Kris Bieringa

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Visual Effects Systems Administrator: RISE Visual Effects Studios

Nyad (2023)

Motion Picture

Directed by: Jimmy Chin, Elizabeth Chai Vasarhelyi

Cinematography by: Claudio Miranda

Edited by: Christopher Tellefsen

Cameras: Sony CineAlta VENICE 2 Camera, Sony ILME-FX3 Camera

Lenses: Fujinon Lenses, Zeiss Master Prime Lenses

Black Panther: Wakanda Forever | ShotOnWhat?

It: Rise Visual Effects Studios

Black Panther: Wakanda Forever (2022)

Motion Picture

Directed by: Ryan Coogler

Cinematography by: Autumn Durald Arkapaw

Edited by: Kelley Dixon, Jennifer Lame, Michael P. Shawver

Cameras: Sony CineAlta VENICE Camera

Lenses: Panavision B Series Anamorphic Lenses, Panavision Macro Anamorphic Panatar Prime Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Panatar Anamorphic Lenses

Systems Administrator: RISE Visual Effects Studios

The Matrix Resurrections (2021)

Motion Picture

Directed by: Lana Wachowski

Cinematography by: Daniele Massaccesi, John Toll

Edited by: Joseph Jett Sally

Cameras: Red Komodo Camera

Lenses: Panavision Compact Zoom Lenses, Panavision LWZ 27-68 mm T2.8 Lens, Panavision Panaspeed Series Lenses, Panavision Primo 70 Lenses, Sigma Lenses, Zeiss Cinema Zoom Series Lenses

Systems Administrator: RISE Visual Effects Studios

The French Dispatch (2021)

Movie

Directed by: Wes Anderson

Cinematography by: Robert D. Yeoman

Edited by: Andrew Weisblum

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Cooke S4/i Lenses

Systems Administrator: RISE Visual Effects Studios

'Westworld' Decoherence (2020)

Television Episode

Directed by: Jennifer Getzinger

Cinematography by: John Grillo

Edited by: Ali Comperchio

System Administrator: Rise Visual Effects Studios

'Dark' An Endless Cycle (2019)

Television Episode

Directed by: Baran bo Odar

Cinematography by: Nikolaus Summerer

Edited by: Anja Siemens

Systems Administrator: RISE Visual Effects Studios

Doctor Sleep (2019)

Motion Picture

Directed by: Mike Flanagan

Cinematography by: Michael Fimognari

Edited by: Mike Flanagan

Cameras: ARRI ALEXA 65 Camera

Lenses: Hasselblad Lenses

Systems Administrator: RISE Visual Effects Studios

Shazam! (2019)

Motion Picture

Directed by: David F. Sandberg

Cinematography by: Maxime Alexandre

Edited by: Michel Aller

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses: Zeiss Master Prime Lenses

Systems Administrator: RISE Visual Effects Studios

Avengers: Endgame (2019)

Motion Picture

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera

Lenses: Panavision APO Panatar Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

"Dark" Beginnings and Endings | ShotOnWhat?

System Administrator: Rise Visual Effects Studios

'Dark' Beginnings and Endings (2019)

Television Episode

Directed by: Baran bo Odar

Cinematography by: Nikolaus Summerer

Edited by: Robert Rzesacz

System Administrator: Rise Visual Effects Studios

'Dark' Dark Matter (2019)

Television Episode

Directed by: Baran bo Odar

Cinematography by: Nikolaus Summerer

Edited by: Boris Gromatzki

System Administrator: Rise Visual Effects Studios

'Dark' Ghosts (2019)

Television Episode

Directed by: Baran bo Odar

Cinematography by: Nikolaus Summerer

Edited by: Anja Siemens

System Administrator: Rise Visual Effects Studios

'Dark' The Travelers (2019)

Television Episode

Directed by: Baran bo Odar

Cinematography by: Nikolaus Summerer

Edited by: Simon Gstöttmayr

System Administrator: Rise Visual Effects Studios

'Dark' Lost and Found (2019)

Television Episode

Directed by: Baran bo Odar

Cinematography by: Nikolaus Summerer

Edited by: Boris Gromatzki

System Administrator: Rise Visual Effects Studios

'Dark' The White Devil (2019)

Television Episode

Directed by: Baran bo Odar

Cinematography by: Nikolaus Summerer

Edited by: Simon Gstöttmayr

"Dark" Endings and Beginnings | ShotOnWhat?

System Administrator: Rise Visual Effects Studios

'Dark' Endings and Beginnings (2019)

Television Episode

Directed by: Baran bo Odar

Cinematography by: Nikolaus Summerer

Edited by: Roan Densimbor

"Stranger Things" Chapter Eight: The Battle of Starcourt | ShotOnWhat?

Systems Administrator: RISE Visual Effects Studios

'Stranger Things' Chapter Eight: The Battle of Starcourt (2019)

Television Episode

Directed by: Matt Duffer, Ross Duffer

Cinematography by: Lachlan Milne

"Stranger Things" Chapter Seven: The Bite | ShotOnWhat?

Systems Administrator: RISE Visual Effects Studios

'Stranger Things' Chapter Seven: The Bite (2019)

Television Episode

Directed by: Matt Duffer, Ross Duffer

Cinematography by: Lachlan Milne

"Stranger Things" Chapter Six: The Birthday | ShotOnWhat?

Systems Administrator: RISE Visual Effects Studios

'Stranger Things' Chapter Six: The Birthday (2019)

Television Episode

Directed by: Uta Briesewitz

"Stranger Things" Chapter Five: The Source | ShotOnWhat?

Systems Administrator: RISE Visual Effects Studios

'Stranger Things' Chapter Five: The Source (2019)

Television Episode

Directed by: Uta Briesewitz

Systems Administrator: RISE Visual Effects Studios

Black Panther (2018)

Motion Picture

Directed by: Ryan Coogler

Cinematography by: Rachel Morrison

Edited by: Debbie Berman, Michael P. Shawver

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera, Canon EOS-C300 Mark II Camera, Red Weapon Dragon Camera

Lenses: Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision SL27-M 27 mm T1.9 Lens, Panavision SL30-MS 30 mm T1.9 Lens, Panavision SL35-M 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens

Systems Administrator: RISE Visual Effects Studios

Avengers: Infinity War (2018)

Motion Picture

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, Red Helium (Weapon) 8K, Red Weapon Dragon Camera

Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

System Administrator: Rise Visual Effects Studios - 8 Episodes, 2019

Dark (2017)

Television Series

Directed by: Baran bo Odar

Cinematography by: Nikolaus Summerer

Edited by: Robert Rzesacz, Anja Siemens, Denis Bachter, Boris Gromatzki, Simon Gstöttmayr, Sven Budelmann, Roan Densimbor

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses: Zeiss Ultra Prime Lenses

Systems Administrator: RISE Visual Effects Studios - 4 Episodes, 2019, Visual Effects Systems Administrator: RISE Visual Effects Studios - 4 Episodes, 2019

Stranger Things (2016)

Television Series

Directed by: Matt Duffer, Ross Duffer, Shawn Levy, Andrew Stanton, Uta Briesewitz, Nimród Antal, Rebecca Thomas, Dan Trachtenberg

Cinematography by: Tim Ives, Caleb Heymann, Tod Campbell, Lachlan Milne, Brett Jutkiewicz, David Franco

Edited by: Dean Zimmerman, Nat Fuller, Kevin D. Ross, Katheryn Naranjo, Casey Cichocki

Cameras: ARRI ALEXA LF Camera, Red Epic Dragon Camera, Red Helium (Weapon) 8K, Red Monstro 8K Camera

Lenses: Leitz Summilux-C Series Lenses

Editing System: Avid Editing System

Systems Administrator: RISE Visual Effects Studios - 1 Episode, 2020

Westworld (2016)

Television Series

Cinematography by: John Grillo, Darran Tiernan, Brendan Galvin, Robert McLachlan, John Conroy, Peter Flinckenberg, Paul Cameron, Jeffrey Jur, Zoë White, David Franco, M. David Mullen, Matt Flannery

Edited by: Andrew Seklir, Anna Hauger, Ali Comperchio, Tanya M. Swerling, Mark Yoshikawa, David Eisenberg, Stephen Semel, Ron Rosen, Amelia Allwarden, Sarah C. Reeves, Marc Jozefowicz, Mako Kamitsuna, Yoni Reiss

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, Sony CineAlta VENICE Camera

The Hobbit: An Unexpected Journey | ShotOnWhat?

Render Wrangler: WETA Digital

The Hobbit: An Unexpected Journey (2012)

Motion Picture

Directed by: Peter Jackson

Cinematography by: Andrew Lesnie

Edited by: Jabez Olssen

Cameras: Red Epic Camera

Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Rise of the Planet of the Apes | ShotOnWhat?

Render Wrangler: Weta Digital

Rise of the Planet of the Apes (2011)

Motion Picture

Directed by: Rupert Wyatt

Cinematography by: Andrew Lesnie

Edited by: Conrad Buff IV, Mark Goldblatt

Cameras: ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Wrangler: Weta Digital

The A-Team (2010)

Motion Picture

Directed by: Joe Carnahan

Cinematography by: Mauro Fiore

Edited by: Roger Barton, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Data Wrangler: Weta Digital

The Lovely Bones (2009)

Motion Picture

Directed by: Peter Jackson

Cinematography by: Andrew Lesnie

Edited by: Jabez Olssen

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Iconix HD-RH1 Camera, Red One Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Wrangler: Weta Digital

District 9 (2009)

Motion Picture

Directed by: Neill Blomkamp

Cinematography by: Trent Opaloch

Edited by: Julian Clarke

Cameras: Phantom HD Gold Camera, Red One Camera, Sony HDC-F950 Camera, Sony PMW-EX1 Camera, Sony PMW-EX3 Camera

Lenses: Angenieux Lenses, Cooke S4 Lenses

Editing System: Adobe Premiere Editing System

Data/render Wrangler: Weta Digital

Avatar (2009)

Motion Picture

Directed by: James Cameron

Cinematography by: Mauro Fiore

Edited by: James Cameron, John Refoua, Stephen E. Rivkin

Cameras: Sony CineAlta F23 Camera, Sony HDC-1500 Camera, Sony HDC-F950 Camera

Lenses: Canon Lenses, Fujinon HA16x6.3BE 6.3-101 mm T1.8 Lens, Fujinon HA5x7B-W50 7-35 mm Lens, Fujinon Lenses

Editing System: Adobe Premiere Editing System, Autodesk Smoke Editing System, Avid Editing System

Data Wrangler / Render Wrangler

The Water Horse (2007)

Motion Picture

Directed by: Jay Russell

Cinematography by: Oliver Stapleton

Edited by: Mark Warner

Wrangler: Weta Digital

King Kong (2005)

Motion Picture

Directed by: Peter Jackson

Cinematography by: Andrew Lesnie

Edited by: Jamie Selkirk

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, Mitchell Cameras

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

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Kris Bieringa

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Visual Effects Systems Administrator: RISE Visual Effects Studios

It: Rise Visual Effects Studios

Systems Administrator: RISE Visual Effects Studios

Systems Administrator: RISE Visual Effects Studios

Systems Administrator: RISE Visual Effects Studios

System Administrator: Rise Visual Effects Studios

Systems Administrator: RISE Visual Effects Studios

Systems Administrator: RISE Visual Effects Studios

Systems Administrator: RISE Visual Effects Studios

System Administrator: Rise Visual Effects Studios

System Administrator: Rise Visual Effects Studios

System Administrator: Rise Visual Effects Studios

System Administrator: Rise Visual Effects Studios

System Administrator: Rise Visual Effects Studios

System Administrator: Rise Visual Effects Studios

System Administrator: Rise Visual Effects Studios

Systems Administrator: RISE Visual Effects Studios

Systems Administrator: RISE Visual Effects Studios

Systems Administrator: RISE Visual Effects Studios

Systems Administrator: RISE Visual Effects Studios

Systems Administrator: RISE Visual Effects Studios

Systems Administrator: RISE Visual Effects Studios

System Administrator: Rise Visual Effects Studios - 8 Episodes, 2019

Systems Administrator: RISE Visual Effects Studios - 4 Episodes, 2019, Visual Effects Systems Administrator: RISE Visual Effects Studios - 4 Episodes, 2019

Systems Administrator: RISE Visual Effects Studios - 1 Episode, 2020

Digital Effects Crew: Weta Digital

Render Wrangler: WETA Digital

Render Wrangler: Weta Digital

Wrangler: Weta Digital

Data Wrangler: Weta Digital

Wrangler: Weta Digital

Data/render Wrangler: Weta Digital

Data Wrangler / Render Wrangler

Wrangler: Weta Digital