Directed by | Oliver Hirschbiegel Cinematography by ~ Rainer Klausmann Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera Lenses | Zeiss Ultra Prime Lenses |
Search Results: ultra prime lenses | 438 Titles
Downfall (2004)
Breaking and Entering (2006)
Directed by | Anthony Minghella Cinematography by ~ Benoît Delhomme Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera Lenses | Zeiss Ultra Prime Lenses |
The Lord of the Rings: The Fellowship of the Ring (2001)
Directed by | Peter Jackson Cinematography by ~ Andrew Lesnie Cameras | ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 Camera Lenses | Zeiss Ultra Prime Lenses |
Blindness (2008)
Trance (2013)
Directed by | Danny Boyle Cinematography by ~ Anthony Dod Mantle Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-1D Mark IV Camera, Canon EOS-C500 Camera, indiePOV Camera Lenses | ARRI / Fujinon Lenses, Canon Lenses, Hawk V-Lite Lenses, Zeiss Ultra Prime Lenses |
Pirate Radio (2009)
Directed by | Richard Curtis Cinematography by ~ Danny Cohen Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses |
The Lord of the Rings: The Two Towers (2002)
Directed by | Peter Jackson Cinematography by ~ Andrew Lesnie Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 Camera, Mitchell Cameras, Moviecam Compact Camera Lenses | Angenieux Lenses, Zeiss Ultra Prime Lenses |
Win Win (2011)
Directed by | Tom McCarthy Cinematography by ~ Oliver Bokelberg Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera Lenses | Angenieux Lenses, Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses |
2 Days in New York (2012)
Directed by | Julie Delpy Cinematography by ~ Lubomir Bakchev Cameras | ARRI ALEXA Camera, Sony HDW-750 Camera Lenses | Zeiss Ultra Prime Lenses, Zeiss Ultra Prime Planar 50 mm T1.9 Lens |
Hemingway & Gellhorn (2012)
Directed by | Philip Kaufman Cinematography by ~ Rogier Stoffers Cameras | ARRI ALEXA Camera Lenses | Fujinon Premier Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses |
Elementary (2012)
Cameras | ARRI ALEXA Camera Lenses | ARRI / Fujinon Lenses, Zeiss Ultra Prime Lenses |
Mängelexemplar (2016)
Directed by | Laura Lackmann Cinematography by ~ Sten Mende Cameras | ARRI ALEXA Plus Camera, Red Epic Dragon Camera Lenses | Cooke Lenses, Cooke S4 Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses |
Hustle & Flow (2005)
Directed by | Craig Brewer Cinematography by ~ Amy Vincent Cameras | Aaton A-Minima Camera, ARRIFLEX 16SR3 Camera Lenses | Zeiss Ultra Prime Lenses |
The Man with the Iron Fists (2012)
Directed by | RZA Cinematography by ~ Chi-Ying Chan Cameras | Red One MX Camera, Silicon Imaging SI-2K Camera Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses |
Xue di zi (2012)
Directed by | Andrew Lau Wai-Keung Cinematography by ~ Yuen Man Fung Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses |
Fred Claus (2007)
Directed by | David Dobkin Cinematography by ~ Remi Adefarasin Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera Lenses | Zeiss Ultra Prime Lenses |
Hellboy II: The Golden Army (2008)
Directed by | Guillermo del Toro Cinematography by ~ Guillermo Navarro Cameras | ARRIFLEX 235 Camera, Moviecam Compact Camera Lenses | Zeiss Ultra Prime Lenses |
Amélie (2001)
Directed by | Jean-Pierre Jeunet Cinematography by ~ Bruno Delbonnel Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 Camera, Iwerks Cameras Lenses | Zeiss Ultra Prime Lenses |
The Kids Are All Right (2010)
Directed by | Lisa Cholodenko Cinematography by ~ Igor Jadue-Lillo Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 35 BL4s Camera Lenses | Zeiss Ultra Prime Lenses |
The Rum Diary (2011)
Directed by | Bruce Robinson Cinematography by ~ Dariusz Wolski Cameras | ARRIFLEX 16SR3 Advanced Camera, ARRIFLEX 416 Camera Lenses | Zeiss Ultra Prime Lenses |