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Americas | 1901 Titles

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A Place in the Sun (1951)

Motion Picture | 2D | Film Project | Black & White | 1.37:1 | 122 Minutes

Directed by | George Stevens | Cinematography by | William C. Mellor | Editing by | William Hornbeck

Starring | Montgomery Clift, Elizabeth Taylor, Shelley Winters, Anne Revere

Midsommar (2019)

Motion Picture | 2D | 4K Project | Color | 2.0:1 | 147 Minutes

Directed by | Ari Aster | Cinematography by | Pawel Pogorzelski | Editing by | Lucian Johnston

Starring | Florence Pugh, Jack Reynor, Vilhelm Blomgren, William Jackson Harper

Cameras | Panavision Millennium DXL2 Camera

Lenses | Panavision Primo Artiste Lenses

The Grapes of Wrath (1940)

Motion Picture | 2D | Film Project | Black & White | 1.37:1 | 129 Minutes

Directed by | John Ford | Cinematography by | Gregg Toland | Editing by | Robert L. Simpson

Starring | Henry Fonda, Jane Darwell, John Carradine, Charley Grapewin

Cameras | Mitchell Cameras

The Lighthouse (2019)

Motion Picture | 2D | Film Project | Black & White | 109 Minutes

Directed by | Robert Eggers | Cinematography by | Jarin Blaschke | Editing by | Louise Ford

Starring | Robert Pattinson, Willem Dafoe, Valeriia Karaman, Logan Hawkes

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Bausch & Lomb Lenses, Pathé Lenses

Extremely Wicked, Shockingly Evil and Vile (2019)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 110 Minutes

Directed by | Joe Berlinger | Cinematography by | Brandon Trost | Editing by | Josh Schaeffer

Starring | Lily Collins, Zac Efron, Angela Sarafyan

Cameras | ARRI ALEXA Mini Camera

Lenses | Panavision C Series Anamorphic Lenses

Hustlers (2019)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 110 Minutes

Directed by | Lorene Scafaria | Cinematography by | Todd Banhazl | Editing by | Kayla Emter

Starring | Constance Wu, Jennifer Lopez, Julia Stiles

Cameras | Panavision Millennium DXL2 Camera

Lenses | Panavision E Series Anamorphic Lenses, Panavision Panaspeed Series Lenses

Us (2019)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 116 Minutes

Directed by | Jordan Peele | Cinematography by | Mike Gioulakis | Editing by | Nicholas Monsour

Starring | Lupita Nyong'o, Winston Duke, Elisabeth Moss

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses | Fujinon Alura Lenses, Zeiss Master Prime Lenses

As the Dust Settles: A Participatory Documentary Shot at Burning Man (2013)

Documentary | 2D | Color | 1.78:1 (16x9) | 85 Minutes

Directed by | Jamie Dee, Roger Ingraham, Jeremy Lubman, Katheryn Mcgaffigan, Tarynn Wiehahn | Cinematography by | Clayton H. Haskell, Stephen Martel Lucas | Editing by | Mike Hedge

Starring | Jamie Dee, Roger Ingraham, Jeremy Lubman

Cameras | Red Digital Cinema Cameras

The Black Swan (1942)

Motion Picture | 2D | Film Project | Black & White, Color | 1.37:1 | 87 Minutes

Directed by | Henry King | Cinematography by | Leon Shamroy | Editing by | Barbara McLean

Starring | Tyrone Power, Maureen O'Hara, Laird Cregar

Cameras | Technicolor Cameras

Giant (1956)

Motion Picture | 2D | Film Project | Color | 1.66:1 | 201 Minutes

Directed by | George Stevens | Cinematography by | William C. Mellor | Editing by | William Hornbeck, Robert Lawrence

Starring | Elizabeth Taylor, Rock Hudson, James Dean, Carroll Baker

Cameras | Mitchell BNC Camera

The Birth of a Nation (1915)

Motion Picture | 2D | Film Project | Black & White | 1.33:1 (4x3) | 195 Minutes

Directed by | D.W. Griffith | Cinematography by | G.W. Bitzer | Editing by | D.W. Griffith, Joseph Henabery, James Smith, Rose Smith, Raoul Walsh

Starring | Lillian Gish, Mae Marsh, Henry B. Walthall, Miriam Cooper

Cameras | Pathé Cameras

The Towering Inferno (1974)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 165 Minutes

Directed by | John Guillermin | Cinematography by | Fred J. Koenekamp | Editing by | Carl Kress, Harold F. Kress

Starring | Paul Newman, Steve McQueen, William Holden, Faye Dunaway

Cameras | Panavision Silent Reflex PSR Camera

Lenses | Cooke Lenses, Panavision C Series Anamorphic Lenses

Happy Death Day (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 96 Minutes

Directed by | Christopher Landon | Cinematography by | Toby Oliver | Editing by | Gregory Plotkin

Starring | Jessica Rothe, Israel Broussard, Ruby Modine

Cameras | ARRI ALEXA Mini Camera

Lenses | Angenieux Lenses, Cooke S4/i Lenses

Bonnie and Clyde (1967)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 111 Minutes

Directed by | Arthur Penn | Cinematography by | Burnett Guffey | Editing by | Dede Allen

Starring | Warren Beatty, Faye Dunaway, Michael J. Pollard

Cameras | Mitchell BNCR Camera

Geostorm (2017)

Motion Picture | 2D, 3D | 2K Project | Color | 2.39:1 | 109 Minutes

Directed by | Dean Devlin | Cinematography by | Roberto Schaefer | Editing by | Chris Lebenzon, John Refoua, Ron Rosen

Starring | Gerard Butler, Jim Sturgess, Abbie Cornish

Cameras | Red Epic Dragon Camera

Lenses | Angenieux Lenses, Cooke 5/i Lenses, Zeiss Ultra Prime Lenses

The Predator (2018)

Motion Picture | 2D, 3D | 2K Project | Color | 2.39:1 | 107 Minutes

Directed by | Shane Black | Cinematography by | Larry Fong | Editing by | Harry B. Miller III

Starring | Boyd Holbrook, Trevante Rhodes, Jacob Tremblay

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Series Cameras

Lenses | Panavision Ultra Speed MKII Lenses

To Catch a Thief (1955)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 106 Minutes

Directed by | Alfred Hitchcock | Cinematography by | Robert Burks | Editing by | George Tomasini

Starring | Cary Grant, Grace Kelly, Jessie Royce Landis, John Williams

Cameras | VistaVision Cameras

Spartacus (1960)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.35:1 | 197 Minutes

Directed by | Stanley Kubrick | Cinematography by | Russell Metty | Editing by | Robert Lawrence, Irving Lerner

Starring | Kirk Douglas, Laurence Olivier, Jean Simmons, Charles Laughton

Cameras | Technirama Camera

Apocalypse Now (1979)

Motion Picture | 2D | Film Project | Color | 2.0:1, 2.20:1, 2.39:1 | 147 Minutes

Directed by | Francis Ford Coppola | Cinematography by | Vittorio Storaro | Editing by | Lisa Fruchtman, Gerald B. Greenberg, Walter Murch

Starring | Martin Sheen, Marlon Brando, Robert Duvall

Cameras | ARRIFLEX 16ST Camera, ARRIFLEX 35 BL Camera, ARRIFLEX 35 IIC Camera, Mitchell BNCR Camera

Lenses | Technovision Lenses, Todd-AO Lenses

I Think We’re Alone Now (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 99 Minutes

Directed by | Reed Morano | Cinematography by | Reed Morano | Editing by | Madeleine Gavin

Starring | Peter Dinklage, Elle Fanning, Charlotte Gainsbourg

Cameras | ARRI ALEXA Mini Camera

Lenses | Angenieux Optimo Anamorphic Lenses

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