DTS | 1235 Titles
Coraline (2009)
Directed by | Henry Selick | Cinematography by | Pete Kozachik | Editing by | Christopher Murrie, Ronald Sanders
The Brave One (2007)
Directed by | Neil Jordan | Cinematography by | Philippe Rousselot | Editing by | Tony Lawson
Cameras | Panavision Panaflex Camera
Lenses | Panavision Primo Anamorphic Lenses
Hop (2011)
Directed by | Tim Hill | Cinematography by | Peter Lyons Collister | Editing by | Peter S. Elliot, Gregory Perler
Lenses | Panavision Primo Anamorphic Lenses
To the Wonder (2012)
Directed by | Terrence Malick | Cinematography by | Emmanuel Lubezki | Editing by | A.J. Edwards, Keith Fraase, Shane Hazen, Christopher Roldan, Mark Yoshikawa
Lenses | Zeiss Master Prime Lenses
House of Sand and Fog (2003)
Directed by | Vadim Perelman | Cinematography by | Roger Deakins | Editing by | Lisa Zeno Churgin
Cameras | ARRIFLEX 535 B Camera, Moviecam Superlight Camera
Lenses | Cooke S4 Lenses
The Life Aquatic with Steve Zissou (2004)
Directed by | Wes Anderson | Cinematography by | Robert D. Yeoman | Editing by | David Moritz
Lenses | Panavision Primo Anamorphic Lenses
The Thomas Crown Affair (1999)
Directed by | John McTiernan | Cinematography by | Tom Priestley Jr. | Editing by | John Wright
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
The Mummy: Tomb of the Dragon Emperor (2008)
Directed by | Rob Cohen | Cinematography by | Simon Duggan | Editing by | Kelly Matsumoto, Joel Negron
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Twister (1996)
Directed by | Jan de Bont | Cinematography by | Jack N. Green | Editing by | Michael Kahn
Cameras | ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera
Lethal Weapon 4 (1998)
Directed by | Richard Donner | Cinematography by | Andrzej Bartkowiak | Editing by | Dallas Puett, Kevin Stitt, Eric Strand, Frank J. Urioste
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Panic Room (2002)
Directed by | David Fincher | Cinematography by | Conrad W. Hall, Darius Khondji | Editing by | James Haygood, Angus Wall
Cameras | Panavision Panaflex Platinum Camera
The Rookie (2002)
Directed by | John Lee Hancock | Cinematography by | John Schwartzman | Editing by | Eric L. Beason
Cameras | Panavision Panaflex Platinum Camera
Pinocchio (2002)
Directed by | Roberto Benigni | Cinematography by | Dante Spinotti | Editing by | Simona Paggi
Cameras | Panavision Panaflex Platinum Camera
The Good German (2006)
Directed by | Steven Soderbergh | Cinematography by | Steven Soderbergh | Editing by | Steven Soderbergh
Anna Karenina (2012)
Directed by | Joe Wright | Cinematography by | Seamus McGarvey | Editing by | Melanie Oliver
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Good Deeds (2012)
Directed by | Tyler Perry | Cinematography by | Alexander Gruszynski | Editing by | Maysie Hoy
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke 5/i Lenses
Gulliver’s Travels (2010)
Directed by | Rob Letterman | Cinematography by | David Tattersall | Editing by | Alan Edward Bell, Nicolas De Toth, Dean Zimmerman
Cameras | Canon EOS-1D Mark IV Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Panavision Primo Anamorphic Lenses
A Thousand Words (2012)
The Constant Gardener (2005)
Directed by | Fernando Meirelles | Cinematography by | César Charlone | Editing by | Claire Simpson
Cameras | Aaton A-Minima Camera, Aaton XTR Prod Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera
Lenses | Angenieux HR Zoom Lenses
Across the Universe (2007)
Directed by | Julie Taymor | Cinematography by | Bruno Delbonnel | Editing by | Françoise Bonnot
Cameras | ARRI Cameras, Panavision Cameras
Lenses | Panavision Lenses
