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Directed by | Juan Carlos Fresnadillo Cinematography by ~ Enrique Chediak Cameras | Aaton A-Minima Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Sony HVR-Z1E Camera Lenses | Zeiss Ultra 16 Lenses, Zeiss Ultra Prime Lenses |
Search Results: ultra prime lenses | 451 Titles
28 Weeks Later (2007)
Cold War (2018)
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Directed by | Pawel Pawlikowski Cinematography by ~ Lukasz Zal Cameras | ARRI ALEXA XT Camera Lenses | Angenieux Optimo Anamorphic Lenses, Cooke 5/i Lenses, Zeiss Ultra Prime Lenses |
The Tree of Life (2011)
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Directed by | Terrence Malick Cinematography by ~ Emmanuel Lubezki Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Dalsa Evolution Camera, IMAX Cameras, Panavision System 65 Camera, Phantom HD Gold Camera, Red One Camera Lenses | Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses |
Dredd (2012)
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Directed by | Pete Travis Cinematography by ~ Anthony Dod Mantle Cameras | Phantom Flex Camera, Red One MX Camera, Silicon Imaging SI-2K Camera Lenses | Zeiss Ultra Prime Lenses |
Ek Tha Tiger (2012)
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Directed by | Kabir Khan Cinematography by ~ Aseem Mishra Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses |
The Last Stand (2013)
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Directed by | Jee-woon Kim Cinematography by ~ Ji-yong Kim Cameras | ARRI ALEXA Plus Camera Lenses | Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Leitz Summilux-C Series Lenses, Zeiss Ultra Prime Lenses |
Movie 43 (2013)
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Directed by | Elizabeth Banks, Steven Brill, Steve Carr, Rusty Cundieff, James Duffy, Griffin Dunne, Peter Farrelly, Patrik Forsberg, Will Graham, James Gunn, Brett Ratner, Jonathan van Tulleken, Bob Odenkirk Cinematography by ~ Mattian Anderssonn Rudh, Frank G. DeMarco, Steve Gainer, Matthew F. Leonetti, Daryn Okada, William Rexer, Eric Scherbarth, Newton Thomas Sigel, Tim Suhrstedt Cameras | Red One MX Camera Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses |
The Great Gatsby (2013)
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Directed by | Baz Luhrmann Cinematography by ~ Simon Duggan Cameras | Red Epic Camera Lenses | Zeiss Ultra Prime Lenses |
Pirates of the Caribbean: On Stranger Tides (2011)
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Directed by | Rob Marshall Cinematography by ~ Dariusz Wolski Cameras | Red Epic Camera, Red One MX Camera Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses |
Argo (2012)
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Directed by | Ben Affleck Cinematography by ~ Rodrigo Prieto Cameras | ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, Bolex H16 RX5 Camera, Canon Cameras Lenses | Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Kern-Paillard Switar Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses |
Noah (2014)
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Directed by | Darren Aronofsky Cinematography by ~ Matthew Libatique Cameras | ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Hawk 150-450 mm T2.8 Lens, Zeiss Ultra Prime Lenses |
Trishna (2011)
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Directed by | Michael Winterbottom Cinematography by ~ Marcel Zyskind Cameras | ARRI ALEXA Camera, Canon EOS-5D Mark II Camera, Red One Camera, Red One MX Camera Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses |
Star Trek Beyond (2016)
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Directed by | Justin Lin Cinematography by ~ Stephen F. Windon Cameras | ARRI ALEXA XT Camera, Red Epic Dragon Camera Lenses | ARRI / Zeiss Master Anamorphic Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses |
BlacKkKlansman (2018)
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Directed by | Spike Lee Cinematography by ~ Chayse Irvin Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera Lenses | Panavision PVintage Prime Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Zeiss Master Prime Lenses |
8 Mile (2002)
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Directed by | Curtis Hanson Cinematography by ~ Rodrigo Prieto Cameras | Moviecam Compact Camera, Moviecam Superlight Camera Lenses | Zeiss Ultra Prime Lenses |
Frida (2002)
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Directed by | Julie Taymor Cinematography by ~ Rodrigo Prieto Cameras | ARRIFLEX 435 Camera, Moviecam Compact Camera Lenses | Zeiss Ultra Prime Lenses |
Prometheus (2012)
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Directed by | Ridley Scott Cinematography by ~ Dariusz Wolski Cameras | ARRI ALEXA Camera, Red Epic Camera Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses |
Arrival (2016)
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Directed by | Denis Villeneuve Cinematography by ~ Bradford Young Cameras | ARRI ALEXA XT M Camera, ARRI ALEXA XT Plus Camera Lenses | CamTec Vintage Series Ultra Prime Lenses, Kowa Cine Prominar Spherical Lenses, Zeiss Super Speed Lenses |
Boss (2011)
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Cameras | ARRI ALEXA Camera Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses |
