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Motion Picture | 11129 Titles

Motion Picture 2.67/5 54 Votes

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The Intruder (2019)

Motion Picture | 2D | Color | 2.39:1 | 102 Minutes

Directed by | Deon Taylor | Cinematography by | Daniel Pearl | Editing by | Melissa Kent

Starring | Dennis Quaid, Meagan Good, Michael Ealy, Joseph Sikora

Cameras | ARRI ALEXA Mini Camera

Lenses | Angenieux Optimo Zoom Lenses, Hawk MiniHawk Hybrid Anamorphic Lenses

Elf (2003)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 97 Minutes

Directed by | Jon Favreau | Cinematography by | Greg Gardiner | Editing by | Dan Lebental

Starring | Will Ferrell, James Caan, Bob Newhart, Zooey Deschanel

Cameras | Panavision Cameras

Lenses | Panavision SL27-M 27 mm T1.9 Lens, Panavision SL35-M 35 mm T1.9 Lens

Hulk (2003)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 138 Minutes

Directed by | Ang Lee | Cinematography by | Frederick Elmes | Editing by | Tim Squyres

Starring | Eric Bana, Jennifer Connelly, Sam Elliott, Josh Lucas

Cameras | ARRIFLEX 535 B Camera

Lenses | Cooke Panchro/i Classic Lenses, Cooke S4 Lenses

Crown Vic (2019)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 100 Minutes

Directed by | Joel Souza | Cinematography by | Thomas Scott Stanton | Editing by | David Andalman

Starring | Bridget Moynahan, Thomas Jane, David Krumholtz, Luke Kleintank

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke Anamorphic/i 100mm T2.3 Lens, Cooke Anamorphic/i 135mm T2.3 Lens, Cooke Anamorphic/i 25mm T2.3 Lens, Cooke Anamorphic/i 32mm T2.3 Lens, Cooke Anamorphic/i 40mm T2.3 Lens, Cooke Anamorphic/i 50mm T2.3 Lens, Cooke Anamorphic/i 75mm T2.3 Lens

Symphony in Blue (2017)

Motion Picture | 2D | Color | 70 Minutes

Directed by | Samuel Marko | Cinematography by | Davis Moore | Editing by | Samuel Marko

Starring | Samuel Marko, Hilarie Grace, Jack Shefrin, Pete Dickey

Cameras | Panasonic AG-HVX200 Camera

Key of Brown (2013)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 95 Minutes

Directed by | Vaughn Christion | Cinematography by | Oscar Patino | Editing by | Vaughn Christion

Starring | Verina Banks, Struggle E. Stylez, James Lyones, Jacque Dorsey

Cameras | Sony PMW-F3 Camera

Death Note (2017)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 101 Minutes

Directed by | Adam Wingard | Cinematography by | David Tattersall | Editing by | Louis Cioffi

Starring | Nat Wolff, LaKeith Stanfield, Margaret Qualley, Shea Whigham

Cameras | Panasonic VariCam 35, Panasonic VariCam Camera

Lenses | Fujinon Lenses, Fujinon Premier Lenses, P+S Technik Skater Scope T5.6 Lens, Zeiss Master Prime Lenses, Zeiss Ultra Prime 8R 8 mm T.2.8 Lens

Dragged Across Concrete (2018)

Motion Picture | 2D | 8K Project | Color | 2.39:1 | 159 Minutes

Directed by | S. Craig Zahler | Cinematography by | Benji Bakshi | Editing by | Greg D'Auria

Starring | Mel Gibson, Vince Vaughn, Tory Kittles, Michael Jai White

Cameras | Red Helium (Weapon) 8K

Lenses | Zeiss Master Anamorphic 100 mm T1.9 Lens, Zeiss Master Anamorphic 135 mm T1.9 Lens, Zeiss Master Anamorphic 28 mm T1.9 Lens, Zeiss Master Anamorphic 35 mm T1.9 Lens, Zeiss Master Anamorphic 40 mm T1.9 Lens, Zeiss Master Anamorphic 50 mm T1.9 Lens, Zeiss Master Anamorphic 60 mm T1.9 Lens, Zeiss Master Anamorphic 75 mm T1.9 Lens

Toto le héros (1991)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 91 Minutes

Directed by | Jaco Van Dormael | Cinematography by | Walther van den Ende | Editing by | Susana Rossberg

Starring | Michel Bouquet, Mireille Perrier, Jo De Backer, Thomas Godet

Cameras | Aaton Cameras

The Neon Demon (2016)

Motion Picture | 2D | 4K Project, Other Project Resolution | Color | 2.39:1 | 117 Minutes

Directed by | Nicolas Winding Refn | Cinematography by | Natasha Braier | Editing by | Matthew Newman

Starring | Elle Fanning, Christina Hendricks, Keanu Reeves, Karl Glusman

Cameras | ARRI ALEXA Series Cameras, ARRI ALEXA XT Camera, ARRI Cameras

Lenses | Cooke Lenses, Cooke Xtal Express Lenses

Homecoming (2009)

Motion Picture | 2D | Color | 1.85:1 | 88 Minutes

Directed by | Morgan J. Freeman | Cinematography by | John Burdick, Stephen Kazmierski | Editing by | Keith Reamer

Starring | Mischa Barton, Matt Long, Jessica Stroup, Michael Landes

Good Time (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 101 Minutes

Directed by | Benny Safdie, Josh Safdie | Cinematography by | Sean Price Williams | Editing by | Ronald Bronstein, Benny Safdie

Starring | Robert Pattinson, Benny Safdie, Jennifer Jason Leigh, Buddy Duress

Cameras | ARRICAM Lite (LT) Camera

Lenses | Zeiss Super Speed Lenses

Three Night Stand (2013)

Motion Picture | 2D | HD Project | Color | 1.78:1 (16x9) | 86 Minutes

Directed by | Pat Kiely | Cinematography by | Robert Vroom | Editing by | Jared Curtis

Starring | Sam Huntington, Meaghan Rath, Darren Curtis, Robb Jamieson

Cameras | ARRI ALEXA FR Camera

Lenses | Cooke miniS4/i 100mm T2.8 Lens, Cooke miniS4/i 18mm T2.8 Lens, Cooke miniS4/i 25mm T2.8 Lens, Cooke miniS4/i 32mm T2.8 Lens, Cooke miniS4/i 50mm T2.8 Lens, Cooke miniS4/i 75mm T2.8 Lens

We Are Your Friends (2015)

Motion Picture | 2D | 2K Project | Color | 96 Minutes

Directed by | Max Joseph | Cinematography by | Brett Pawlak | Editing by | David Diliberto, Terel Gibson

Starring | Zac Efron, Wes Bentley, Emily Ratajkowski, Jonny Weston

Cameras | Red Epic Dragon Camera

Boots on the Ground (2017)

Motion Picture | 2D | 4K Project | Color | 1.78:1 (16x9) | 86 Minutes

Directed by | Louis Melville | Cinematography by | Boyd Skinner | Editing by | Lucas Roche

Starring | Ian Virgo, Tom Ainsley, Ryan McParland, Valmike Rampersad

Cameras | GoPro HERO4 Black

Don Quixote (1973)

Motion Picture | Film Project | Color | 111 Minutes

Don Quixote | ShotOnWhat?

Directed by | Robert Helpmann, Rudolf Nureyev | Cinematography by | Geoffrey Unsworth | Editing by | Anthony Buckley

Starring | Robert Helpmann, Ray Powell, Rudolf Nureyev, Francis Croese

Cameras | Mitchell BNC Camera

Lenses | Angenieux 24-240 mm f2.6 Zoom Lens

Revelator (2017)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 109 Minutes

Directed by | J. Van Auken | Cinematography by | Dan Clarke | Editing by | J. Van Auken

Starring | Lillian Solange Beaudoin, Barrow Davis-Tolot, Shelly DeChristofaro, Joe DeSoto

Cameras | Blackmagic URSA Camera

A Different Set of Cards (2016)

Motion Picture | 2D | 2K Project | Black & White, Color | 2.39:1 | 73 Minutes

Directed by | Falko Jakobs | Cinematography by | Falko Jakobs, Raoul Schmitz | Editing by | Falko Jakobs

Starring | Jutta Dolle, Guido Grollmann, Adrian Linke, Tim-Olrik Stöneberg

Cameras | Canon EOS-C100 Camera

Lenses | Canon EF 24-105 mm f4.0 L IS Lens

Pickings (2018)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 103 Minutes

Directed by | Usher Morgan | Cinematography by | Usher Morgan, Louis Obioha | Editing by | Usher Morgan

Starring | Elyse Price, Michelle Holland, Lily Brooks O'Briant, Giacomo Rocchini

Cameras | Red Epic Camera, Red Epic Dragon Camera, Sony α7S II Camera

Lenses | Cooke Lenses, Red Digital Cinema Lenses, Zeiss ZE Prime Lenses

Beast (2015)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 94 Minutes

Directed by | Sam McKeith, Tom McKeith | Cinematography by | Michael Steel | Editing by | Paul Murphy

Starring | Garret Dillahunt, Chad McKinney, Angeli Bayani, Will Jaymes

Cameras | ARRI AMIRA Camera

Lenses | Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens

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