Celluloid | 3098 Titles
Beginning (2020)
Directed by | Dea Kulumbegashvili | Cinematography by | Arseni Khachaturan | Editing by | Matthieu Taponier
Lenses | Cooke 5/i Prime 25mm T1.4 Lens
A Beautiful Day in the Neighborhood (2019)
Seberg (2019)
Sound of Metal (2019)
Directed by | Darius Marder | Cinematography by | Daniël Bouquet | Editing by | Mikkel E.G. Nielsen
Cameras | Aaton Penelope Camera
Ad Astra (2019)
Directed by | James Gray | Cinematography by | Hoyte Van Hoytema | Editing by | John Axelrad, Lee Haugen
Cameras | Aaton Penelope Camera, ARRI ALEXA XT Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX Camera
The Lighthouse (2019)
Directed by | Robert Eggers | Cinematography by | Jarin Blaschke | Editing by | Louise Ford
Lenses | Bausch & Lomb Lenses, Pathé Lenses
Euphoria (2019)
| Cinematography by | Marcell Rév, Drew Daniels, Adam Newport-Berra, André Chemetoff, Rina Yang | Editing by | Julio C. Perez IV, Laura Zempel, Nikola Boyanov, Aaron I. Butler, Harry Yoon, Darrin Navarro
Cameras | ARRI ALEXA 65 Camera, ARRICAM Lite (LT) Camera
Marriage Story (2019)
Once Upon a Time… in Hollywood (2019)
Directed by | Quentin Tarantino | Cinematography by | Robert Richardson | Editing by | Fred Raskin
Cameras | Aaton A-Minima Camera, ARRIFLEX Camera, Bolex Cameras, Panavision Panaflex Millennium XL2 Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses
The Irishman (2019)
Directed by | Martin Scorsese | Cinematography by | Rodrigo Prieto | Editing by | Thelma Schoonmaker
Cameras | ARRI ALEXA Mini Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Red Digital Cinema Cameras
The Painted Bird (2019)
Directed by | Václav Marhoul | Cinematography by | Vladimír Smutný | Editing by | Ludek Hudec
Lenses | Hawk V-Lite Lenses
Star Wars: Episode IX – The Rise of Skywalker (2019)
Directed by | J.J. Abrams | Cinematography by | Dan Mindel | Editing by | Maryann Brandon, Stefan Grube
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Digital Lenses, Panavision Retro C Series Lenses, Panavision T Series Anamorphic Lenses
Bliss (2019)
Directed by | Joe Begos | Cinematography by | Mike Testin | Editing by | Josh Ethier
Lenses | Zeiss Super Speed Lenses
The Enchantress of Number (2018)
Directed by | Rebecca Murga | Cinematography by | David Auner
Cameras | Aaton Penelope Camera, ARRI AMIRA Premium Camera
Lenses | Cooke Speed Panchro (S2) 32mm f2.3 Lens, Cooke Speed Panchro (S2) 40mm f2.3 Lens, Cooke Speed Panchro (S2) 50mm f2.3 Lens, Cooke Speed Panchro (S2) 75mm f2.3 Lens, Cooke Speed Panchro (S3) 18mm T2.2 Lens, Cooke Speed Panchro (S3) 25mm T2.2 Lens
Shoplifters (2018)
Directed by | Hirokazu Koreeda | Cinematography by | Ryûto Kondô | Editing by | Hirokazu Koreeda
Lenses | Angenieux Optimo Zoom Lenses, Canon K35 Prime Lenses, Fujinon Alura Lenses, Fujinon Lenses, Leitz Summicron-C Series Lenses, Zeiss Ultra Prime Lenses
BlacKkKlansman (2018)
Directed by | Spike Lee | Cinematography by | Chayse Irvin | Editing by | Barry Alexander Brown
Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Panavision PVintage Prime Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Zeiss Master Prime Lenses
A Quiet Place (2018)
Directed by | John Krasinski | Cinematography by | Charlotte Bruus Christensen | Editing by | Christopher Tellefsen
Lenses | Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Macro Anamorphic Panatar Prime Lenses, Panavision Primo Anamorphic Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses
The Dead and the Others (2018)
Directed by | Renée Nader Messora, João Salaviza | Cinematography by | Renée Nader Messora | Editing by | Ricardo Alves Jr., Thiago Macêdo Correia, José Edgar Feldman, Renée Nader Messora, João Salaviza
Vox Lux (2018)
Directed by | Brady Corbet | Cinematography by | Lol Crawley | Editing by | Matthew Hannam
Cameras | ARRICAM Lite (LT) Camera
Mission: Impossible – Fallout (2018)
Directed by | Christopher McQuarrie | Cinematography by | Rob Hardy | Editing by | Eddie Hamilton
Cameras | ARRIFLEX 235 Camera, Panavision Millennium DXL Camera, Panavision Panaflex Millennium XL2 Camera, Red Weapon Dragon Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo 70 Lenses
