Americas | 1901 Titles
Everybody Loves Raymond (1996)
| Cinematography by | Mike Berlin, Alessio Gelsini Torresi, Mikel Neiers | Editing by | Patricia Barnett, George Escobar, Jerry Davis, Frank Mazzaro
Cameras | Panavision Cameras
Michael Collins (1996)
Directed by | Neil Jordan | Cinematography by | Chris Menges | Editing by | J. Patrick Duffner, Tony Lawson
Stranger in the House (2015)
Directed by | Devon Gummersall | Cinematography by | David Maurice Gil | Editing by | Jacob Chase
Cameras | ARRI ALEXA Series Cameras
Lenses | Panavision PVintage Prime Lenses
Sanatorium (2013)
Directed by | Brant Sersen | Cinematography by | Daniel Sharnoff | Editing by | Chris Lechler
Cameras | Canon EOS-7D Camera, Canon VIXIA HF10 Camera, GoPro HD Hero2 Camera, Sony Other Camera, Sony PMW-EX1 Camera
The Purge: Anarchy (2014)
Directed by | James DeMonaco | Cinematography by | Jacques Jouffret | Editing by | Vince Filippone, Todd E. Miller
Cameras | ARRI ALEXA XT Camera
Deliver Us from Evil: Sarchie (2014)
Directed by | Gabriel Noble | Cinematography by | Robbie Stauder | Editing by | Craig Fields
Cameras | Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Before I Disappear (2014)
Directed by | Shawn Christensen | Cinematography by | Daniel Katz | Editing by | Shawn Christensen, Andrew Napier, Damon Russell
Cameras | ARRI ALEXA Series Cameras
Lenses | Hawk V-Lite Lenses
Fury (2014)
Directed by | David Ayer | Cinematography by | Roman Vasyanov | Editing by | Jay Cassidy, Dody Dorn
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C1000 1000 mm T5.6 Lens, Panavision G Series Anamorphic Lenses
Leverage (2008)
| Cinematography by | David Connell, Neil Holcomb, Alan Caso | Editing by | Sonny Baskin, Brian Gonosey, David Siegel, Chris A. Peterson
Tammy (2014)
Foxcatcher (2014)
Directed by | Bennett Miller | Cinematography by | Greig Fraser | Editing by | Jay Cassidy, Stuart Levy, Conor O'Neill
The SpongeBob Movie: Sponge Out of Water (2015)
Directed by | Paul Tibbitt, Mike Mitchell | Cinematography by | Phil Meheux | Editing by | David Ian Salter
Cameras | ARRI ALEXA Camera
Blue Ruin (2013)
Directed by | Jeremy Saulnier | Cinematography by | Jeremy Saulnier | Editing by | Julia Bloch
Cameras | Canon EOS-C300 Camera
Lenses | Canon L Series Lenses
Million Dollar Arm (2014)
Directed by | Craig Gillespie | Cinematography by | Gyula Pados | Editing by | Tatiana S. Riegel
Cameras | ARRI ALEXA XT Camera, ARRI ALEXA XT Studio Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses
Léon: The Professional (1994)
Directed by | Luc Besson | Cinematography by | Thierry Arbogast | Editing by | Sylvie Landra
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera
Lenses | Angenieux HR Zoom Lenses, Technovision Lenses
Fargo (2014)
| Cinematography by | Dana Gonzales, Craig Wrobleski, Matthew J. Lloyd | Editing by | Regis Kimble, Skip Macdonald, Bridget Durnford, Curtis Thurber, Henk Van Eeghen, Andrew Seklir
Cameras | ARRI ALEXA Plus Camera
The Heart Machine (2014)
Directed by | Zachary Wigon | Cinematography by | Robert Leitzell | Editing by | Ron Dulin, Louise Ford
Cameras | ARRI ALEXA Camera
Lenses | Cooke Varotal Lenses, Zeiss Lenses
Crash (2004) 
Directed by | Paul Haggis | Cinematography by | James M. Muro | Editing by | Hughes Winborne
Cameras | Panavision Panaflex Millennium XL Camera
Lenses | Panavision Super Speed Lenses
The Artist (2011)
Directed by | Michel Hazanavicius | Cinematography by | Guillaume Schiffman | Editing by | Anne-Sophie Bion, Michel Hazanavicius
Cameras | ARRIFLEX 435 ES Camera
Xi you ji: Da nao tian gong (2014)
Directed by | Soi Cheang | Cinematography by | Man Po Cheung, Tao Yang | Editing by | Ka-Fai Cheung
Cameras | Red One MX Camera
