Europe | 570 Titles
Waking Ned Devine (1998)
Directed by | Kirk Jones | Cinematography by | Henry Braham | Editing by | Alan Strachan
Cameras | Panavision Panaflex Gold II Camera
Lenses | Panavision Primo Anamorphic Lenses
The Pills (2021)
Directed by | Alexander Popov | Cinematography by | Olga Mitiguz, Alexander Popov | Editing by | Alexander Popov
Cameras | Red Komodo Camera
Lenses | Sigma 18-35mm f1.8 DC HSM Lens
Roses. Film-Cabaret (2021)
Directed by | Irena Stetsenko | Cinematography by | Serhiy Stetsenko | Editing by | Mykola Bazarkin
Lenses | Konica Hexanon AR 21mm f2.8 Lens, Konica Hexanon AR 28mm f1.8 Lens, Konica Hexanon AR 40mm f1.8 Lens, Konica Hexanon AR 50mm f1.7 Lens
Victoria & Abdul (2017)
Directed by | Stephen Frears | Cinematography by | Danny Cohen | Editing by | Melanie Oliver
Cameras | ARRI ALEXA Camera, Red Epic Dragon Camera
Lenses | Angenieux Lenses, Zeiss Master Prime Lenses
Beauty and the Beast (2017)
Directed by | Bill Condon | Cinematography by | Tobias A. Schliessler | Editing by | Virginia Katz
Cameras | ARRI ALEXA XT Plus Camera
Lenses | Leitz Summilux-C Series Lenses
All the Money in the World (2017)
Directed by | Ridley Scott | Cinematography by | Dariusz Wolski | Editing by | Claire Simpson
Cameras | ARRI ALEXA XT Series Cameras
Lenses | Panavision Super Speed Lenses
Free Fire (2016)
In Fabric (2018)
Directed by | Peter Strickland | Cinematography by | Ari Wegner | Editing by | Mátyás Fekete
Cameras | ARRI ALEXA Mini Camera
La jungle est mon jardin (2022)
Directed by | Enrico Alexander Giordano
Cameras | Canon EOS-1D C Camera
Lenses | Cineovision Lenses, Leica R Series Lenses
The Accountant (2016)
Murder on the Orient Express (2017)
Directed by | Kenneth Branagh | Cinematography by | Haris Zambarloukos | Editing by | Mick Audsley
Cameras | ARRI ALEXA 65 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision System 65 Camera
Lenses | Panavision Sphero 65 Series Lenses
Guardians of the Galaxy Vol. 3 (2023)
Directed by | James Gunn | Cinematography by | Henry Braham | Editing by | Greg D'Auria, Fred Raskin
Lenses | Angenieux Optimo Ultra 12x Lens, Angenieux Type EZ-1 VV 45-135 mm T3.0 Lens, Angenieux Type EZ-2 VV 22-60 mm T3.0 Lens, Leitz M 0.8 Series Lenses
From Russia with Love (1963)
Directed by | Terence Young | Cinematography by | Ted Moore | Editing by | Peter R. Hunt
Cameras | Mitchell BNC Camera
Goldfinger (1964)
Directed by | Guy Hamilton | Cinematography by | Ted Moore | Editing by | Peter R. Hunt
Cameras | Mitchell BNC Camera
Thunderball (1965)
Directed by | Terence Young | Cinematography by | Ted Moore | Editing by | Ernest Hosler
Cameras | ARRIFLEX 35 IIA Camera, Mitchell BNC Camera
The Spy Who Loved Me (1977)
For Your Eyes Only (1981)
Directed by | John Glen | Cinematography by | Alan Hume | Editing by | John Grover
Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Camera, Panavision Panaflex Gold Camera, Panavision Panaflex-X Camera
The Living Daylights (1987)
Directed by | John Glen | Cinematography by | Alec Mills | Editing by | Peter Davies, John Grover
Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera
GoldenEye (1995)
Directed by | Martin Campbell | Cinematography by | Phil Meheux | Editing by | Terry Rawlings
Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 35 IIIC Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses | Cooke Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
A View to a Kill (1985)
