Joe A. Ponticelle

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The Hunger Games: Catching Fire | ShotOnWhat?

First Assistant Camera: Second Unit

The Hunger Games: Catching Fire (2013)

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell

Cameras: ARRIFLEX 435 Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

The Avengers | ShotOnWhat?

First Assistant Camera

The Avengers (2012)

Directed by: Joss Whedon

Cinematography by: Seamus McGarvey

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera

Lenses: Panavision Frazier Lenses, Panavision Lenses

Editing System: Avid Editing System

Green Lantern | ShotOnWhat?

First Assistant Camera / First Assistant Camera: Second Unit

Green Lantern (2011)

Directed by: Martin Campbell

Cinematography by: Dion Beebe

Edited by: Stuart Baird

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses

Editing System: Autodesk Smoke Editing System

Cowboys & Aliens | ShotOnWhat?

First Assistant Camera

Cowboys & Aliens (2011)

Directed by: Jon Favreau

Cinematography by: Matthew Libatique

Edited by: Dan Lebental, Jim May

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Autodesk Smoke Editing System

Iron Man 2 | ShotOnWhat?

First Assistant Camera

Iron Man 2 (2010)

Directed by: Jon Favreau

Cinematography by: Matthew Libatique

Edited by: Dan Lebental, Richard Pearson

Cameras: Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Get Smart | ShotOnWhat?

First Assistant Camera

Get Smart (2008)

Directed by: Peter Segal

Cinematography by: Dean Semler

Edited by: Richard Pearson

Cameras: Panavision Genesis Camera, Panavision Panastar Camera

Lenses: Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

Editing System: Avid Editing System

Appaloosa | ShotOnWhat?

First Assistant Camera: "c" Camera

Appaloosa (2008)

Directed by: Ed Harris

Cinematography by: Dean Semler

Edited by: Kathryn Himoff

Bedtime Stories | ShotOnWhat?

First Assistant Camera: Second Unit

Bedtime Stories (2008)

Directed by: Adam Shankman

Cinematography by: Michael Barrett

Edited by: Tom Costain, Michael Tronick

Cameras: Panavision Genesis Camera, Panavision Panaflex Camera

Lenses: Panavision Primo Anamorphic Lenses

The Game Plan | ShotOnWhat?

First Assistant Camera

The Game Plan (2007)

Directed by: Andy Fickman

Cinematography by: Greg Gardiner

Edited by: Michael Jablow

Cameras: Panavision Cameras

Apocalypto | ShotOnWhat?

First Assistant Camera

Apocalypto (2006)

Directed by: Mel Gibson

Cinematography by: Dean Semler

Edited by: John Wright

Cameras: Aaton A-Minima Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Ikonoskop Cameras, Panavision Genesis Camera

We Are Marshall | ShotOnWhat?

First Assistant Camera

We Are Marshall (2006)

Directed by: McG

Cinematography by: Shane Hurlbut

Edited by: Gregg London, Priscilla Nedd-Friendly

The Benchwarmers | ShotOnWhat?

First Assistant Camera

The Benchwarmers (2006)

Directed by: Dennis Dugan

Cinematography by: Thomas E. Ackerman

Edited by: Peck Prior, Sandy S. Solowitz

Van Helsing | ShotOnWhat?

First Assistant Camera

Van Helsing (2004)

Directed by: Stephen Sommers

Cinematography by: Allen Daviau

Edited by: Bob Ducsay, Kelly Matsumoto, Jim May

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Shade | ShotOnWhat?

First Assistant Camera

Shade (2003)

Directed by: Damian Nieman

Cinematography by: Anthony B. Richmond

Edited by: Scott Conrad, Glenn Garland

What Lies Beneath | ShotOnWhat?

First Assistant Camera: Second Unit

What Lies Beneath (2000)

Directed by: Robert Zemeckis

Cinematography by: Don Burgess

Edited by: Arthur Schmidt

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses

Switchback | ShotOnWhat?

Additional First Assistant Camera: Second Unit

Switchback (1997)

Directed by: Jeb Stuart

Cinematography by: Oliver Wood

Edited by: Conrad Buff IV

Contact | ShotOnWhat?

First Assistant Camera

Contact (1997)

Directed by: Robert Zemeckis

Cinematography by: Don Burgess

Edited by: Arthur Schmidt

Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision System 65 Lenses

The Postman | ShotOnWhat?

First Assistant Camera

The Postman (1997)

Directed by: Kevin Costner

Cinematography by: Stephen F. Windon

Edited by: Peter Boyle

Waterworld | ShotOnWhat?

First Assistant Camera

Waterworld (1995)

Directed by: Kevin Reynolds

Cinematography by: Dean Semler

Edited by: Peter Boyle

Cameras: Aaton 35-III Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, Cine SL-35 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera

Lenses: Canon Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses

Blue Sky | ShotOnWhat?

Second Assistant Camera

Blue Sky (1994)

Directed by: Tony Richardson

Cinematography by: Steve Yaconelli

Edited by: Robert K. Lambert

Cameras: ARRI Cameras

The Positively True Adventures of the Alleged Texas Cheerleader-Murdering Mom | ShotOnWhat?

Second Assistant Camera

The Positively True Adventures of the Alleged Texas Cheerleader-Murdering Mom (1993)

Television Movie

Directed by: Michael Ritchie

Cinematography by: Gerry Fisher

Edited by: Eric A. Sears

Diggstown | ShotOnWhat?

Second Assistant Camera

Diggstown (1992)

Directed by: Michael Ritchie

Cinematography by: Gerry Fisher

Edited by: Don Zimmerman

Frozen Assets | ShotOnWhat?

First Assistant Camera: "b" Camera

Frozen Assets (1992)

Directed by: George Miller

Cinematography by: Ronald M. Lautore, Geza Sinkovics

Edited by: Larry Bock

Air America | ShotOnWhat?

Second Assistant Camera: Los Angeles

Air America (1990)

Directed by: Roger Spottiswoode

Cinematography by: Roger Deakins

Edited by: John Bloom, Lois Freeman-Fox

Cameras: ARRIFLEX Camera

Lenses: ARRI / Zeiss Lenses

Midnight Run | ShotOnWhat?

First Assistant Camera

Midnight Run (1988)

Directed by: Martin Brest

Cinematography by: Donald E. Thorin

Edited by: Chris Lebenzon, Michael Tronick, Billy Weber

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