Welding Gang Boss
Teenage Mutant Ninja Turtles (2014)
Directed by: Jonathan Liebesman
Cinematography by: Lula Carvalho
Cameras: ARRI ALEXA Plus 4:3 Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Welding Gang Boss
The Amazing Spider-Man 2 (2014)
Directed by: Marc Webb
Cinematography by: Dan Mindel
Edited by: Pietro Scalia
Key Rigging Grip
Dead Man Down (2013)
Directed by: Niels Arden Oplev
Cinematography by: Paul Cameron
Cameras: ARRI ALEXA Plus Camera
Key Construction Grip
Side Effects (2013)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Steven Soderbergh
Cameras: Red Epic Camera
Key Rigging Grip
Man on a Ledge (2012)
Directed by: Asger Leth
Cinematography by: Paul Cameron
Edited by: Kevin Stitt
Company Grip
Friends with Kids (2011)
Directed by: Jennifer Westfeldt
Cinematography by: William Rexer
Edited by: Tara Timpone
Cameras: ARRI ALEXA Camera
Lenses: Cooke S4 Lenses
Key Construction Grip
Win Win (2011)
Directed by: Tom McCarthy
Cinematography by: Oliver Bokelberg
Edited by: Tom McArdle
Company Grip
Black Swan (2010)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Andrew Weisblum
Cameras: ARRIFLEX 416 Camera, Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera
Lenses: Zeiss Ultra 16 Lenses
Editing System: Avid Editing System
Key Construction Grip
The Switch (2010)
Cinematography by: Jess Hall
Edited by: John Axelrad
Lenses: Cooke S4 Lenses
Key Construction Grip
You Don't Know Jack (2010)
Directed by: Barry Levinson
Cinematography by: Eigil Bryld
Edited by: Aaron Yanes
Best Boy Rigging Grip
Henry's Crime (2010)
Directed by: Malcolm Venville
Cinematography by: Paul Cameron
Edited by: Curtiss Clayton
Best Boy Grip: New York
Iron Man 2 (2010)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Best Boy Grip: Additional Photography, Connecticut
Halloween II (2009)
Directed by: Rob Zombie
Cinematography by: Brandon Trost
Cameras: ARRI Cameras
Key Rigging Grip: New York
Miracle at St. Anna (2008)
Directed by: Spike Lee
Cinematography by: Matthew Libatique
Edited by: Barry Alexander Brown
Key Grip
The Wackness (2008)
Directed by: Jonathan Levine
Cinematography by: Petra Korner
Edited by: Josh Noyes
Best Boy Grip
The Savages (2007)
Directed by: Tamara Jenkins
Cinematography by: W. Mott Hupfel III
Edited by: Brian A. Kates
Cameras: ARRICAM Lite (LT) Camera
Lenses: Cooke S4 Lenses
Company Grip / Key Rigging Grip
Purple Violets (2007)
Directed by: Edward Burns
Cinematography by: William Rexer
Edited by: Thom Zimny
Cameras: ARRI Cameras
Stunt Rigging Grip
I Am Legend (2007)
Directed by: Francis Lawrence
Cinematography by: Andrew Lesnie
Edited by: Wayne Wahrman
Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Lenses
Key Grip
Illegal Tender (2007)
Directed by: Franc. Reyes
Cinematography by: Frank Byers
Edited by: Tony Ciccone
Construction Grip
The Stepford Wives (2004)
Directed by: Frank Oz
Cinematography by: Rob Hahn
Edited by: Jay Rabinowitz
Second Company Grip: New York
Alfie (2004)
Directed by: Charles Shyer
Cinematography by: Ashley Rowe
Edited by: Padraic McKinley
Cameras: ARRIFLEX 535 B Camera, Moviecam Compact Camera
Grip
Spider-Man (2002)
Directed by: Sam Raimi
Cinematography by: Don Burgess
Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Key Construction Grip: New York
In America (2002)
Directed by: Jim Sheridan
Cinematography by: Declan Quinn
Edited by: Naomi Geraghty
Editing System: Avid Editing System
Key Rigging Grip
Stuart Little 2 (2002)
Directed by: Rob Minkoff
Cinematography by: Steven Poster
Edited by: Priscilla Nedd-Friendly
Grip
Deep Impact (1998)
Directed by: Mimi Leder
Cinematography by: Dietrich Lohmann
Cameras: ARRIFLEX 535 Camera
