Sound Systems » Dolby

Dolby Atmos : 151Dolby Digital : 2208Dolby Digital EX : 61Dolby SR : 179Dolby Surround 7.1 : 55Dolby TrueHD : 5

Dolby | 2787 Titles

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Problem of Evil (2013)

Motion Picture | 2D | Color | 1.85:1 | 84 Minutes

Directed by | Ethan Kogan, Jessica Silvetti | Cinematography by | Ethan Kogan, Jessica Silvetti | Editing by | Ethan Kogan

Starring | Pierre Adeli, Daniel Berson, Jeffy Branion, Hannah Chodos

Cameras | Canon EOS 550D Camera

Lenses | Canon EF 85 mm f1.4 Lens, Canon EF Series Lenses

Red Hook Summer (2012)

Motion Picture | 2D | Color | 1.85:1 | 121 Minutes

Red Hook Summer | ShotOnWhat?

Directed by | Spike Lee | Cinematography by | Kerwin DeVonish | Editing by | Hye Mee Na

Starring | Jules Brown, Thomas Jefferson Byrd, Toni Lysaith, Limary Agosto

Cameras | Sony PMW-F3 Camera

This Means War (2012)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 103 Minutes

Directed by | McG | Cinematography by | Russell Carpenter | Editing by | Nicolas De Toth

Starring | Reese Witherspoon, Chris Pine, Tom Hardy, Til Schweiger

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Primes Spherical Lenses

I Love You, Man (2009)

Motion Picture | 2D | Color | 1.85:1 | 105 Minutes

I Love You, Man | ShotOnWhat?

Directed by | John Hamburg | Cinematography by | Lawrence Sher | Editing by | William Kerr

Starring | Paul Rudd, Jason Segel, Rashida Jones, Sarah Burns

Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Halloween II (2009)

Motion Picture | 2D | Color | 1.85:1 | 105 Minutes

Halloween II | ShotOnWhat?

Directed by | Rob Zombie | Cinematography by | Brandon Trost | Editing by | Glenn Garland, Joel T. Pashby

Starring | Scout Taylor-Compton, Tyler Mane, Malcolm McDowell, Sheri Moon Zombie

Cameras | ARRI Cameras

I’m Not There. (2007)

Motion Picture | 2D | 2K Project | Black & White, Color | 2.39:1 | 135 Minutes

Directed by | Todd Haynes | Cinematography by | Edward Lachman | Editing by | Jay Rabinowitz

Starring | Christian Bale, Cate Blanchett, Heath Ledger, Ben Whishaw

Cameras | Aaton LTR Camera, Moviecam Compact Camera

Lenses | Angenieux Lenses, Canon Lenses, Cooke Lenses

Harry Potter and the Deathly Hallows: Part 1 (2010)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 146 Minutes

Directed by | David Yates | Cinematography by | Eduardo Serra | Editing by | Mark Day

Starring | Daniel Radcliffe, Emma Watson, Rupert Grint, Bill Nighy

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Cameras

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Panavision Lenses

The Avengers (2012)

Motion Picture | 3D | 2K Project | Color | 1.85:1 | 143 Minutes

Directed by | Joss Whedon | Cinematography by | Seamus McGarvey | Editing by | Jeffrey Ford, Lisa Lassek

Starring | Robert Downey Jr., Chris Evans, Scarlett Johansson, Jeremy Renner

Cameras | ARRI ALEXA Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera

Lenses | Panavision Frazier Lenses, Panavision Lenses

Angel-A (2005)

Motion Picture | 2D | Black & White | 2.39:1 | 91 Minutes

Directed by | Luc Besson | Cinematography by | Thierry Arbogast | Editing by | Christine Lucas Navarro, Frédéric Thoraval

Starring | Rie Rasmussen, Jamel Debbouze, Gilbert Melki, Serge Riaboukine

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Cooke S4 Lenses

Sky Captain and the World of Tomorrow (2004)

Motion Picture | Color | 1.85:1 | 106 Minutes

Sky Captain and the World of Tomorrow | ShotOnWhat?

Directed by | Kerry Conran | Cinematography by | Eric Adkins | Editing by | Sabrina Plisco

Starring | Gwyneth Paltrow, Jude Law, Angelina Jolie, Giovanni Ribisi

Cameras | Sony HDW-F900 Camera

Donnie Darko (2001)

Motion Picture | 2D | Color | 2.39:1 | 113 Minutes

Directed by | Richard Kelly | Cinematography by | Steven Poster | Editing by | Sam Bauer, Eric Strand

Starring | Jake Gyllenhaal, Jena Malone, Mary McDonnell, Holmes Osborne

Cameras | Panavision Panaflex Millennium Camera

Heat (1995)

Motion Picture | 2D | Color | 2.39:1 | 170 Minutes

Directed by | Michael Mann | Cinematography by | Dante Spinotti | Editing by | Pasquale Buba, William Goldenberg, Dov Hoenig, Tom Rolf

Starring | Al Pacino, Robert De Niro, Val Kilmer, Jon Voight

Cameras | Cine SL-35 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Anamorphic Super High Speed Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Wild Bill (2011)

Motion Picture | 2D | Color | 2.35:1 | 98 Minutes

Wild Bill | ShotOnWhat?

Directed by | Dexter Fletcher | Cinematography by | George Richmond | Editing by | Stuart Gazzard

Starring | Charlie Creed-Miles, Will Poulter, Sammy Williams, Iwan Rheon

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses

Death at a Funeral (2007)

Motion Picture | Color | 1.85:1 | 90 Minutes

Death at a Funeral | ShotOnWhat?

Directed by | Frank Oz | Cinematography by | Oliver Curtis | Editing by | Beverley Mills

Starring | Matthew Macfadyen, Peter Dinklage, Ewen Bremner, Keeley Hawes

Cameras | ARRI Cameras

Lenses | Zeiss Lenses

Pacific Rim (2013)

Motion Picture | 3D | Color | 1.85:1 | 131 Minutes

Directed by | Guillermo del Toro | Cinematography by | Guillermo Navarro | Editing by | Peter Amundson, John Gilroy

Starring | Idris Elba, Charlie Hunnam, Rinko Kikuchi, Charlie Day

Cameras | Red Epic Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Zeiss Ultra Prime Lenses

Source Code (2011)

Motion Picture | 2D | Color | 1.85:1 | 93 Minutes

Source Code | ShotOnWhat?

Directed by | Duncan Jones | Cinematography by | Don Burgess | Editing by | Paul Hirsch

Starring | Jake Gyllenhaal, Michelle Monaghan, Vera Farmiga, Jeffrey Wright

Cameras | Iconix HD-RH1 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Camera, Red One MX Camera

Lenses | Panavision Primo Anamorphic Lenses

L’immortel (2010)

Motion Picture | 2D | Color | 2.39:1 | 117 Minutes

Directed by | Richard Berry | Cinematography by | Thomas Hardmeier | Editing by | Camille Delamarre

Starring | Jean Reno, Kad Merad, Jean-Pierre Darroussin, Marina Foïs

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Mystic River (2003)

Motion Picture | 2D | Color | 2.39:1 | 138 Minutes

Directed by | Clint Eastwood | Cinematography by | Tom Stern | Editing by | Joel Cox

Starring | Sean Penn, Tim Robbins, Kevin Bacon, Emmy Rossum

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Another 48 Hrs. (1990)

Motion Picture | 2D | Color | 1.85:1 | 93 Minutes

Directed by | Walter Hill | Cinematography by | Matthew F. Leonetti | Editing by | Donn Aron, Carmel Davies, Freeman A. Davies, Tim Ryder

Starring | Eddie Murphy, Nick Nolte, Brion James, Kevin Tighe

Cameras | Ultracam 35 Camera

Get Him to the Greek (2010)

Motion Picture | 2D | Color | 1.85:1 | 109 Minutes

Get Him to the Greek | ShotOnWhat?

Directed by | Nicholas Stoller | Cinematography by | Robert D. Yeoman | Editing by | William Kerr, Michael L. Sale

Starring | Jonah Hill, Russell Brand, Elisabeth Moss, Rose Byrne

Cameras | Panavision Cameras

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