Warner Bros. Pictures | 64 Titles
Never Say Never Again (1983)
Directed by | Irvin Kershner | Cinematography by | Douglas Slocombe | Editing by | Ian Crafford
Cameras | Panavision Panaflex Camera
Lenses | Panavision Lenses
Mean Streets (1973)
Directed by | Martin Scorsese | Cinematography by | Kent L. Wakeford | Editing by | Sidney Levin
Cameras | ARRIFLEX 35 BL Camera
Barbie (2023)
Directed by | Greta Gerwig | Cinematography by | Rodrigo Prieto | Editing by | Nick Houy
Cameras | ARRI ALEXA 65 Camera
Lenses | Panavision Lenses, Panavision System 65 Lenses
The Mission (1986)
Directed by | Roland Joffé | Cinematography by | Chris Menges | Editing by | Jim Clark
Cameras | ARRIFLEX 35 BL Camera
Lenses | Cooke Xtal Express Lenses
Dune (2021)
Directed by | Denis Villeneuve | Cinematography by | Greig Fraser | Editing by | Joe Walker
Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera
Creed II (2018)
Directed by | Steven Caple Jr. | Cinematography by | Kramer Morgenthau | Editing by | Dana E. Glauberman, Saira Haider, Paul Harb
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera
Lenses | Panavision Lenses, Zeiss Master Prime Lenses
The Treasure of the Sierra Madre (1948)
Directed by | John Huston | Cinematography by | Ted D. McCord | Editing by | Owen Marks
Cameras | Mitchell Cameras
Ocean’s Eight (2018)
Directed by | Gary Ross | Cinematography by | Eigil Bryld | Editing by | Juliette Welfling
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera
The Sun Is Also a Star (2019)
Directed by | Ry Russo-Young | Cinematography by | Autumn Durald Arkapaw | Editing by | Joe Landauer
Cameras | ARRI ALEXA Mini Camera
Wonder Woman (2017)
Directed by | Patty Jenkins | Cinematography by | Matthew Jensen | Editing by | Martin Walsh
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera
Lenses | ARRI Rental Prime 65 Lenses
The Towering Inferno (1974)
Directed by | John Guillermin | Cinematography by | Fred J. Koenekamp | Editing by | Carl Kress, Harold F. Kress
Cameras | Panavision Silent Reflex PSR Camera
Bonnie and Clyde (1967)
Directed by | Arthur Penn | Cinematography by | Burnett Guffey | Editing by | Dede Allen
Cameras | Mitchell BNCR Camera
Geostorm (2017)
Directed by | Dean Devlin | Cinematography by | Roberto Schaefer | Editing by | Chris Lebenzon, John Refoua, Ron Rosen
Cameras | Red Epic Dragon Camera
The Big Sleep (1946)
Barry Lyndon (1975)
Directed by | Stanley Kubrick | Cinematography by | John Alcott | Editing by | Tony Lawson
Cameras | ARRIFLEX 35 BL Camera, Mitchell BNC Camera
Lenses | Canon K35 Prime Lenses, Carl Zeiss Planar 50 mm f0.7 Lens (Modified by Ed DiGiulio), Carl Zeiss Planar 50mm with Kollmorgen Adaptor 36.5 mm f0.7 (Modified by Ed DiGiulio), Cinema Products Cine-Pro 24-480 mm T9 Zoom Lens, Cooke Varotal 20-100mm T3.1 Zoom Lens
Elvis (2022)
Directed by | Baz Luhrmann | Cinematography by | Mandy Walker | Editing by | Jonathan Redmond, Matt Villa
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA LF Camera
Zack Snyder’s Justice League (2021)
Directed by | Zack Snyder | Cinematography by | Fabian Wagner | Editing by | David Brenner, Carlos M. Castillón, Dody Dorn
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses | Leitz Summilux-C Series Lenses
The Maltese Falcon (1941)
Directed by | John Huston | Cinematography by | Arthur Edeson | Editing by | Thomas Richards
Cameras | Mitchell BNC Camera
Lethal Weapon 3 (1992)
Directed by | Richard Donner | Cinematography by | Jan de Bont | Editing by | Robert Brown, Battle Davis
Cameras | Panavision Panaflex Platinum Camera
The Color Purple (2023)
Directed by | Blitz Bazawule | Cinematography by | Dan Laustsen | Editing by | Jon Poll
Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera
Lenses | ARRI Signature Prime Lenses