Key Rigging Grip
'Mindhunter' Episode #2.6 (2019)
Directed by: Carl Franklin
Cinematography by: Erik Messerschmidt
Edited by: Grant Surmi
Key Rigging Grip
'Mindhunter' Episode #2.5 (2019)
Directed by: Andrew Dominik
Cinematography by: Erik Messerschmidt
Edited by: Tyler Nelson
Key Rigging Grip
'Mindhunter' Episode #2.4 (2019)
Directed by: Andrew Dominik
Cinematography by: Erik Messerschmidt
Edited by: Tyler Nelson
Key Rigging Grip
'Mindhunter' Episode #2.3 (2019)
Directed by: David Fincher
Cinematography by: Erik Messerschmidt
Edited by: Kirk Baxter
Key Rigging Grip
'Mindhunter' Episode #2.2 (2019)
Directed by: David Fincher
Cinematography by: Erik Messerschmidt
Key Rigging Grip
'Mindhunter' Episode #2.1 (2019)
Directed by: David Fincher
Cinematography by: Erik Messerschmidt
Edited by: Kirk Baxter
Key Rigging Grip
'Mindhunter' Episode #2.7 (2019)
Directed by: Carl Franklin
Cinematography by: Erik Messerschmidt
Edited by: Grant Surmi
Key Rigging Grip
'Mindhunter' Episode #2.8 (2019)
Directed by: Carl Franklin
Cinematography by: Erik Messerschmidt
Edited by: Tyler Nelson
Canvas Room Grip
Black Panther (2018)
Directed by: Ryan Coogler
Cinematography by: Rachel Morrison
Key Rigging Grip - 8 Episodes, 2019
Mindhunter (2017)
Directed by: David Fincher, Carl Franklin, Andrew Douglas, Asif Kapadia, Tobias Lindholm, Andrew Dominik
Cameras: Red Xenomorph Camera
Lenses: Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Fujinon Premier Lenses, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Zeiss Ultra Prime Sonnar 180 mm T1.9 Lens
Editing System: Adobe Premiere Editing System
Best Boy Rigging Grip
Captain America: The Winter Soldier (2014)
Cinematography by: Trent Opaloch
Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens
Rigging Grip Best Boy
Saving Mr. Banks (2013)
Directed by: John Lee Hancock
Cinematography by: John Schwartzman
Edited by: Mark Livolsi
Canvas Room Grip
Iron Man Three (2013)
Directed by: Shane Black
Cinematography by: John Toll
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens
Best Boy Rigging Grip
The Amazing Spider-Man (2012)
Directed by: Marc Webb
Cinematography by: John Schwartzman
Cameras: Red Epic Camera
Second Company Rigging Grip
Transformers: Dark of the Moon (2011)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Best Boy Rigging Grip
The Roommate (2011)
Directed by: Christian E. Christiansen
Cinematography by: Phil Parmet
Edited by: Randy Bricker
Cameras: Panavision Genesis Camera
Best Boy Rigging Grip
The Green Hornet (2011)
Directed by: Michel Gondry
Cinematography by: John Schwartzman
Edited by: Michael Tronick
Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom HD Camera, Red One MX Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Best Boy Rigging Grip
G.I. Joe: The Rise of Cobra (2009)
Directed by: Stephen Sommers
Cinematography by: Mitchell Amundsen
Best Boy Rigging Grip
Transformers: Revenge of the Fallen (2009)
Directed by: Michael Bay
Cinematography by: Ben Seresin
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Iwerks IW5A Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Best Boy Rigging Grip
Step Brothers (2008)
Directed by: Adam McKay
Cinematography by: Oliver Wood
Edited by: Brent White
Cameras: Panavision Cameras
Rigging Grip
The Bucket List (2007)
Directed by: Rob Reiner
Cinematography by: John Schwartzman
Edited by: Robert Leighton
Cameras: Panavision Cameras
Rigging Grip
Transformers (2007)
Directed by: Michael Bay
Cinematography by: Mitchell Amundsen
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Angenieux HR 25-250 mm T3.5 Lens, Cooke Varotal Lenses, Panavision C Series Anamorphic Lenses, Panavision C60 60 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens
Editing System: Avid Editing System, Final Cut Pro Editing System
Best Boy Rigging Grip
The Holiday (2006)
Directed by: Nancy Meyers
Cinematography by: Dean Cundey
Edited by: Joe Hutshing
Cameras: Panavision Panaflex Platinum Camera
Best Boy Rigging Grip
The Island (2005)
Directed by: Michael Bay
Cinematography by: Mauro Fiore
Best Boy Rigging Grip
Spider-Man 2 (2004)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera
Editing System: Avid Editing System
Best Boy Rigging Grip
Pearl Harbor (2001)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Best Boy Rigging Grip
Evolution (2001)
Directed by: Ivan Reitman
Cinematography by: Michael Chapman
Cameras: Panavision Cameras
Rigging Grip Best Boy
The Story of Us (1999)
Directed by: Rob Reiner
Cinematography by: Michael Chapman
Best Boy Rigging Grip
Armageddon (1998)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Best Boy Rigging Grip
Apt Pupil (1998)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Edited by: John Ottman
Best Boy Rigging Grip
Conspiracy Theory (1997)
Directed by: Richard Donner
Cinematography by: John Schwartzman