Digital Cinema | 1861 Titles
Struck by Lightning (2012)
Directed by | Brian Dannelly | Cinematography by | Bobby Bukowski | Editing by | Tia Nolan
Cameras | ARRI ALEXA Camera
Underworld: Rise of the Lycans (2009)
Directed by | Patrick Tatopoulos | Cinematography by | Ross Emery | Editing by | Peter Amundson, Eric Potter
Cameras | Panavision Genesis Camera, Red One Camera
Five (2011)
Directed by | Jennifer Aniston, Patty Jenkins, Alicia Keys, Demi Moore, Penelope Spheeris | Cinematography by | Eric Alan Edwards, Guy Livneh, Jim Orr, Christopher Popp, Tami Reiker | Editing by | Zene Baker, Adrienne Gits, Lynzee Klingman, Byron Smith, Tom Wilson
Cameras | ARRI ALEXA Camera, Red One Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Highlander: The Source (2007)
Directed by | Brett Leonard | Cinematography by | Steve Arnold | Editing by | Chris Blunden, Les Healey, Terry Jones
Cameras | Thomson Viper Camera
Lenses | Zeiss DigiPrime Lenses
In Time (2011)
Directed by | Andrew Niccol | Cinematography by | Roger Deakins | Editing by | Zach Staenberg
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Master Prime Lenses
Thanks for Sharing (2012)
Directed by | Stuart Blumberg | Cinematography by | Yaron Orbach | Editing by | Anne McCabe
Cameras | ARRI ALEXA Camera
Pirates of the Caribbean: On Stranger Tides (2011)
Directed by | Rob Marshall | Cinematography by | Dariusz Wolski | Editing by | David Brenner, Wyatt Smith
Cameras | Red Epic Camera, Red One MX Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses
Saints and Soldiers: Airborne Creed (2012)
Directed by | Ryan Little | Cinematography by | Ryan Little, Kelby Thwaits | Editing by | Burke Lewis, Rhett Lewis
Cameras | Red One Camera
Problem of Evil (2013)
Directed by | Ethan Kogan, Jessica Silvetti | Cinematography by | Ethan Kogan, Jessica Silvetti | Editing by | Ethan Kogan
Cameras | Canon EOS 550D Camera
Red Hook Summer (2012)
Directed by | Spike Lee | Cinematography by | Kerwin DeVonish | Editing by | Hye Mee Na
Cameras | Sony PMW-F3 Camera
Get the Gringo (2012)
Directed by | Adrian Grunberg | Cinematography by | Benoît Debie | Editing by | Steven Rosenblum
Cameras | Red One MX Camera
Lenses | Hawk V-Lite Lenses
The Avengers (2012)
Directed by | Joss Whedon | Cinematography by | Seamus McGarvey | Editing by | Jeffrey Ford, Lisa Lassek
Lenses | Panavision Frazier Lenses, Panavision Lenses
A Swedish Midsummer Sex Comedy (2009)
Directed by | Ian McCrudden | Cinematography by | Dan Coplan | Editing by | Håkan Wärn
Cameras | Red One Camera
Stake Land (2010)
Directed by | Jim Mickle | Cinematography by | Ryan Samul | Editing by | Jim Mickle
Cameras | Red One Camera
Lenses | Zeiss Super Speed Lenses
Wild Bill (2011)
Directed by | Dexter Fletcher | Cinematography by | George Richmond | Editing by | Stuart Gazzard
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses
Pacific Rim (2013)
Directed by | Guillermo del Toro | Cinematography by | Guillermo Navarro | Editing by | Peter Amundson, John Gilroy
Cameras | Red Epic Camera
Source Code (2011)
Directed by | Duncan Jones | Cinematography by | Don Burgess | Editing by | Paul Hirsch
Cameras | Iconix HD-RH1 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Camera, Red One MX Camera
Lenses | Panavision Primo Anamorphic Lenses
Dreamland: La terra dei sogni (2011)
Directed by | Sandro Ravagnani | Cinematography by | Antonio Centomani, Massimo Zeri
Cameras | Red One Camera
Hell (2011)
Directed by | Tim Fehlbaum | Cinematography by | Markus Förderer | Editing by | Andreas Menn
Cameras | Red One MX Camera
Freestyle (2010)
Directed by | Kolton Lee | Cinematography by | Steve Gray | Editing by | Dominic Strevens
Cameras | Red One Camera
