Motion Picture | 11129 Titles
Beloved (1998)
Directed by | Jonathan Demme | Cinematography by | Tak Fujimoto | Editing by | Andy Keir, Carol Littleton
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Van Helsing (2004)
Directed by | Stephen Sommers | Cinematography by | Allen Daviau | Editing by | Bob Ducsay, Kelly Matsumoto, Jim May
The Cable Guy (1996)
Directed by | Ben Stiller | Cinematography by | Robert Brinkmann | Editing by | Steven Weisberg
Cameras | ARRIFLEX 535 Camera, Moviecam Compact Camera
Lenses | Zeiss Standard Speed Prime Lenses
Innerself (2018)
Directed by | Johnny Wu | Cinematography by | Peter Sampson | Editing by | Johnny Wu
Cameras | Panasonic Lumix DMC-GH5 Camera
Lenses | Meike 25mm T2.2, Panasonic Lumix G X Vario 12-35mm f2.8 Lens, Panasonic Lumix G X Vario 35-100mm f2.8 Lens
Tango (1998)
Directed by | Carlos Saura | Cinematography by | Vittorio Storaro | Editing by | Julia Juaniz
Cameras | Technovision Cameras
Lenses | Technovision Lenses
Traitor (2008)
Directed by | Jeffrey Nachmanoff | Cinematography by | James M. Muro | Editing by | Billy Fox
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Set Fire to the Stars (2014)
Directed by | Andy Goddard | Cinematography by | Chris Seager | Editing by | Mike Jones
Cameras | ARRI ALEXA Series Cameras
The Vanishing (2018)
Directed by | Kristoffer Nyholm | Cinematography by | Jørgen Johansson | Editing by | Morten Højbjerg
Cameras | ARRI Cameras
Rattlesnake (2019)
Directed by | Zak Hilditch | Editing by | Merlin Eden
Cameras | Sony CineAlta VENICE Camera
Lenses | Kowa Cine Prominar Spherical Lenses
Dinosaur (2000)
Directed by | Eric Leighton, Ralph Zondag | Cinematography by | David R. Hardberger, Steven Douglas Smith | Editing by | H. Lee Peterson
Cameras | VistaVision Cameras
Everybody Happy (2016)
Directed by | Nic Balthazar | Cinematography by | Robrecht Heyvaert | Editing by | Philippe Ravoet
Cameras | ARRI ALEXA Camera, ARRI ALEXA XT Camera, ARRI AMIRA Camera, Blackmagic Pocket Cinema Camera
Lenses | ARRI Lenses, Canon Lenses
Under the Bed (2017)
Directed by | Daniel Myrick | Cinematography by | Stephanie Martin | Editing by | Daniel Myrick, Byron Wong
Cameras | Blackmagic Pocket Cinema Camera
La tête haute (2015)
Directed by | Emmanuelle Bercot | Cinematography by | Guillaume Schiffman | Editing by | Julien Leloup
Cameras | ARRI ALEXA XT Camera
High Plains Drifter (1973)
Directed by | Clint Eastwood | Cinematography by | Bruce Surtees | Editing by | Ferris Webster
Cameras | Panavision Cameras
American Pie 2 (2001)
Directed by | J.B. Rogers | Cinematography by | Mark Irwin | Editing by | Larry Madaras, Stuart H. Pappé
Cameras | Moviecam Compact Camera
Lenses | Angenieux HR Zoom Lenses, Cooke S4 Lenses
The End of the Affair (1999)
Directed by | Neil Jordan | Cinematography by | Roger Pratt | Editing by | Tony Lawson
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Pitch Black (2000)
Directed by | David Twohy | Cinematography by | David Eggby | Editing by | Rick Shaine
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Perfect Storm (2000)
Directed by | Wolfgang Petersen | Cinematography by | John Seale | Editing by | Richard Francis-Bruce
Cameras | Panavision Panaflex Millennium XL Camera
Logan (2017)
Directed by | James Mangold | Cinematography by | John Mathieson | Editing by | Michael McCusker, Dirk Westervelt
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera, Sony α7S II Camera
Jurassic Park (1993)
