Film Project | 296 Titles
Psycho (1960)
Directed by | Alfred Hitchcock | Cinematography by | John L. Russell | Editing by | George Tomasini
Cameras | Mitchell BNC Camera
Butch Cassidy and the Sundance Kid (1969)
Directed by | George Roy Hill | Cinematography by | Conrad L. Hall | Editing by | John C. Howard, Richard C. Meyer
Cameras | Panavision Silent Reflex PSR Camera
The Grapes of Wrath (1940)
Directed by | John Ford | Cinematography by | Gregg Toland | Editing by | Robert L. Simpson
Cameras | Mitchell Cameras
Brazil (1985)
Directed by | Terry Gilliam | Cinematography by | Roger Pratt | Editing by | Julian Doyle
Cameras | J-D-C Camera
Lenses | Kinoptik Lenses, Zeiss Lenses
Dances with Wolves (1990)
Directed by | Kevin Costner | Cinematography by | Dean Semler | Editing by | William Hoy, Chip Masamitsu, Steve Potter, Neil Travis
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Naked Man (1998)
Directed by | J. Todd Anderson | Cinematography by | Jeff Barklage | Editing by | Tricia Cooke, Mark Cretcher
Cameras | ARRIFLEX 35 III Camera, Moviecam Compact Camera
Amadeus (1984)
Directed by | Milos Forman | Cinematography by | Miroslav Ondrícek | Editing by | Michael Chandler, T.M. Christopher, Nena Danevic
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Ben-Hur (1959)
Directed by | William Wyler | Cinematography by | Robert Surtees | Editing by | John D. Dunning, Ralph E. Winters, Margaret Booth
Cameras | MGM Camera 65 Camera
The King and I (1956)
Directed by | Walter Lang | Cinematography by | Leon Shamroy | Editing by | Robert L. Simpson
Lenses | Bausch & Lomb Lenses
Waiting Alone (2004)
Directed by | Dayyan Eng | Cinematography by | Toby Oliver | Editing by | Dayyan Eng
Cameras | ARRIFLEX 535 B Camera
Braveheart (1995)
Directed by | Mel Gibson | Cinematography by | John Toll | Editing by | Steven Rosenblum
Cameras | Panavision Panaflex Platinum Camera
The Godfather: Part II (1974)
Directed by | Francis Ford Coppola | Cinematography by | Gordon Willis | Editing by | Barry Malkin, Richard Marks, Peter Zinner
Cameras | Mitchell BNCR Camera
Lenses | Bausch & Lomb Super Baltar Lenses, Kowa Lenses
Wings (1927)
Directed by | William A. Wellman, Harry d'Abbadie d'Arrast | Cinematography by | Harry Perry | Editing by | E. Lloyd Sheldon, Lucien Hubbard
2001: A Space Odyssey (1968)
Directed by | Stanley Kubrick | Cinematography by | Geoffrey Unsworth | Editing by | Ray Lovejoy
Cameras | Super Panavision-70 Camera
Star Wars: Episode IV – A New Hope (1977)
Directed by | George Lucas | Cinematography by | Gilbert Taylor | Editing by | Richard Chew, T.M. Christopher, Paul Hirsch, Marcia Lucas, George Lucas
Cameras | Dykstraflex Camera, Mitchell VistaVision Camera, Panavision Cameras, Panavision Silent Reflex PSR Camera, VistaVision Cameras
Lenses | Panavision Lenses
Annie Hall (1977)
Directed by | Woody Allen | Cinematography by | Gordon Willis | Editing by | Wendy Greene Bricmont, Ralph Rosenblum
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Terms of Endearment (1983)
Directed by | James L. Brooks | Cinematography by | Andrzej Bartkowiak | Editing by | Richard Marks
Cameras | Panavision Panaflex Series Cameras
Lenses | Panavision Lenses
The French Connection (1971)
Directed by | William Friedkin | Cinematography by | Owen Roizman | Editing by | Gerald B. Greenberg
Cameras | ARRIFLEX 35 IIC Camera
Lenses | ARRI / Zeiss Lenses
Hannibal (1959)
Directed by | Carlo Ludovico Bragaglia, Edgar G. Ulmer | Cinematography by | Raffaele Masciocchi | Editing by | Renato Cinquini
Wonder Boys (2000)
Directed by | Curtis Hanson | Cinematography by | Dante Spinotti | Editing by | Dede Allen
Cameras | Panavision Panaflex Millennium Camera
Lenses | Panavision Frazier Lenses, Panavision Primo Primes Spherical Lenses, Panavision Slant Focus Lenses