California | 794 Titles
Bullitt (1968)
Directed by | Peter Yates | Cinematography by | William A. Fraker | Editing by | Frank P. Keller
Cameras | ARRIFLEX Camera
Lenses | ARRI Lenses
Annie Hall (1977) 
Directed by | Woody Allen | Cinematography by | Gordon Willis | Editing by | Wendy Greene Bricmont, Ralph Rosenblum
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Alien Nation (1988)
Directed by | Graham Baker | Cinematography by | Adam Greenberg | Editing by | Kent Beyda
Cameras | ARRIFLEX Camera
Lenses | ARRI / Zeiss Lenses
U-571 (2000)
Directed by | Jonathan Mostow | Cinematography by | Oliver Wood | Editing by | Wayne Wahrman
Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses | Cooke S4 Lenses, Nikon - Nikkor Lenses
2 Fast 2 Furious (2003)
Directed by | John Singleton | Cinematography by | Matthew F. Leonetti | Editing by | Bruce Cannon, Dallas Puett
Lenses | Cooke S4 Lenses
One from the Heart (1981)
Directed by | Francis Ford Coppola | Cinematography by | Ronald Víctor García, Vittorio Storaro | Editing by | Rudi Fehr, Anne Goursaud, Randy Roberts
Cameras | ARRIFLEX 35 BL Camera
5 Star Day (2010)
Directed by | Danny Buday | Cinematography by | Jason Oldak | Editing by | Curtis Pierce
Cameras | Moviecam Compact Camera
Aizea: City of the Wind (2001)
Directed by | Ione Hernández | Cinematography by | Daniel Aranyó | Editing by | Andrea Zondler
Cameras | ARRIFLEX 16SR2 Camera
Memoirs of a Geisha (2005)
Directed by | Rob Marshall | Cinematography by | Dion Beebe | Editing by | Pietro Scalia
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera
Blood Beach (1980)
Directed by | Jeffrey Bloom | Cinematography by | Steven Poster | Editing by | Gary Griffin
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Walk the Line (2005)
Directed by | James Mangold | Cinematography by | Phedon Papamichael | Editing by | Michael McCusker
Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Angenieux Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Standard Primes (SP) Lenses
We Were Soldiers (2002)
Directed by | Randall Wallace | Cinematography by | Dean Semler | Editing by | William Hoy
Cameras | Panavision Panaflex Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Little Miss Sunshine (2006)
Directed by | Jonathan Dayton, Valerie Faris | Cinematography by | Tim Suhrstedt | Editing by | Pamela Martin
Cool Hand Luke (1967)
Directed by | Stuart Rosenberg | Cinematography by | Conrad L. Hall | Editing by | Sam O'Steen
Cameras | Mitchell BNC Camera
Lenses | Panavision Lenses
Rocky (1976)
Directed by | John G. Avildsen | Cinematography by | James Crabe | Editing by | Scott Conrad, Richard Halsey
Lenses | Panavision Lenses
Fletch Lives (1989)
Directed by | Michael Ritchie | Cinematography by | John McPherson | Editing by | Richard A. Harris
Cameras | Panavision Cameras
Lenses | Panavision Lenses
xXx (2002)
Directed by | Rob Cohen | Cinematography by | Dean Semler | Editing by | Chris Lebenzon, Joel Negron, Paul Rubell
Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses | Panavision ALZ3 270-840 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision CN400 400 mm T3.0 Lens, Panavision Primo Anamorphic Lenses
Wag the Dog (1997)
Directed by | Barry Levinson | Cinematography by | Robert Richardson | Editing by | Stu Linder
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Good Night, and Good Luck. (2005)
Directed by | George Clooney | Cinematography by | Robert Elswit | Editing by | Stephen Mirrione
Cameras | Panavision Panaflex Millennium XL Camera
Cast Away (2000)
Directed by | Robert Zemeckis | Cinematography by | Don Burgess | Editing by | Arthur Schmidt
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
