Land | 202 Titles
Pompeii (2014)
Directed by | Paul W.S. Anderson | Cinematography by | Glen MacPherson | Editing by | Michele Conroy
Cameras | Red Epic Camera
Stranger Within (2013)
Directed by | Adam Neutzsky-Wulff | Cinematography by | Michael Sauer Christensen | Editing by | Niels Ostenfeld
Cameras | Canon EOS-5D Mark II Camera, Red One Camera
Lenses | Zeiss Ultra Prime Lenses
Do You Remember? (2015)
Directed by | Isaac Madge | Cinematography by | Isaac Madge | Editing by | Isaac Madge
Cameras | Canon EOS 550D Camera
Poison Sky (0)
Directed by | Steve Wargo | Cinematography by | Dustinn Craig, Jay Lee, Steve Wargo | Editing by | Steve Wargo
Cameras | Sony PMW-F3 Camera, Sony PMW-F55 Camera
Lenses | Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Red Digital Cinema Lenses, Zeiss ZE Prime Lenses
Route 30, Too! (2012)
Directed by | John Putch | Cinematography by | Keith J. Duggan | Editing by | John Putch
Cameras | Canon EOS-5D Mark II Camera, Canon EOS-7D Camera
Route 30 (2007)
Directed by | John Putch | Cinematography by | Keith J. Duggan | Editing by | John Putch
Cameras | Panasonic AG-HVX200 Camera
Alpha/Bravo (2011)
Directed by | Timothy David Mitchell | Cinematography by | Timothy David Mitchell | Editing by | Timothy David Mitchell
Cameras | Sony DCR-SR60 Camera
As Brasileiras (2012)
| Editing by | Leticia Giffoni, Eduardo Hartung, Danilo Lemos, Diana Vasconcellos
Cameras | Red Epic Camera
Elf-Man (2012)
Directed by | Ethan Wiley | Cinematography by | John Grove II | Editing by | Russell Denove
Cameras | Sony Cameras
Lenses | Red Digital Cinema Lenses
Into the Storm (2014)
Directed by | Steven Quale | Cinematography by | Brian Pearson | Editing by | Eric A. Sears
Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, GoPro HD Hero2 Camera, Nikon D800 Camera, Red Epic Camera
Lenses | Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 18-80 mm T2.6 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Zeiss Master Prime Lenses
And They’re Off (2011)
Directed by | Rob Schiller | Cinematography by | Ulf Soderqvist | Editing by | Stephen R. Myers
Cameras | Canon Cameras
RoboCop (1987)
Directed by | Paul Verhoeven | Cinematography by | Jost Vacano, Sol Negrin | Editing by | Frank J. Urioste
Cameras | ARRIFLEX 35 BL Camera
Lenses | Zeiss Super Speed Lenses
Bela Kiss: Prologue (2013)
Directed by | Lucien Förstner | Cinematography by | Sven Latzke | Editing by | Eric Kazak
Lenses | Zeiss Lenses, Zeiss Super Speed Lenses
After Earth (2013)
Directed by | M. Night Shyamalan | Cinematography by | Peter Suschitzky | Editing by | Steven Rosenblum
Cameras | Canon EOS-C500 Camera, Sony CineAlta F65 Camera
Push (2009)
Directed by | Paul McGuigan | Cinematography by | Peter Sova | Editing by | Nicolas Trembasiewicz
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 16SR3 Camera, Bolex H16 RX5 Camera, Bolex H16 SB Camera
Hickory Never Bleeds (2012)
Directed by | Frank Ladner | Cinematography by | Frank Ladner | Editing by | Frank Ladner
Cameras | Bauer C1 Super 8 Camera, Canon EOS-7D Camera
Lenses | Asahi Pentax Super Takumar 50 mm f1.4 Lens, Canon EF 85 mm f1.4 Lens, Sigma 17-50mm f2.8 EX DC OS HSM Lens, Sigma 30mm f1.4 EX DC HSM Lens, Tokina AT-X116 Pro DX 11-16 mm f2.8 Lens
Oblivion (2013)
Directed by | Joseph Kosinski | Cinematography by | Claudio Miranda | Editing by | Richard Francis-Bruce
Cameras | Red Epic Camera, Sony CineAlta F65 Camera
Lenses | Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Who Framed Roger Rabbit (1988)
Directed by | Robert Zemeckis | Cinematography by | Dean Cundey | Editing by | Arthur Schmidt
Cameras | Panavision Panaflex Camera, VistaVision Cameras
Lenses | Panavision Lenses
Inner City Snow (2009)
Directed by | Bryan Martin | Cinematography by | Chris Leplus, Victor Lou | Editing by | Bryan Martin
Cameras | Arritechno 35 Camera, Éclair EX16 Camera
Lenses | Canon Lenses