Digital Cinema | 1861 Titles
Dredd (2012)
Directed by | Pete Travis | Cinematography by | Anthony Dod Mantle | Editing by | Mark Eckersley
Lenses | Zeiss Ultra Prime Lenses
Limitless (2011)
Directed by | Neil Burger | Cinematography by | Jo Willems | Editing by | Tracy Adams, Naomi Geraghty
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Red One Camera
Lenses | Cooke S4 Lenses
Tower Heist (2011)
2 Days in New York (2012)
Directed by | Julie Delpy | Cinematography by | Lubomir Bakchev | Editing by | Isabelle Devinck
Cameras | ARRI ALEXA Camera, Sony HDW-750 Camera
Madea’s Witness Protection (2012)
Directed by | Tyler Perry | Cinematography by | Alexander Gruszynski | Editing by | Maysie Hoy
Cameras | ARRI ALEXA Camera
Lenses | Panavision Primo Anamorphic Lenses
À moi seule (2012)
Directed by | Frédéric Videau | Cinematography by | Marc Tevanian | Editing by | François Quiqueré
Cameras | ARRI ALEXA Camera
Lenses | Panavision Primo Anamorphic Lenses
Otter 501 (2012)
Directed by | Bob Talbot | Cinematography by | Mark Shelley | Editing by | Shirley Gutierrez
Cameras | Canon EOS-5D Mark II Camera, Cineflex V14HD Camera
Bored to Death (2009)
| Cinematography by | Vanja Cernjul | Editing by | Ken Eluto, Meg Reticker, Malcolm Jamieson, Agnes Grandits
Cameras | ARRI ALEXA Camera, ARRIFLEX D-21 Camera
ToyKhtoProyshovKrizVohon (2011)
Directed by | Mykhailo Illienko | Cinematography by | Oleksandr Kryshtalovych | Editing by | Viktor Malyarenko
Cameras | Red One Camera
The Dictator (2012)
Directed by | Larry Charles | Cinematography by | Lawrence Sher | Editing by | Greg Hayden, Eric Kissack
Cameras | ARRI ALEXA Camera, Canon EOS-5D Mark III Camera
Lenses | Panavision Primo Anamorphic Lenses
Seeking a Friend for the End of the World (2012)
Directed by | Lorene Scafaria | Cinematography by | Tim Orr | Editing by | Zene Baker
Cameras | ARRI ALEXA Plus Camera
Lie to Me (2009)
| Cinematography by | Sidney Sidell, Joseph E. Gallagher, Alan Caso, David Geddes, Florian Ballhaus | Editing by | Devon Greene, David Post, Rick Tuber, David C. Cook, David Siegel, Padraic McKinley, Thomas R. Moore, Gib Jaffe, Monty DeGraff, Marta Evry, Thom Noble, Suzy Elmiger
Cameras | ARRI ALEXA Camera, ARRIFLEX D-21 Camera
Beginners (2010)
Directed by | Mike Mills | Cinematography by | Kasper Tuxen | Editing by | Olivier Bugge Coutté
Cameras | Red One Camera
L’enfant d’en haut (2012)
Directed by | Ursula Meier | Cinematography by | Agnès Godard | Editing by | Nelly Quettier
Cameras | ARRI ALEXA Camera
Valhalla Rising (2009)
Directed by | Nicolas Winding Refn | Cinematography by | Morten Søborg | Editing by | Matthew Newman
Cameras | Red One Camera
New Year’s Eve (2011)
Directed by | Garry Marshall | Cinematography by | Charles Minsky | Editing by | Michael Tronick
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Blindness (2008)
Directed by | Fernando Meirelles | Cinematography by | César Charlone | Editing by | Daniel Rezende
Cameras | Aaton 35-III Camera, Aaton A-Minima Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Sony DCR-PC110 Camera
Lenses | Canon Lenses, Fujinon Lenses, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses
Atlas Shrugged: Part I (2011)
Directed by | Paul Johansson | Cinematography by | Ross Berryman | Editing by | Jim Flynn, Sherril Schlesinger
Cameras | Red One MX Camera
I Killed My Mother (2009)
Directed by | Xavier Dolan | Cinematography by | Stéphanie Anne Weber Biron | Editing by | Hélène Girard
Cameras | Red One Camera
Haunted – 3D (2011)
Directed by | Vikram Bhatt | Cinematography by | Pravin Bhatt | Editing by | Kuldip K. Mehan
Cameras | Silicon Imaging SI-2K Camera
Lenses | Zeiss Ultra 16 Lenses