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Directed by | Jean-Pierre Jeunet Cinematography by ~ Bruno Delbonnel Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 Camera, Iwerks Cameras Lenses | Zeiss Ultra Prime Lenses |
Search Results: ultra prime lenses | 438 Titles
Amélie (2001)
Furious 7 (2015)
The Lord of the Rings: The Return of the King (2003)
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Directed by | Peter Jackson Cinematography by ~ Andrew Lesnie Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 535 B Camera, Mitchell Cameras, Moviecam Superlight Camera Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses |
The Departed (2006)
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Directed by | Martin Scorsese Cinematography by ~ Michael Ballhaus Cameras | ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses, Zeiss Variable Prime Lenses |
The Day After Tomorrow (2004)
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Directed by | Roland Emmerich Cinematography by ~ Ueli Steiger Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses |
King Kong (2005)
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Directed by | Peter Jackson Cinematography by ~ Andrew Lesnie Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, Mitchell Cameras Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses |
Shoplifters (2018)
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Directed by | Hirokazu Koreeda Cinematography by ~ Ryûto Kondô Cameras | ARRI ALEXA Mini Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 535 B Camera Lenses | Angenieux Optimo Zoom Lenses, Canon K35 Prime Lenses, Fujinon Alura Lenses, Fujinon Lenses, Leitz Summicron-C Series Lenses, Zeiss Ultra Prime Lenses |
Black Hawk Down (2001)
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Directed by | Ridley Scott Cinematography by ~ Slawomir Idziak Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera, Moviecam Superlight Camera Lenses | Angenieux HR Zoom Lenses, Zeiss Ultra Prime Lenses |
I, Robot (2004)
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Directed by | Alex Proyas Cinematography by ~ Simon Duggan Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Photo-Sonics 35mm-4ER Camera Lenses | Cooke S4 Lenses, Zeiss Ultra Prime Lenses |
The Lovely Bones (2009)
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Directed by | Peter Jackson Cinematography by ~ Andrew Lesnie Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Iconix HD-RH1 Camera, Red One Camera Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses |
The Hunger Games (2012)
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Directed by | Gary Ross Cinematography by ~ Tom Stern Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera Lenses | Angenieux Optimo Zoom Lenses, Canon Lenses, Zeiss Ultra Prime Lenses |
End of Watch (2012)
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Directed by | David Ayer Cinematography by ~ Roman Vasyanov Cameras | Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Canon XA10 Camera, GoPro HD Hero Camera, Silicon Imaging SI-2K Mini Camera, Silicon Imaging SI-2K Nano Camera Lenses | Canon Lenses, Zeiss Ultra 16 Lenses, Zeiss Ultra Prime Lenses |
Little Children (2006)
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Directed by | Todd Field Cinematography by ~ Antonio Calvache Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses |
The Maiden Heist (2009)
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Directed by | Peter Hewitt Cinematography by ~ Ueli Steiger Cameras | Moviecam Compact MK2 Camera, Moviecam Superlight Camera Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses |
I Am Number Four (2011)
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Directed by | D.J. Caruso Cinematography by ~ Guillermo Navarro Cameras | ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses |
Babel (2006)
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Directed by | Alejandro G. Iñárritu Cinematography by ~ Rodrigo Prieto Cameras | ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera Lenses | Panavision C Series Anamorphic Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses |
The Black Dahlia (2006)
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Directed by | Brian De Palma Cinematography by ~ Vilmos Zsigmond Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera Lenses | Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Ultra Prime Lenses |
Abraham Lincoln: Vampire Hunter (2012)
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Directed by | Timur Bekmambetov Cinematography by ~ Caleb Deschanel Cameras | ARRI ALEXA Camera, ARRIFLEX 435 Camera, Phantom Flex Camera Lenses | ARRI / Fujinon Lenses, Zeiss Ultra Prime Lenses |
The Imaginarium of Doctor Parnassus (2009)
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Directed by | Terry Gilliam Cinematography by ~ Nicola Pecorini Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 35 BL3 Camera, ARRIFLEX 435 Xtreme Camera Lenses | Zeiss Ultra Prime Lenses |
The Fast and the Furious (2001)
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Directed by | Rob Cohen Cinematography by ~ Ericson Core Cameras | ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera Lenses | Zeiss Ultra Prime Lenses |
