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Americas | 1901 Titles

Americas 1.00/5 2 Votes

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Body Language (2014)

Short Film | 2D | Color | 11 Minutes

Directed by | Maéva Thibeault | Cinematography by | Ian MacDougall | Editing by | Richard Macdonald, Maéva Thibeault, Mackenzie Warner

Starring | Ben Cotton, Rebekah Asselstine, Jessica Harmon, Craig March

Cameras | Red Digital Cinema Cameras, Red Epic Camera

Lenses | Fujinon Cabrio (ZK3.5 × 85) 85-300mm T2.9/4.0 Lens, Fujinon Premier ZK Cabrio PL Compact Lenses, Zeiss Ultra Prime Lenses

Concussion (2013)

Motion Picture | 2D | Color | 96 Minutes

Directed by | Stacie Passon | Cinematography by | David Kruta | Editing by | Anthony Cupo

Starring | Robin Weigert, Maggie Siff, Johnathan Tchaikovsky, Ben Shenkman

Cameras | Red Epic Camera

Lenses | Zeiss Lenses

Charlie Countryman (2013)

Motion Picture | 2D | Color | 2.39:1 | 103 Minutes

Directed by | Fredrik Bond | Cinematography by | Roman Vasyanov | Editing by | Hughes Winborne

Starring | Shia LaBeouf, Evan Rachel Wood, Mads Mikkelsen, Til Schweiger

Cameras | ARRI ALEXA Camera

The Single Moms Club (2014)

Motion Picture | 2D | Color | 111 Minutes

Directed by | Tyler Perry | Cinematography by | Alexander Gruszynski | Editing by | Maysie Hoy

Starring | Nia Long, Wendi McLendon-Covey, Amy Smart, Zulay Henao

Cameras | ARRI ALEXA Camera

Sex Tape (2014)

Motion Picture | 2D | Color | 94 Minutes

Directed by | Jake Kasdan | Cinematography by | Tim Suhrstedt | Editing by | Steve Edwards, Tara Timpone

Starring | Jason Segel, Cameron Diaz, Rob Corddry, Ellie Kemper

Cameras | ARRI ALEXA XT Camera

Brick Mansions (2014)

Motion Picture | 2D | Color | 90 Minutes

Directed by | Camille Delamarre | Cinematography by | Christophe Collette | Editing by | Carlo Rizzo, Arthur Tarnowski

Starring | Paul Walker, David Belle, RZA, Goûchy Boy

Cameras | Red Epic Camera

Lenses | Hawk V-Lite Lenses

The Fault in Our Stars (2014)

Motion Picture | 2D | Color | 1.85:1 | 126 Minutes

Directed by | Josh Boone | Cinematography by | Ben Richardson | Editing by | Robb Sullivan

Starring | Shailene Woodley, Ansel Elgort, Nat Wolff, Laura Dern

Cameras | ARRI ALEXA XT Camera

Dallas Buyers Club (2013)

Motion Picture | 2D | Color | 1.78:1 (16x9), 2.39:1 | 117 Minutes

Directed by | Jean-Marc Vallée | Cinematography by | Yves Bélanger | Editing by | Martin Pensa, Jean-Marc Vallée

Starring | Matthew McConaughey, Jennifer Garner, Jared Leto, Steve Zahn

Cameras | ARRI ALEXA Camera

Lenses | ARRI / Zeiss Lenses

Star Trek II: The Wrath of Khan (1982)

Motion Picture | 2D | Color | 2.20:1, 2.35:1 | 113 Minutes

Directed by | Nicholas Meyer | Cinematography by | Gayne Rescher | Editing by | William Paul Dornisch

Starring | William Shatner, Leonard Nimoy, DeForest Kelley, James Doohan

Cameras | Dykstraflex Camera, Panavision Cameras

Primer (2004)

Motion Picture | 2D | Color | 1.85:1 | 77 Minutes

Directed by | Shane Carruth | Cinematography by | Troy Dick | Editing by | Shane Carruth

Starring | Shane Carruth, David Sullivan, Casey Gooden, Anand Upadhyaya

Cameras | ARRIFLEX 16SR Camera

Transcendence (2014)

Motion Picture | 2D, 3D | Color | 2.39:1 | 119 Minutes

Directed by | Wally Pfister | Cinematography by | Jess Hall | Editing by | David Rosenbloom

Starring | Johnny Depp, Rebecca Hall, Morgan Freeman, Cillian Murphy

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom Flex Camera

Lenses | Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Des gens qui s’embrassent (2013)

Motion Picture | 2D | Color | 2.39:1 | 100 Minutes

Directed by | Danièle Thompson | Cinematography by | Jean-Marc Fabre | Editing by | Sylvie Landra

Starring | Eric Elmosnino, Lou de Laâge, Kad Merad, Clara Ponsot

Cameras | ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Casse-tête chinois (2013)

Motion Picture | 2D | Color | 1.85:1 | 117 Minutes

Directed by | Cédric Klapisch | Cinematography by | Natasha Braier | Editing by | Anne-Sophie Bion

Starring | Romain Duris, Audrey Tautou, Cécile de France, Kelly Reilly

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke 5/i Lenses, Cooke S4 Lenses

Bird People (2014)

Motion Picture | 2D | Color | 1.85:1 | 127 Minutes

Directed by | Pascale Ferran | Cinematography by | Julien Hirsch | Editing by | Mathilde Muyard

Starring | Josh Charles, Anaïs Demoustier, Roschdy Zem, Radha Mitchell

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, Zeiss Super Speed Lenses

Foxfire (2012)

Motion Picture | 2D | Color | 2.39:1 | 143 Minutes

Directed by | Laurent Cantet | Cinematography by | Pierre Milon | Editing by | Robin Campillo, Stephanie Leger, Sophie Reine

Starring | Raven Adamson, Katie Coseni, Madeleine Bisson, Claire Mazerolle

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

Trilogia II: I skoni tou hronou (2008)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 125 Minutes

Directed by | Theodoros Angelopoulos | Cinematography by | Andreas Sinanos | Editing by | Giorgos Helidonidis, Yannis Tsitsopoulos

Starring | Willem Dafoe, Bruno Ganz, Michel Piccoli, Irène Jacob

Cameras | ARRIFLEX 535 Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens

Lone Survivor (2013)

Motion Picture | 2D | Color | 2.39:1 | 121 Minutes

Directed by | Peter Berg | Cinematography by | Tobias A. Schliessler | Editing by | Colby Parker Jr.

Starring | Mark Wahlberg, Taylor Kitsch, Emile Hirsch, Ben Foster

Cameras | Phantom Flex Camera, Red Epic Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens, Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens

Blood Ties (2013)

Motion Picture | 2D | Color | 127 Minutes

Directed by | Guillaume Canet | Cinematography by | Christophe Offenstein | Editing by | Hervé de Luze

Starring | Clive Owen, Marion Cotillard, Billy Crudup, Mila Kunis

Cameras | ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Ultra Prime Lenses

Nous York (2012)

Motion Picture | 2D | Color | 98 Minutes

Directed by | Hervé Mimran, Géraldine Nakache | Cinematography by | Stéphane Le Parc | Editing by | Benjamin Weill

Starring | Leïla Bekhti, Géraldine Nakache, Manu Payet, Nader Boussandel

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

À coeur ouvert (2012)

Motion Picture | 2D | Color | 1.85:1 | 87 Minutes

Directed by | Marion Laine | Cinematography by | Antoine Héberlé | Editing by | Mathilde Van de Moortel

Starring | Juliette Binoche, Edgar Ramírez, Hippolyte Girardot, Amandine Dewasmes

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Standard Speed Prime Lenses

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