Celluloid | 3105 Titles
Premium Rush (2012)
Directed by | David Koepp | Cinematography by | Mitchell Amundsen | Editing by | Derek Ambrosi, Jill Savitt
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
The Karate Kid (2010)
Directed by | Harald Zwart | Cinematography by | Roger Pratt | Editing by | Joel Negron
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera
Lenses | Cooke S4 Lenses
Something’s Gotta Give (2003)
Directed by | Nancy Meyers | Cinematography by | Michael Ballhaus | Editing by | Joe Hutshing
Cameras | ARRICAM Studio (ST) Camera
Lenses | Angenieux Lenses, Zeiss Lenses
Kauas pilvet karkaavat (1996)
Directed by | Aki Kaurismäki | Cinematography by | Timo Salminen | Editing by | Aki Kaurismäki
Cameras | ARRIFLEX 35 BL2 Camera
A Midnight Clear (1992)
Directed by | Keith Gordon | Cinematography by | Tom Richmond | Editing by | Don Brochu
Cameras | ARRIFLEX Camera
Flags of Our Fathers (2006)
Directed by | Clint Eastwood | Cinematography by | Tom Stern | Editing by | Joel Cox
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Platinum Camera, Sony HVR-Z1U Camera
Bridget Jones’s Diary (2001)
Directed by | Sharon Maguire | Cinematography by | Stuart Dryburgh | Editing by | Martin Walsh
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Mummy (1999)
Directed by | Stephen Sommers | Cinematography by | Adrian Biddle | Editing by | Bob Ducsay
Cameras | Panavision Panaflex Platinum Camera
Atonement (2007)
Directed by | Joe Wright | Cinematography by | Seamus McGarvey | Editing by | Paul Tothill
Lenses | Panavision Hylén System Lens, Panavision Primo Primes Spherical Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens
Barbershop (2002)
The Time Machine (2002)
Directed by | Simon Wells | Cinematography by | Donald McAlpine | Editing by | Wayne Wahrman
Cameras | Panavision Panaflex Camera
Felicia’s Journey (1999)
Directed by | Atom Egoyan | Cinematography by | Paul Sarossy | Editing by | Susan Shipton
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
3000 Miles to Graceland (2001)
Directed by | Demian Lichtenstein | Cinematography by | David Franco | Editing by | Michael J. Duthie, Miklos Wright
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Sonatine (1993)
Directed by | Takeshi Kitano | Cinematography by | Katsumi Yanagijima | Editing by | Takeshi Kitano
Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Camera
The Paradigm Shift (2008)
Directed by | Jon Barr | Cinematography by | Billy Bob Thompson | Editing by | Pete Kruvczuk
Cameras | Aaton A-Minima Camera, Aaton XTR Camera
Life Is Beautiful (1997)
Directed by | Roberto Benigni | Cinematography by | Tonino Delli Colli | Editing by | Simona Paggi
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Goodfellas (1990)
Directed by | Martin Scorsese | Cinematography by | Michael Ballhaus | Editing by | James Y. Kwei, Thelma Schoonmaker
Cameras | ARRIFLEX 35 BL4s Camera
Lenses | Zeiss Lenses
What Lies Beneath (2000)
Directed by | Robert Zemeckis | Cinematography by | Don Burgess | Editing by | Arthur Schmidt
Cameras | Panavision Panaflex Platinum Camera
Extreme Justice (1993)
Directed by | Mark L. Lester | Cinematography by | Mark Irwin | Editing by | Donn Aron
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera
The Black Dahlia (2006)
Directed by | Brian De Palma | Cinematography by | Vilmos Zsigmond | Editing by | Bill Pankow
Lenses | Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Ultra Prime Lenses
