Marketing & Distribution
Fashion (2008)
Directed by: Madhur Bhandarkar
Cinematography by: Mahesh Limaye
Edited by: Devendra Murdeshwar
Marketing & Distribution
Jodhaa Akbar (2008)
Directed by: Ashutosh Gowariker
Cinematography by: Kiran Deohans
Edited by: Ballu Saluja
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lenses
Marketing & Distribution
The Namesake (2006)
Directed by: Mira Nair
Cinematography by: Frederick Elmes
Edited by: Allyson C. Johnson
Marketing & Distribution
Swades (2004)
Directed by: Ashutosh Gowariker
Cinematography by: Mahesh Aney
Edited by: Ballu Saluja
Cameras: ARRIFLEX 435 Camera
Marketing & Distribution
Charlie's Angels (2000)
Directed by: McG
Cinematography by: Russell Carpenter
Marketing & Distribution
Urban Legends: Final Cut (2000)
Directed by: John Ottman
Cinematography by: Brian Pearson
Marketing & Distribution
Vertical Limit (2000)
Directed by: Martin Campbell
Cinematography by: David Tattersall
Edited by: Thom Noble
Marketing & Distribution
I Dreamed of Africa (2000)
Directed by: Hugh Hudson
Cinematography by: Bernard Lutic
Edited by: Scott Thomas
Marketing & Distribution
Erin Brockovich (2000)
Directed by: Steven Soderbergh
Cinematography by: Edward Lachman
Edited by: Anne V. Coates
Cameras: Moviecam Compact Camera
Lenses: Cooke S4 Lenses
Marketing & Distribution
Hollow Man (2000)
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Marketing & Distribution
The Adventures of Elmo in Grouchland (1999)
Directed by: Gary Halvorson
Cinematography by: Alan Caso
Edited by: Alan Baumgarten
Marketing & Distribution
Random Hearts (1999)
Directed by: Sydney Pollack
Cinematography by: Philippe Rousselot
Edited by: William Steinkamp
Marketing & Distribution
Girl, Interrupted (1999)
Directed by: James Mangold
Cinematography by: Jack N. Green
Edited by: Kevin Tent
Marketing & Distribution
The Messenger: The Story of Joan of Arc (1999)
Directed by: Luc Besson
Cinematography by: Thierry Arbogast
Edited by: Sylvie Landra
Marketing & Distribution
The End of the Affair (1999)
Directed by: Neil Jordan
Cinematography by: Roger Pratt
Edited by: Tony Lawson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Marketing & Distribution
The Deep End of the Ocean (1999)
Directed by: Ulu Grosbard
Cinematography by: Stephen Goldblatt
Edited by: John Bloom
Marketing & Distribution
The Thirteenth Floor (1999)
Directed by: Josef Rusnak
Cinematography by: Wedigo von Schultzendorff
Edited by: Henry Richardson
Marketing & Distribution
Muppets from Space (1999)
Directed by: Tim Hill
Cinematography by: Alan Caso
Marketing & Distribution
Universal Soldier: The Return (1999)
Directed by: Mic Rodgers
Cinematography by: Mike Benson
Edited by: Peck Prior
Marketing & Distribution
The Bone Collector (1999)
Directed by: Phillip Noyce
Cinematography by: Dean Semler
Edited by: William Hoy
Marketing & Distribution
Bicentennial Man (1999)
Directed by: Chris Columbus
Cinematography by: Phil Meheux
Cameras: Panavision Panaflex Gold II Camera
Marketing & Distribution
Stuart Little (1999)
Directed by: Rob Minkoff
Cinematography by: Guillermo Navarro
Edited by: Tom Finan
Cameras: Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
Marketing & Distribution
Apt Pupil (1998)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Edited by: John Ottman
Marketing & Distribution
The Mask of Zorro (1998)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Thom Noble
Lenses: Cooke Lenses
Marketing & Distribution
Vampires (1998)
Directed by: John Carpenter
Cinematography by: Gary B. Kibbe
Edited by: Edward A. Warschilka
Marketing & Distribution
Stepmom (1998)
Directed by: Chris Columbus
Cinematography by: Donald McAlpine
Edited by: Neil Travis
Marketing & Distribution
Godzilla (1998)
Directed by: Roland Emmerich
Cinematography by: Ueli Steiger
Marketing & Distribution
Can't Hardly Wait (1998)
Cinematography by: Lloyd Ahern II
Edited by: Michael Jablow
Marketing & Distribution
I Still Know What You Did Last Summer (1998)
Directed by: Danny Cannon
Cinematography by: Vernon Layton
Edited by: Peck Prior
Marketing & Distribution
Air Force One (1997)
Directed by: Wolfgang Petersen
Cinematography by: Michael Ballhaus
Edited by: Richard Francis-Bruce
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Variable Prime Lenses
Marketing & Distribution
Double Team (1997)
Directed by: Hark Tsui
Cinematography by: Peter Pau
Edited by: Bill Pankow
Lenses: Angenieux Lenses, Zeiss Lenses
Marketing & Distribution
Gattaca (1997)
Directed by: Andrew Niccol
Cinematography by: Slawomir Idziak
Edited by: Lisa Zeno Churgin
Cameras: ARRIFLEX Camera, Moviecam Cameras
Marketing & Distribution
My Best Friend's Wedding (1997)
Directed by: P.J. Hogan
Cinematography by: László Kovács
Cameras: Panavision Panaflex Camera
Marketing & Distribution
Anaconda (1997)
Directed by: Luis Llosa
Cinematography by: Bill Butler
Edited by: Michael R. Miller
Marketing & Distribution
The Devil's Own (1997)
Directed by: Alan J. Pakula
Cinematography by: Gordon Willis
Marketing & Distribution
Absolute Power (1997)
Directed by: Clint Eastwood
Cinematography by: Jack N. Green
Edited by: Joel Cox
Marketing & Distribution
Donnie Brasco (1997)
Directed by: Mike Newell
Cinematography by: Peter Sova
Edited by: Jon Gregory
Marketing & Distribution
Starship Troopers (1997)
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Lenses: Zeiss Lenses
Marketing & Distribution
Men in Black (1997)
Directed by: Barry Sonnenfeld
Cinematography by: Donald Peterman
Edited by: Jim Miller
Marketing & Distribution
Seven Years in Tibet (1997)
Directed by: Jean-Jacques Annaud
Cinematography by: Robert Fraisse
Edited by: Noëlle Boisson
Marketing & Distribution
Jerry Maguire (1996)
Directed by: Cameron Crowe
Cinematography by: Janusz Kaminski
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
Marketing & Distribution
The Mirror Has Two Faces (1996)
Directed by: Barbra Streisand
Edited by: Jeff Werner
Cameras: Panavision Panaflex Camera
