by | Kamala Lopez
Cameras | Sony HDW-F900 Camera
Men in Black 3 (2012)
Directed by | Barry Sonnenfeld | Cinematography by | Bill Pope | Editing by | Don Zimmerman
Cameras | ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera
Farewell, My Queen (2012)
Directed by | Benoît Jacquot | Cinematography by | Romain Winding | Editing by | Luc Barnier, Nelly Ollivault
Cameras | ARRI ALEXA Camera
Dark Country (2009)
Directed by | Thomas Jane | Cinematography by | Geoff Boyle | Editing by | John Lafferty, Robert K. Lambert
Cameras | Red One Camera, Silicon Imaging SI-2K Camera
Lenses | Angenieux Lenses, Schneider Lenses
In a Better World (2010)
Directed by | Susanne Bier | Cinematography by | Morten Søborg | Editing by | Pernille Bech Christensen, Morten Egholm
Cameras | Red One Camera
Lenses | Angenieux Lenses
Lord of the Dance in 3D (2011)
Directed by | Marcus Viner | Cinematography by | Nick Wheeler | Editing by | Tom Palliser
Lenses | Cooke Lenses
Rampart (2011)
Directed by | Oren Moverman | Cinematography by | Bobby Bukowski | Editing by | Jay Rabinowitz
Cameras | ARRI ALEXA Camera
Killing Them Softly (2012)
Directed by | Andrew Dominik | Cinematography by | Greig Fraser | Editing by | John Paul Horstmann, Brian A. Kates
Lenses | Panavision HS50 50 mm T1.1 Lens
Once Upon a Time in Mexico (2003)
Directed by | Robert Rodriguez | Cinematography by | Robert Rodriguez | Editing by | Robert Rodriguez
Cameras | Sony HDW-F900 Camera
Flags of Our Fathers (2006)
Directed by | Clint Eastwood | Cinematography by | Tom Stern | Editing by | Joel Cox
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Platinum Camera, Sony HVR-Z1U Camera
33 Postcards (2011)
Directed by | Pauline Chan | Cinematography by | Toby Oliver | Editing by | Jane Moran
Cameras | Red One Camera
Made in New Mexico (2012)
Directed by | Brent Morris, David J. Schweitzer | Cinematography by | David J. Schweitzer | Editing by | David Aubrey, Brent Morris
Cameras | Red Digital Cinema Cameras, Sony PMW-EX3 Camera
Lenses | Cooke S4 Lenses
Harry Brown (2009)
Directed by | Daniel Barber | Cinematography by | Martin Ruhe | Editing by | Joe Walker
Cameras | Sony CineAlta F35 Camera
Fantastic Mr. Fox (2009)
Directed by | Wes Anderson | Cinematography by | Tristan Oliver | Editing by | Ralph Foster, Stephen Perkins, Andrew Weisblum
Cameras | Nikon D3 Camera
Lenses | Cooke Varotal Lenses
Pitch Perfect (2012)
Directed by | Jason Moore | Cinematography by | Julio Macat | Editing by | Lisa Zeno Churgin
Cameras | ARRI ALEXA Camera
Jiro Dreams of Sushi (2011)
Directed by | David Gelb | Cinematography by | David Gelb | Editing by | Brandon Driscoll-Luttringer
Cameras | Canon EOS-7D Camera, Red One Camera
Antichrist (2009)
Directed by | Lars von Trier | Cinematography by | Anthony Dod Mantle | Editing by | Åsa Mossberg, Anders Refn
Cameras | Phantom HD Camera, Red One Camera
Lenses | Cooke Lenses, Cooke S4 Lenses
Vampire Killers (2009)
Directed by | Phil Claydon | Cinematography by | David Higgs | Editing by | James Herbert
Cameras | Red One Camera